Postgraduate courses at Central Saint Martins are where the next set of ideas and methods in particular disciplines are forged. We lead not follow. Steeped in a research environment, our postgraduate courses and students develop the agendas as to where the creative industries and intellectual debate might go next.

  1. Woman wearing blue dress.
    © Julia Swee Leong

    The Graduate Diploma in Fashion is a one-year programme for fashion graduates, aiming to prepare sophisticated designers for the next stage of their careers. Created for International students, the course is now open to Home/EU applicants. You’ll specialise in Womenswear, Menswear, Fashion Design with Knit or Fashion Design with Textiles. The course has excellent rates of progression to leading postgraduate fashion courses including CSM - MA Fashion (Womenswear and Menswear) and MA Textiles Futures; RCA - MA Fashion (Womenswear, Menswear, Menswear Knit, Footwear and Accessories); Parsons, New York - MA Fashion (Womenswear and Menswear); LCF - MA Fashion (Womenswear, Menswear, Footwear and Accessories), MA Digital Fashion, MA Fashion Marketing; Chelsea - MA Textiles; Arnhem - MA Fashion (Womenswear); Goldsmiths - MA Design and Environment and Westminster University - MA Fashion.

  2. A white suit jacket.

    A highly regarded postgraduate level course for designers, graduates and practising pattern cutters.

  3. A green shoe

    Creative Visual Merchandising for Graduates and Professionals is an intensive course designed for visual merchandisers, art directors, set designers, stylists, creative graduates, as well as practicing visual merchandisers, who want to expand their experience, cultivate their practical skills and further develop a creative approach to creative display.

  4. Woman with her mouth open.

    MA Acting is an intensive 45 week conservatoire Actor training course. Eight weeks of the course are spent studying in Moscow. Skills classes in Voice, Movement, Neutral Mask, Ballet, Period Dance, Speech and Acting underpin a programme embracing the Greeks to Contemporary drama, with particular emphasis on Shakespeare and Chekhov.

  5. Sheep post-it notes with writing on.

    Apply your imagination by framing an original and personal research project and question existing assumptions and boundaries in one or more of the creative disciplines. Investigate your ideas through a series of real-world interventions and obtain feedback from end-users and key practitioners.

  6. Finger pointing at a board.

    In a world where established customs, systems and structures are increasingly unstable there is a need for a different kind of architectural thinking - one that identifies and exploits opportunities, and address the challenges of contemporary society. In this Course you'll explore the edges of the disciplinary boundaries of architecture, and test design approaches which respond to the burgeoning need for contemporary city design to focus not only on the traditional ‘hard’ infrastructures of buildings, transport and engineering, but also the softer infrastructures of social networks, organization and human interactions.

  7. A greyscale plan.

    The M ARCH: Architecture course is uniquely positioned at Central Saint Martins to draw on the dynamic design thinking and making skills from a range of art and design practices, as well as providing you with the second degree in the professional pathway toward registration as an architect – commonly referred to as Part 2.

  8. dancers in a line

    MA Arts and Cultural Enterprise acknowledges the need for multi-skilled individuals who can both generate the ideas for original arts and cultural events, and provide leadership for the teams that realise them. The course enables responses to new forms of creative practice, and changing global conditions.

  9. A pattern on the floor.
    © Kristina Pulejkova

    This pioneering course investigates the creative relationships between art and science and how to communicate them. With access to important collections in London you’ll explore the making and presentation of your work and pursue innovative outcomes in practice and research, towards professional engagement in art and science authorship and creative practice.

  10. A black and white skull.
    © Maxim Northover

    MA Character Animation specialises in one area – animation of characters. You’ll build universal skills and contextual awareness based on an understanding of motion, characterisation and performance. This course will help you become a reflective, innovative practitioner, well placed to succeed in this fast-moving industry.

  11. Colourful patterns.
    © Emma Kalkhoven

    MA Communication Design at Central Saint Martins provides a laboratory where creative experimentation and practice meets real-world experience and demands. By facilitating a critical and widely experimental approach to visual form and media production, we encourage our students to become versatile designers, astute commentators and agents of change. We welcome creative individuals who see and think critically and are therefore compelled to make and act inventively and purposefully.

  12. A handprint against fabric.

    MA Culture, Criticism and Curation offers a unique framework for critically engaging with the history and present scenarios of culture. We create outcomes through which new understandings can be generated through critical writing and expanded forms of curation.

  13. Person in opaque glasses.
    © Dong Kim

    MA Design focuses on your individual design practice and, through making and immersion in material processes, will broaden your career and research horizons. Your Masters project becomes the vehicle for developing your creative abilities and analytical skills, while you critically engage in the fields of emergent design discourse, global markets and the investigation of technologies. Our two-year Masters programme expects you to be ambitious. It will challenge you to explore and expand your opportunities, and make your mark on the global design industry.

  14. MA Dramatic Writing is a new course, exploring new models of training for dramatic writers in the UK. The course brings together ten Masters who have led on dramatic writing training in the UK: Ola Animashawun, Stephen Jeffreys, Caroline Jester, Fin Kennedy, Kate Rowland, Philip Shelley, Nina Steiger, Jennifer Tuckett, Steve Winter, and John Yorke. The course offers the best training in craft in the UK, industry commissions, partnerships and mentorship, collaboration with actors, directors, designers and animators, and the opportunity to work on your own major projects. Our aim is to help nurture the next generation of leading writers.

