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Postgraduate

MA Performance: Design and Practice

Bearded, long haired man in pink boxer short and lipstick holding a large sign stating APPLAUSE
‘The Little Death’ by Mina Orak and Justin Atkins, Little Death, Mina Alacalioglu
College
Central Saint Martins
Start date
September 2026
Course length
Two years (60 weeks)
Extended full-time

Bringing together artists, directors, writers, researchers and designers, this course sets the agendas that drive performance practice in the twenty-first century.

Course summary

Apply now to start in September 2026

Applications are open for this course. Apply by 18 March for equal consideration.

MA Performance: Design and Practice graduates go on to work as influential directors, writers and producers in theatre, TV, film, opera or dance, or progress to research degree study. This course is part of the Performance programme.

Why choose this course at Central Saint Martins

  • Experimental practice: The course promotes adventure and risk-taking, and investigative and informed approaches to the creation of performance.
  • Transdisciplinary: The course encourages a transdisciplinary approach to performance-making across a range of platforms including live performance, moving image and digital technologies.
  • Advanced practice and research: The course is delivered by practitioners and research-active staff with international profiles producing work across a wide range of media.
  • Change-based approach: You will develop resilience, resourcefulness and independence as a practitioner.
  • Communities of practice: The course builds a richly diverse community of practice that is part of a postgraduate environment, at both College and University, offering connection across disciplines.

Open days

The next open day for this course will take place on Tuesday 24 February. Book now.

Watch a recording of the recent MA Performance: Design and Practice open day.

Scholarships, bursaries and awards

Course overview

MA Performance: Design and Practice asks; What is the socio-political context for contemporary performance? What is its purpose? Who is it for? What might it be?

The course will support you to become an independent practitioner in your chosen field. You will be encouraged to create work which interrogates existing performance conventions, traditional roles, and hierarchies.


MA Performance: Design and Practice encourages you:  

  • To explore new compositional strategies for time-based practice. 
  • To interrogate the relationship(s) between media, performance, socio-political context and audience. 
  • To develop a more critical/methodological approach to your own cultural consumption.
  • To use research/knowledge as a base for radical experimentation.
  • To develop strategies for working collaboratively.
  • To think strategically about professional practice.

Through an integrated and individual approach to practice and research, the course aims to develop your creativity. You will be encouraged to analyse the processes which drive and define your practice and to question how your work relates to the broader context of performance practice.

MA Performance: Design and Practice at CSM focuses on those sectors of performance culture where ideas and orthodoxies are in flux; innovative and experimental practices, but also those places where mainstream cultural traditions for instance Opera, and traditional theatre are being influenced by new approaches to Performance.


We are committed to developing ethical performance practices. To achieve this, we are working to embed UAL's Principles for Climate, Social and Racial Justice into the course. 

Contact us

Register your interest to receive information and updates about studying at UAL.

Contact us to make an enquiry.

Course units

Unit 1: Collaborative Practices


The first part of the course the primary focus is on those collaborative processes Where artists work together to realise a shared creative vision.
During this unit, you will be asked to engage in a number of collaborative projects, normally 3, each of which culminates in a public presentation. The secondary focus of the unit is on exploring the resources available to you as you move towards individual practice, among these are your teachers, the programme technical team and particularly your fellow students.


Each project comes with a brief which suggests a theoretical lens. These theoretical perspectives, unpacked through seminars and workshops will normally be expected to impact on the development of the practical work. 


Overall, this unit gives you the opportunity to develop your experience of collaborative working, and importantly it fosters creative relationships that will support you though units 2 and 3.

  
Unit 2: Performance as Dialogue 


The second part of the course places more emphasis on developing your individual practice and expands its focus to include processes where artists work alone or together to support and realise an individual artist’s creative vision. 

Alongside the development of your practice the key question that underpins this unit is; What is the socio-political context for contemporary performance? What is its purpose? Who is it for? What might it be?
 

This unit focusses on how the work you make together and the performance language you use can be understood and further developed.  To do this the unit looks into how the work you are making is likely be encountered interpreted and understood by an audience, viewer or participants. Throughout the unit you are asked to present proposals for performance-based projects; these may be presentations of performance fragments or short form experimental works. Your critical position, as a practitioner, and your developing concerns are expanded on through a deeper engagement with research or practice enquiry. The proposals that you conceive and develop through this unit will be further explored or realised in the final unit. 


