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Postgraduate

MA Performance: Design and Practice

Start date:
September 2026
Application deadline:
Applications closed for 2026/27 entry
College:
Central Saint Martins
Fees:
£7,550 per year (Home) £19,845 per year (International) Fee details
Course length:
2 years (60 weeks)
Extended full-time
Bearded, long haired man in pink boxer short and lipstick holding a large sign stating APPLAUSE
‘The Little Death’ by Mina Orak and Justin Atkins, Little Death, Mina Alacalioglu

Bringing together artists, directors, writers, researchers and designers, this course sets the agendas that drive performance practice in the twenty-first century.

Course summary

Applications closed 2026/2027

Applications are now closed for 2026/27 entry. Applications for 2027/28 entry will open in autumn 2026.

MA Performance: Design and Practice graduates go on to work as influential directors, writers and producers in theatre, TV, film, opera or dance, or progress to research degree study. This course is part of the Performance programme.

Why choose this course at Central Saint Martins

  • Experimental practice: The course promotes adventure and risk-taking, and investigative and informed approaches to the creation of performance.
  • Transdisciplinary: The course encourages a transdisciplinary approach to performance-making across a range of platforms including live performance, moving image and digital technologies.
  • Advanced practice and research: The course is delivered by practitioners and research-active staff with international profiles producing work across a wide range of media.
  • Change-based approach: You will develop resilience, resourcefulness and independence as a practitioner.
  • Communities of practice: The course builds a richly diverse community of practice that is part of a postgraduate environment, at both College and University, offering connection across disciplines.

Open days

There are currently no open days scheduled for this course, please check back at a later date.

Watch a recording of the recent MA Performance: Design and Practice open day.

Scholarships, bursaries and awards

Course overview

MA Performance: Design and Practice asks; What is the socio-political context for contemporary performance? What is its purpose? Who is it for? What might it be? How can it engage with contemporary social, political or cultural discourse?

The course will support you to become an independent, critically reflective practitioner in your chosen field. You will be encouraged to create work which interrogates and engages with performance conventions, traditional roles, and hierarchies.


MA Performance: Design and Practice encourages you:  

  • To explore new compositional strategies for time-based practice. 
  • To interrogate the relationship(s) between media, performance, socio-political context and audience. 
  • To develop a more critical/methodological approach to your own cultural consumption.
  • To use research/knowledge as a base for radical experimentation.
  • To develop strategies for working collaboratively.
  • To think strategically about professional practice.

Through an integrated and individual approach to practice and research, the course aims to develop your creativity. You will be encouraged to analyse the processes which drive and define your practice and to question how your work relates to the broader context of performance practice and to address ethics and social responsibilities in your work.

MA Performance: Design and Practice at CSM focuses on those sectors of performance culture where ideas and orthodoxies are in flux; innovative and experimental practices, but also those places where mainstream cultural traditions for instance Opera, and traditional theatre are being influenced by new approaches to Performance.

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Course units

Unit 1: Collaborative Practices


The first part of the course the primary focus is on those collaborative processes Where artists work together to realise a shared creative vision.
During this unit, you will be asked to engage in a number of collaborative projects, normally 3, each of which culminates in a public presentation. The secondary focus of the unit is on exploring the resources available to you as you move towards individual practice, among these are your teachers, the programme technical team and particularly your fellow students.


Each project comes with a brief which suggests a theoretical lens. These theoretical perspectives, unpacked through seminars and workshops will normally be expected to impact on the development of the practical work. 


Overall, this unit gives you the opportunity to develop your experience of collaborative working, and importantly it fosters creative relationships that will support you though units 2 and 3.

  
Unit 2: Performance as Dialogue 


The second part of the course places more emphasis on developing your individual practice and expands its focus to include processes where artists work alone or together to support and realise an individual artist’s creative vision. 

Alongside the development of your practice the key question that underpins this unit is; What is the socio-political context for contemporary performance? What is its purpose? Who is it for? What might it be?
 