  15. © Craig Jones 2012
    catwalking.com

    MA Fashion has an outstanding reputation sustained over more than three decades and is the only course that shows at London Fashion Week on the official London Fashion Week schedule The profile of its alumni as design directors internationally and as own label designers is unrivalled The course offers four pathways of study Womenswear | Menswear | Knitwear | Textiles for Fashion

  16. Woman in an orange dress.

    With its three distinctive but interconnected pathways, this course is for dynamic students looking to thrive within the fashion communications industry at the highest level. The Fashion Journalism pathway focuses on writing, editing and digital media. Fashion Communication & Promotion is for innovative image-makers; and Fashion Critical Studies offers an academic approach to the analysis of Fashion.

  17. A hollow 3D shape on legs.
    © Majella Dowdican, I hope the Wind Changes, 2014

    MA Fine Art determines and challenges the boundaries of art while locating theory at the centre of practice. In a dynamic learning culture that celebrates diverse backgrounds and ambitions, you’ll develop a critical art practice that will shape your career as an international artist. The MA Fine Art studios are located in an independent building in Archway, so the course offer allows students a self contained studio building facilitating their independent working practices and self-organisation alongside all the benefits of the King's Cross campus.

  18. A wooden machine.
    © Pierre Papet

    MA Industrial Design applies intellectual development directly to design practice, empowering you take on a strategic role, to identify and respond to trends, to initiate new design approaches, and to thrive in multidisciplinary teams.

  19. Lots of hanging signs.

    MA Innovation Management recognises the need to identify and verify opportunity. Where MBA and design management programmes analyse problems, this postgraduate course deploys connective and creative approaches to managing innovation in order to synthesise opportunities.

  20. Partially golden crustacean claws on a necklace.
    © Moe Nagata

    MA Textile Futures is now called MA Material Futures. We’ve always believed ‘textiles’ to encompass a broad approach to materiality, and to better reflect the multidisciplinary nature of our work we have changed our course title.

  21. Wood seen through a fish-eye lense.
    © Elmira Ebrahimi

    On this course you'll design visitor experiences and events for museums, brand, urban and community environments and work in small multidisciplinary teams to tell stories through text, image, sound and physical space. You'll benefit from strong industry links that provide live, funded projects, mentors and placements.

  22. Woman's head on a film reel.

    This course brings together artists, directors, writers, researchers and designers to set the agendas that will drive performance practice in the 21st century. Graduates go on to professional practice, working as influential directors, writers and producers in theatre, TV, film, opera or dance, or progress to research degree study.

  23. Mottled shape on red background.

    MA Photography is an international fine art photography course that explores the possibilities of both visual and conceptual expression, merging research deeply with practice. The course is rooted in the idea that photography has no self-limiting identity or essence. In creating work that is visually exciting and intellectually compelling you’ll develop as an artist with photography at the core of your practice, defining, or redefining photography as the art form of 21st Century. The course is led by Daniel Rubinstein, recipient of a 2014 UAL Teaching Award. 2014 award nominations: Sina Michalskaja, Nova Award winner and finalist for the Celeste Prize; Daniel Silva shortlisted for Saatchi 2014 Sensations Prize.

  24. Screaming woman with gun.

    MA Screen Acting course specializes in giving the actor a rigorous and intense conservatoire training focused on delivering performance for the screen. Whether on film or television or other recorded media such radio. The student will be involved in many filmed projects including a final short film professionally produced as well as professionally shot show reel material. The course also gives the student a full programme of professional preparation with current industry professionals, including casting directors, agents, producers.

  25. A film clapperboard.
    © Yorgos Karavasilis

    This intensive course gives you a unique insight into an actors conservatoire training, giving the director the intellectual and artistic tools to better communicate and stimulate a creative performance from actors on film. Directing means working with performers and developing a methodology that balances the needs of the actor against the grinding pressure of the shooting process. This course equips and enables the director to find their own voice whilst developing the skills needed to balancing these difficult demands. During the course you will work closely with the acting cohort developing your directors voice and vision to tell story through narrative drama, focusing on an understanding on the importance of genre, casting and story telling with the actor. * Please note: recruitment to the Writing pathway is currently suspended. *

  26. View of The Street in Central Saint Martins
  27. People in a gallery.

    This course examines the history of contemporary art through key developments in the exhibition form. Delivered in collaboration with Afterall, the art research and publishing enterprise based at Central Saint Martins. It’s part of our research community which includes students in MPhil/PhD programmes and research staff.

  28. An outdoor screen.

    MRes Art: Moving Image focuses on the history, theory and practice of contemporary artist moving image. The programme is dedicated to the development of new discourses within an expanded field of practice, encompassing artists, curators, writers and scholars. As a collaboration delivered in association with LUX, the programme offers a critical engagement with, and the professional development of, ideas around artists' moving image, in terms of exhibition, distribution, publishing, education, and research.

  29. Two men talking.

    MRes Art: Theory and Philosophy promotes dialogue amongst practitioners and theorists about art discourse today. Highly relevant for both artists and writers, the course theorises art from a contemporary perspective embracing ideas in Continental philosophy, The Marxist intellectual tradition, as well as psychoanalytic and feminist theories.