Through a programme of studio critiques, you will be supported in an interrogation of how you and your peers, as well as more established artists, communicate ideas and elicit emotional responses.

Unit 3: Independent Project 
This final part of the course will ask you to define your specific area of practice performer/director/designer for example. Bringing your ideas and skills to a conclusion; you will be required to contribute to a body of independent  collaborative practice for presentation, alongside a written research document. 

Critical skills and methodologies 
You will focus on practice-based research, including the theoretical context surrounding practice. The course also aims to facilitate greater insight into debates around contemporary art and performance.

Independence and professional preparation 
MA Performance: Design and Practice encourages independent practice within collaborative frameworks supported by seminars and discussions. In developing your individual practice will be able to draw on the wide professional and academic experience of the course team and others within the university. 


Important note concerning academic progression through your course: If you are required to retake a unit you will need to cease further study on the course until you have passed the unit concerned. Once you have successfully passed this unit, you will be able to proceed onto the next unit. Retaking a unit might require you to take time out of study, which could affect other things such as student loans or the visa status for international students. 

CSM Academic Support is delivered by a team of academics and practitioners working alongside your course to help you progress and achieve your maximum potential as a student. Academic Support can help you to develop your skills in different areas, including critical thinking, research and writing, time management, presentations and working independently and collaboratively. These may be offered as part of your timetabled classes or as bookable tutorials and workshops.

Mode of study 


MA Performance: Design and Practice is offered in extended full-time mode which runs for 60 weeks over two academic years. You will be expected to commit 30 hours to study and your developing practice per week, which includes teaching time and independent study.  


The course is designed in such a way as to enable you to pursue studies, while also undertaking part-time employment, internships or care responsibilities.  


Credit and award requirements 


The course is credit-rated at 180 credits.  


On successfully completing the course, you will gain a Master of Arts (MA degree).  


Under the Framework for Higher Education Qualifications, an MA is Level 7. All units must be passed in order to achieve the MA but the classification of the award is derived from the mark for the final unit only.  


If you are unable to continue on the course, a Postgraduate Certificate (PG Cert) will normally be offered following the successful completion of 60 credits, or a Postgraduate Diploma (PG Dip) following the successful completion of 120 credits.  

Learning and teaching methods

The learning and teaching methods devised for this course include:

  • Peer group meetings
  • Inductions and workshops 
  • Short collaborative workshops and group projects
  • Seminars and guest speakers 
  • Independent learning
  • Personal and peer group tutorials 
  • Critiques and presentations 
  • Recommended resources, viewing and visits  
  • Peer and self-critical evaluation  
  • Formative assessment and tutor feedback

Assessment methods

  • Participation in workshops
  • Research and preparatory work 
  • Documentation of performance-based practice 
  • Formative assessment
  • Presentations of performance-based practice 
  • Independent project draft proposals 
  • Independent project written submission 
  • Peer and self-critical evaluations 
  • Participation in debates and discussions
  • Realisation and communication of an individual programme of practice

European placement student film

Generations: A series of improvisation workshops and public showings

UAL Showcase

Explore work by our recent students on UAL Showcase

Student work

  • Woman being photographed in swimming costume standing in paddling pool with one person holding a hairdryer and another holding a blanket
    Martina Conti | Birth of Venus (Scratch)
  • Naked bodies intermingled and covered in dark paint
    Olivier de Sargazan workshop, Polverigi, Italy (March 2016)
  • Line of people wearing white boiler suits with tubes over the heads connected to eachother
    Work in Progress exhibition, Sha Lu
  • Black and white photo of a woman leaning over a table looking at small human figurines
    'This Body is All Bodies’ by Maryam Nazari
  • Mushrooms-2.jpg
  • Woman sitting by a piano wearing a Native American headdress
    Placement Project, Jerez, Spain