This unit focusses on how the work you make together and the performance language you use can be understood and further developed.  To do this the unit looks into how the work you are making is likely be encountered interpreted and understood by an audience, viewer or participants. Throughout the unit you are asked to present proposals for performance-based projects; these may be presentations of performance fragments or short form experimental works. Your critical position, as a practitioner, and your developing concerns are expanded on through a deeper engagement with research or practice enquiry. The proposals that you conceive and develop through this unit will be further explored or realised in the final unit. 


Through a programme of studio critiques, you will be supported in an interrogation of how you and your peers, as well as more established artists, communicate ideas and elicit emotional responses.

Unit 3: Independent Project 
This final part of the course will ask you to define your specific area of practice performer/director/designer for example. Bringing your ideas and skills to a conclusion; you will be required to contribute to a body of independent  collaborative practice for presentation, alongside a written research document. 

Critical skills and methodologies 
You will focus on practice-based research, including the theoretical context surrounding practice. The course facilitates greater insight into complex debates around contemporary art and performance; including systems of philosophical, political or environmental enquiry.

Independence and professional preparation 
MA Performance: Design and Practice encourages independent practice within collaborative frameworks supported by seminars and discussions. In developing your individual practice will be able to draw on the wide professional and academic experience of the course team and others within the university. 

CSM Academic Support is delivered by a team of academics and practitioners working alongside your course to help you progress and achieve your maximum potential as a student. Academic Support can help you to develop your skills in different areas, including critical thinking, research and writing, time management, presentations and working independently and collaboratively. These may be offered as part of your timetabled classes or as bookable tutorials and workshops.

Mode of study 


MA Performance: Design and Practice is offered in extended full-time mode which runs for 60 weeks over two academic years. You will be expected to commit 30 hours to study and your developing practice per week, which includes teaching time and independent study.  


The course is designed in such a way as to enable you to pursue studies, while also undertaking part-time employment, internships or care responsibilities.  


Credit and award requirements 


The course is credit-rated at 180 credits.  


On successfully completing the course, you will gain a Master of Arts (MA degree).  


Under the Framework for Higher Education Qualifications, an MA is Level 7. All units must be passed in order to achieve the MA but the classification of the award is derived from the mark for the final unit only.  


If you are unable to continue on the course, a Postgraduate Certificate (PG Cert) will normally be offered following the successful completion of 60 credits, or a Postgraduate Diploma (PG Dip) following the successful completion of 120 credits.  

Learning and teaching methods

 

The learning and teaching methods devised for this course include:

  • Peer group meetings
  • Inductions and workshops 
  • Short collaborative workshops and group projects
  • Seminars and guest speakers 
  • Independent learning
  • Personal and peer group tutorials 
  • Critiques and presentations 
  • Recommended resources, viewing and visits  
  • Peer and self-critical evaluation  
  • Formative assessment and tutor feedback

Assessment methods

  • Participation in workshops
  • Research and preparatory work 
  • Documentation of performance-based practice 
  • Formative assessment
  • Presentations of performance-based practice 
  • Independent project draft proposals 
  • Independent project written submission 
  • Peer and self-critical evaluations 
  • Participation in debates and discussions
  • Realisation and communication of an individual programme of practice

European placement student film

Generations: A series of improvisation workshops and public showings

UAL Showcase

Explore work by our recent students on UAL Showcase

Facilities

  • A student working on a desktop computer in a partitioned booth. They are wearing a black baseball cap and  there is a fashion project on screen. To their right is an upright tablet charging with a black screen.
    Digital Labs, Central Saint Martins, UAL. Photo: Ana Blumenkron
  • Close-up of a clothes rail of labelled hanging patterns and fabric designs,with white labels indicating what's in each section and bwn dividers between sections. To the right a label states Accessory Blocks and we can just see hanging measuring tapes and a burgundy leather item with a gold embellishment
    Costume workshop, Central Saint Martins, UAL. Photo: Ana Blumenkron
  • A student is setting up a camera on a tripod in the studio. There is a pedestal with a screen to the right in front of 2 windows. Behind her there are hanging accessories and equipment.
    Photography workshop, Central Saint Martins, UAL. Photo: Ana Blumenkron
  • An all-black theatre with identical chairs arranged around 3 sides of a central floorspace and a possible screen or blank projection wall on the fourth side..
    Studio Theatre, Central Saint Martins, UAL. Photo: Ana Blumenkron

Staff

Associate Lecturer: Lea Anderson
Associate Lecturer: Gary Stevens 
Associate Lecturer: Harun Morrison 
Associate Lecturer: Sophie Jump

Specialist Technician Costume: Verity Cleary
Specialist Technician Lighting and Sound: Luke Cunningham
Specialist Technician Design and Projection: Michael Breakey
Specialist Technician Projection Mapping: Dimitrios Coumados

Fees and funding

Home fee

£7,550 per year

This fee is correct for 2026/27 entry and is subject to change for 2027/28 entry.