Facilities

  • A room with people working at computers
    Image courtesy of Central Saint Martins,
  • Mannequins on display inside the costume store at Central Saint Martins
    Image courtesy of Central Saint Martins,
  • A dark room with an iMac and lighting
    Image courtesy of Central Saint Martins,
  • A person setting up backstage at the Studio Theatre at Central Saint Martins
    Image courtesy of Central Saint Martins,

Staff

Associate Lecturer: Lea Anderson
Associate Lecturer: Gary Stevens 
Associate Lecturer: Harun Morrison 
Associate Lecturer: Sophie Jump

Specialist Technician Costume: Verity Cleary
Specialist Technician Lighting and Sound: Luke Cunningham
Specialist Technician Design and Projection: Michael Breakey
Specialist Technician Projection Mapping: Dimitrios Coumados

Fees and funding

Home fee

£7,550 per year

This fee is correct for 2026/27 entry and is subject to change for 2027/28 entry.

Tuition fees may increase in future years for new and continuing students on courses lasting more than one year. For this course, you can pay tuition fees in instalments.

Home fees are currently charged to UK nationals and UK residents who meet the rules. However, the rules are complex. Find out more about our tuition fees and determining your fee status.

International fee

£19,845 per year

This fee is correct for 2026/27 entry and is subject to change for 2027/28 entry.

Tuition fees may increase in future years for new and continuing students on courses lasting more than one year. For this course, you can pay tuition fees in instalments.

Students from countries outside of the UK will generally be charged international fees. The rules are complex so read more about tuition fees and determining your fee status.

Additional costs

You may need to cover additional costs which are not included in your tuition fees, such as materials and equipment specific to your course. For a list of general digital equipment you may need (and how you can borrow equipment), visit our Study costs page.

Accommodation

Find out about accommodation options and how much they will cost, and other living expenses you'll need to consider.

Scholarships, bursaries and awards

If you’ve completed a qualifying course at UAL, you may be eligible for a tuition fee discount on this course. Find out more about our Progression discount.

You can also find out more about the Postgraduate Masters Loan (Home students only) and scholarships for Home and International students. Discover more about student funding.

If you’re based in the UK and plan to visit UAL for an Open Event, check if you’re eligible for our UAL Travel Bursary. This covers the costs of mainland train or airline travel to visit UAL.

How to pay

Find out how you can pay your tuition fees.

Scholarship search

Entry requirements

MA Performance: Design and Practice is focussed on the individual student’s practice and the development of this practice within a collaborative context.

The 2 models of collaboration which frame the course are:

  1. Where artists work together to realise a shared creative vision.
  2. Where artists work together to support and realise an individual artist’s creative vision.

These models are intended to reflect the realities of professional practice. 
 

The standard entry requirements for this course are as follows 

  • An honours degree

Or 

  • An equivalent EU/international qualification.

AP(E)L – Accreditation of Prior (Experiential) Learning

Exceptionally applicants who do not meet these course entry requirements may still be considered. The course team will consider each application that demonstrates additional strengths and alternative evidence. This might, for example, be demonstrated by:

  • A portfolio of creative practice or relevant experience.
  • The quality of the personal statement.
  • Recommendations from employers or professionals in relevant fields of practice.

Or a combination of these factors.

Each application will be considered on its own merit but we cannot guarantee an offer in each case.

English language requirements

IELTS level 6.5 or above, with at least 5.5 in reading, writing, listening and speaking (please check our main English language requirements webpage). 

Selection criteria

We select applicants according to potential and current ability in the following areas as evidenced through the application, portfolio and personal statement: 

  • Prior experience as a creative practitioner evident through documentation in the portfolio. 
  • Demonstration of independence in learning and research or enquiry.
  • Awareness of cultural and social contexts of relevance to the candidate and their practice. 
  • Appropriate communication skills and a preparedness to cooperate with others in the learning community. 
  • Your motivation for developing your practice through study on this course.

Information for disabled applicants

UAL is committed to achieving inclusion and equality for disabled students. This includes students who have:

     
  • Dyslexia or another Specific Learning Difference
  • A sensory impairment
  • A physical impairment
  • A long-term health or mental health condition
  • Autism
  • Another long-term condition which has an impact on your day-to-day life

Our Disability Service arranges adjustments and support for disabled applicants and students.