Tuition fees may increase in future years for new and continuing students on courses lasting more than one year. For this course, you can pay tuition fees in instalments.

Home fees are currently charged to UK nationals and UK residents who meet the rules. However, the rules are complex. Find out more about our tuition fees and determining your fee status.

International fee

£19,845 per year

This fee is correct for 2026/27 entry and is subject to change for 2027/28 entry.

Tuition fees may increase in future years for new and continuing students on courses lasting more than one year. For this course, you can pay tuition fees in instalments.

Students from countries outside of the UK will generally be charged international fees. The rules are complex so read more about tuition fees and determining your fee status.

Additional costs

You may need to cover additional costs which are not included in your tuition fees, such as materials and equipment specific to your course. For a list of general digital equipment you may need (and how you can borrow equipment), visit our Study costs page.

Accommodation

Find out about accommodation options and how much they will cost, and other living expenses you'll need to consider.

Scholarships, bursaries and awards

If you’ve completed a qualifying course at UAL, you may be eligible for a tuition fee discount on this course. Find out more about our Progression discount.

You can also find out more about the Postgraduate Masters Loan (Home students only) and scholarships for Home and International students. Discover more about student funding.

If you’re based in the UK and plan to visit UAL for an Open Event, check if you’re eligible for our UAL Travel Bursary. This covers the costs of mainland train or airline travel to visit UAL.

How to pay

Find out how you can pay your tuition fees.

Scholarship search

Entry requirements

MA Performance: Design and Practice is focussed on the individual student’s practice and the development of this practice within a collaborative context.

The 2 models of collaboration which frame the course are:

  1. Where artists work together to realise a shared creative vision.
  2. Where artists work together to support and realise an individual artist’s creative vision.

These models are intended to reflect the realities of professional practice. 
 

The standard entry requirements for this course are as follows 

  • An honours degree

Or 

  • An equivalent EU/international qualification.

 

AP(E)L – Accreditation of Prior (Experiential) Learning

Exceptionally applicants who do not meet these course entry requirements may still be considered. The course team will consider each application that demonstrates additional strengths and alternative evidence. This might, for example, be demonstrated by:

  • A portfolio of creative practice or relevant experience.
  • The quality of the personal statement.
  • Recommendations from employers or professionals in relevant fields of practice.

Or a combination of these factors.

Each application will be considered on its own merit but we cannot guarantee an offer in each case.

English language requirements

IELTS level 6.5 or above, with at least 5.5 in reading, writing, listening and speaking (please check our main English language requirements webpage). 

Selection criteria

We select applicants according to potential and current ability in the following areas as evidenced through the application, portfolio and personal statement: 

  • Prior experience as a creative practitioner evident through documentation in the portfolio. 
  • Demonstration of independence in learning and research or enquiry.
  • Awareness of cultural and social contexts of relevance to the candidate and their practice. 
  • Appropriate communication skills and a preparedness to cooperate with others in the learning community. 
  • Your motivation for developing your practice through study on this course.

Information for disabled applicants

UAL is committed to achieving inclusion and equality for disabled students. This includes students who have:

     
  • Dyslexia or another Specific Learning Difference
  • A sensory impairment
  • A physical impairment
  • A long-term health or mental health condition
  • Autism
  • Another long-term condition which has an impact on your day-to-day life

Our Disability Service arranges adjustments and support for disabled applicants and students.

Read our Disability and dyslexia: applying for a course and joining UAL information.

How to apply

Follow this step-by-step guide to apply for this course

Step 1: Initial application

For a general guide to applying to our courses, read our postgraduate application advice.