Read our Disability and dyslexia: applying for a course and joining UAL information.

Apply now

Application deadline

Deadline

Round 1:

2 December 2025 at 1pm (UK time)

Round 2:

18 March 2026 at 1pm (UK time)

Digital portfolio and video task deadline

Round 1:

16 December 2025 at 1pm (UK time)

Round 2:

31 March 2026 at 1pm (UK time)

Decision outcome

Round 1:

20 March 2026

Round 2:

19 June 2026

Round 1
Round 2
Deadline
2 December 2025 at 1pm (UK time)
18 March 2026 at 1pm (UK time)
Digital portfolio and video task deadline
16 December 2025 at 1pm (UK time)
31 March 2026 at 1pm (UK time)
Decision outcome
20 March 2026
19 June 2026

We have 2 rounds of deadlines for postgraduate courses: one in December and one in March. If there are still places available after 18 March, this course will remain open to applications until all places have been filled.

Read more about deadlines

Apply now

Application deadline

Deadline

Round 1:

2 December 2025 at 1pm (UK time)

Round 2:

18 March 2026 at 1pm (UK time)

Digital portfolio and video task deadline

Round 1:

16 December 2025 at 1pm (UK time)

Round 2:

31 March 2026 at 1pm (UK time)

Decision outcome

Round 1:

20 March 2026

Round 2:

19 June 2026

Round 1
Round 2
Deadline
2 December 2025 at 1pm (UK time)
18 March 2026 at 1pm (UK time)
Digital portfolio and video task deadline
16 December 2025 at 1pm (UK time)
31 March 2026 at 1pm (UK time)
Decision outcome
20 March 2026
19 June 2026

We have 2 rounds of deadlines for postgraduate courses: one in December and one in March. If there are still places available after 18 March, this course will remain open to applications until all places have been filled.

Read more about deadlines

Apply to UAL

Start your application
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Find your representative

How to apply

Follow this step-by-step guide to apply for this course

Step 1: Initial application

You will need to submit an initial application including your personal statement and CV.

Personal statement advice

Your personal statement should be maximum 500 words and include:

  • your reasons for choosing the course
  • your current creative practice and how this course will help you achieve your future plans
  • any relevant education and experience, especially if you do not have any formal academic qualifications.

CV advice

Please provide a CV detailing your education, qualifications and any relevant work or voluntary experience. If you have any web projects or other media that you would like to share, please include links in your CV. If English is not your first language, please also include your most recent English language test score.

Read our advice on preparing the tasks and documents for your initial application.

Study proposal advice

Please provide a summary of your study proposal (500 words).

It should include:

  • a brief description of what you would like to focus on for your major project. Include the methods, theories or practices you will use or explore
  • a discussion of your aims and objectives for your project as well as any predicted final outcomes
  • what resources, time and materials this project requires. For example, spaces, equipment, research materials, performers, designers etc.

Please note, your proposal serves to inform your application and we understand that your ideas will inevitably develop and change throughout your studies.

Step 2: Video task and digital portfolio

We will review your initial application. If you have met the standard entry requirements, we will ask you to submit a digital portfolio.

You’ll need to submit this via PebblePad, our online portfolio tool.

Video task advice

We’d like you to submit a 2-3 minute video to help us learn more about you. When recording your task, please face the camera and speak in English.

What to include in your video task:

  • Choose 1 project from your portfolio which resulted in a performance. Describe your role and how the project was developed. Include details of what you did at each stage.
  • Discuss what you feel was successful in the project and why.
  • Discuss one thing you would change about the project if you did it again.

Find advice on how to plan and film your video task. Then read our guidance on how to submit your video task, including the file types we accept

Digital portfolio advice

Your portfolio should consist of recent work that reflects your creative strengths.

It should:

  • Be a maximum of 25 pages, including your video task.
  • Include a range of work to showcase your current creative practice. Focus on work that illustrates your interests, as well as your previous experience and practical skills. For example, images, documentation, videos, reflections, links to online work etc.
  • Focus on projects that resulted in performance outcomes, even if these are small-scale. Include no more than 1 project that is still in the conceptual phase.
  • Include a contextual statement to explain your approach and interests (maximum 200 words).
  • Show which aspects of performance design and practice your current work engages with, such as physical theatre, live art, installation art, socially engaged practices etc.