You will need to submit an initial application including your personal statement and CV.

Personal statement advice

Your personal statement should be maximum 500 words and include:

  • your reasons for choosing the course
  • your current creative practice and how this course will help you achieve your future plans
  • any relevant education and experience, especially if you do not have any formal academic qualifications.

CV advice

Please provide a CV detailing your education, qualifications and any relevant work or voluntary experience. If you have any web projects or other media that you would like to share, please include links in your CV. If English is not your first language, please also include your most recent English language test score.

Study proposal advice

Please provide a summary of your study proposal (500 words).

It should include:

  • a brief description of what you would like to focus on for your major project. Include the methods, theories or practices you will use or explore
  • a discussion of your aims and objectives for your project as well as any predicted final outcomes
  • what resources, time and materials this project requires. For example, spaces, equipment, research materials, performers, designers etc.

Please note, your proposal serves to inform your application and we understand that your ideas will inevitably develop and change throughout your studies.

Step 2: Video task and digital portfolio

We will review your initial application. If you have met the standard entry requirements, we will ask you to submit a digital portfolio.

You’ll need to submit this via PebblePad, our online portfolio tool.

Video task advice

We’d like you to submit a 2-3 minute video to help us learn more about you. When recording your task, please face the camera and speak in English.

What to include in your video task:

  • Choose 1 project from your portfolio which resulted in a performance. Describe your role and how the project was developed. Include details of what you did at each stage.
  • Discuss what you feel was successful in the project and why.
  • Discuss one thing you would change about the project if you did it again.

Find advice on how to plan and film your video task. Then read our guidance on how to submit your video task, including the file types we accept

Digital portfolio advice

Your portfolio should consist of recent work that reflects your creative strengths.

It should:

  • Be a maximum of 25 pages, including your video task.
  • Include a range of work to showcase your current creative practice. Focus on work that illustrates your interests, as well as your previous experience and practical skills. For example, images, documentation, videos, reflections, links to online work etc.
  • Focus on projects that resulted in performance outcomes, even if these are small-scale. Include no more than 1 project that is still in the conceptual phase.
  • Include a contextual statement to explain your approach and interests (maximum 200 words).
  • Show which aspects of performance design and practice your current work engages with, such as physical theatre, live art, installation art, socially engaged practices etc.

To find out how to create, format and upload your portfolio, see our Portfolio advice and PebblePad advice.

Final step: After you apply

Find out how we'll communicate with you and see what happens after you apply.

Apply now

Application deadline

Applications are now closed for 2026/27 entry. Applications for 2027/28 entry will open in autumn 2026.

Read more about deadlines

Apply now

Application deadline

Applications are now closed for 2026/27 entry. Applications for 2027/28 entry will open in autumn 2026.

Read more about deadlines

Careers

MA Performance: Design and Practice prepares you particularly for independent professional practice. Many of our graduates form their own creative companies and partnerships. MA Performance: Design and Practice graduates have gone on to work in art, design and performance in a range of roles, producing and presenting work in many creative contexts including festivals, art centres and venues around the world.

MA Performance: Design and Practice students leave with a specialist individual understanding of performance practice from a chosen perspective. The experience you gain on the postgraduate course enables you to progress to professional practice, working, for example, in theatre, television, film, opera or dance. Some students go on to direct, write or produce. Others progress to research degree study. MA Performance: Design and Practice supports its graduates via a company that offers initial professional experience and publicity.

Recent alumni activity demonstrates the breadth of student activity within the subject. Many graduates from MA Performance: Design and Practice have gone on to achieve professional success. For example, 2010 graduate Catrin Osborne has been appointed Director in Residence at Circus Space, London, 2010 graduate Ruchita Madhok has an Internship at the V&A Museum, London, 2010 graduate Payal Wadhwa has gained a place on the Royal Court Theatre's writing programme. 2009 graduate successes include Susan Leen on a Studio internship with Lucy Orta and David Shearing, appointed to a teaching and research post at Leeds University. 2008 graduate Ingwill Fossheim has a Design Internship at the Royal Shakespeare Company.

Student jobs and careers

Find out how careers and employability helps our students and graduates start their careers.