To find out how to create, format and upload your portfolio, see our Portfolio advice and PebblePad advice.

You also need to know

Communicating with you

Once you have submitted your initial application, we will email you with your login details for our Applicant portal.

Requests for supplementary documents like qualifications and English language tests will be made through the applicant portal. You can also use it to ask questions regarding your application. Visit our After you apply page for more information.

Applying to more than 1 course

You can apply for more than 1 postgraduate course at UAL but we recommend that you apply for a maximum of 3 courses.

As every course has its own entry and assessment requirements, we recommend tailoring each application to showcase how your experience, skills and interests match that course. Applying for many different courses may make it more difficult for you to show that you are suitable for each course in a competitive admissions process.

Only apply to the course(s) you are most interested in – applying for too wide a range of different courses may reduce your ability to clearly demonstrate your suitability for each. It’s better to make fewer bespoke applications than many generic ones. This will help you to stand out where we have high demand for places.

If you receive offers for multiple courses, you'll only be able to accept 1 offer. UAL doesn't accept repeat applications to the same course in the same academic year.

Visas and immigration history check

All non-UK nationals must complete an immigration history check. Your application may be considered by our course teams before this check takes place. If your course requires a portfolio and/or video task, we may request these before we identify any issues arising from your immigration history check. Sometimes your history may mean that we are not able to continue considering your application. Visit our Immigration and visas advice page for more information.

External student transfer policy

UAL accepts transfers from other institutions on a case-by-case basis. Read our Student transfer policy for more information.

Alternative offers

If we are unable to consider you for the course you have applied to but your application is really strong, we may make you an alternative offer on a different course or at a different UAL College. This happens when our admissions tutors have found another course that they believe would be a strong match for your skills and interests.

Deferring your place

We do not accept any deferral requests for our postgraduate courses. This means that you must apply in the year that you plan to start your course and you will not be able to defer your place to start at a later date.

Application deadlines

Most of our postgraduate courses have 2 rounds of deadlines: one in December and one in March.

As long as you apply ahead of each deadline we will consider your application alongside all the other applications in that round. We always make sure to hold enough places back for round 2 to make sure we can consider your application fairly, no matter which round you apply in.

If there are still places available after the second deadline, the course will remain open to applications until all places have been filled.

For our MBA courses, there is only 1 deadline. This is 31 July for international applicants and 31 August for UK applicants. This is to make sure you have enough time to apply for your visa if you are an international student.

For our January-start courses, the deadline is in October. If there are still places available after this deadline, the course will remain open to applications until all places have been filled.

Careers

MA Performance: Design and Practice prepares you particularly for independent professional practice. Many of our graduates form their own creative companies and partnerships. MA Performance: Design and Practice graduates have gone on to work in art, design and performance in a range of roles, producing and presenting work in many creative contexts including festivals, art centres and venues around the world.

MA Performance: Design and Practice students leave with a specialist individual understanding of performance practice from a chosen perspective. The experience you gain on the postgraduate course enables you to progress to professional practice, working, for example, in theatre, television, film, opera or dance. Some students go on to direct, write or produce. Others progress to research degree study. MA Performance: Design and Practice supports its graduates via a company that offers initial professional experience and publicity.

Recent alumni activity demonstrates the breadth of student activity within the subject. Many graduates from MA Performance: Design and Practice have gone on to achieve professional success. For example, 2010 graduate Catrin Osborne has been appointed Director in Residence at Circus Space, London, 2010 graduate Ruchita Madhok has an Internship at the V&A Museum, London, 2010 graduate Payal Wadhwa has gained a place on the Royal Court Theatre's writing programme. 2009 graduate successes include Susan Leen on a Studio internship with Lucy Orta and David Shearing, appointed to a teaching and research post at Leeds University. 2008 graduate Ingwill Fossheim has a Design Internship at the Royal Shakespeare Company.

Student jobs and careers

Find out how careers and employability helps our students and graduates start their careers.