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Postgraduate

MA Culture, Criticism and Curation

A sign outside a gallery
Inside/Out exhibition in various Walworth locations, South London. This was part of a student project with Artists Studio Company, November 2017). Photo: Glenn Michael Harper
College
Central Saint Martins
Start date
January 2026
Course length
One year full-time (45 weeks)

Through critical writing and curating, MA Culture, Criticism and Curation provides a framework for engaging with historical and contemporary culture.

Course summary

Applying for more than 1 course

From October 2024, you can only apply for a maximum of 3 postgraduate courses each year at UAL (excluding online or low-residency courses and Graduate Diplomas). Find out more in the Apply Now section.

This course will teach you how to become an innovative practitioner and researcher, with the skills to communicate to specialist and general audiences alike.

Why choose this course at Central Saint Martins

  • Crossing disciplines: MA Culture, Criticism and Curation places emphasis on interdisciplinary thinking and enquiry. Our students and staff come from a variety of subject backgrounds, placing diverse experiences in dialogue with one another.
  • Industry experience: On the course, group projects make use of the College’s links with external organisations. These provide opportunities for you to build their individual practice and professional experience.
  • Social engagement: MA Culture, Criticism and Curation engages with social and political issues. It positions curation as an influential agent of change.
  • Collections and archives: The course has strong links with the Central Saint Martins Museum and Study Collection and UAL’s Archives and Special Collections Centre. Alongside access to specialist knowledge, these can offer you the potential for site-specific project work.

Open days

There are currently no open days scheduled for this course, please check back at a later date.

Recordings

Watch a recording of the recent MA Culture, Criticism and Curation open day.

Have a question?

E-mail Rosie Ram, Course Leader

Scholarships, bursaries and awards

Related content

Course overview

MA Culture, Criticism and Curation is a course directed towards critical thinking, research, and practice in the fields of culture, curation, art, design, and creative production. To equip practitioners with tools that will enable them to actively find their way through a variety of institutional and cultural situations, the Course offers an overview of cultural history and curatorial theory alongside opportunities to acquire skills in research, writing, curating and production.  

On this Course we address the present moment and pressing questions faced by cultural producers, policy makers, curators, artists, and researchers. Approached through interdisciplinary and intercultural enquiry, you will learn to engage with the in-between places where new knowledge is developed via an integration of theory and practice. Throughout the Course, we explore with you the ways in which culture, criticism and curation can contribute to change. 

The curator is positioned as a figure able to act intentionally, bring in agency and make change across a variety of contexts. Curating makes meaning and contributes new, critical perspectives on existing scenarios. The Course asks you to think reflectively – with others – about the forms that art and culture take, identify where and how hegemonies develop, keep hold and challenge them.  

The Course prioritises interrelations between people as well as ideas and objects, and will help you develop your capacity to collaborate and to work across different networks of practitioners, organisations, and audiences. 

We encourage you to test and engage with emerging digital technologies to undertake research, experiment with forms, and collaborate equitably.  

We engage actively with the evolving fields of cultural, critical and curatorial work, and seek to equip you to work professionally in institutional contexts as well as to renegotiate traditionally defined roles. The Course works with you to develop research-led, experimental, creative and critical curatorial practices to enable you to engage with and make an impact in changing situations, in professional work or through further study. 

We are committed to developing ethical cultural and critical  practices. To achieve this, we are working to embed UAL's Principles for Climate, Social and Racial Justice into the course.  

Contact us

Register your interest to receive information and updates about studying at UAL.

Contact us to make an enquiry.

The course starts in January each year and runs for 45 weeks across three terms and the Easter and summer student vacation periods.

Course units

MA CCC promotes a community of practice which is central to students’ development. The Course offers a space for you to develop independent research and practice and a framework for student-led learning. In our vision, theory and practice work hand in hand within curatorial work, and we explore the different relationships between these two modes of knowledge production. 

Culture is studied through lectures, seminars, tutorial groups and reading groups. The curriculum is responsive to changing interests and priorities. Often interdisciplinary, the Course encourages an integrated approach to critical, practical, peer-to-peer, group and independent work. Events at programme, college and university level encourage students to engage with a wider culture of research and innovation and connect with others using curatorial thinking and the practice you are developing. 

The main independent work over the 45 weeks of study includes a Dissertation and a group curatorial project. The Dissertation helps you deepen your knowledge in an area of your choice. The group project offers an opportunity to develop your curatorial practice in partnership with an external organisation.  

Students learn to engage with and develop both group and individual practices. 

Projects and professional partnerships

Working collaboratively with organisations – small and large, independent, and well-established – offers students significant professional experience within the curriculum, leading to work that is supported to be experimental and ambitious. Previous examples of external partnerships include The Guardian, vFd Dalston, Flat Time House, NEoN Festival, David Roberts Art Foundation, South London Gallery, Institute of Digital Fashion, Tate Exchange, Liverpool Biennial, Centre for Investigative Journalism, The Common Room and the Institute of Psychoanalysis. The Course has two ongoing collaborative projects, Project Credit (https://project.credit/) and UQ Journal (https://uqjournal.net/).

Student Journey:

Unit 1: Curatorial Playground 

Unit 1 is the entry point to the Course and is a composed of a series of intensive workshops, seminars and discussions that set the base for curatorial thought – that is, thought that emphasises the interrelations between disciplines, cultures and knowledges. You will learn how to respond to a brief and this will help you find your creative and critical entry points into the course. Key themes of the Unit are experimentation, inter-cultural exchange and conversation within the cohort.  

Unit 2: Collaborative Practices for Common Good  

This Unit addresses the theme of collaboration through co-operation with other Masters’ courses in the college. By working co-operatively with fellow students from parallel and contrasting courses, you will experience at first hand the value of cross-disciplinary thinking and problem-solving that is central to developing a curatorial practice.

Unit 3: Curatorial Positions

Through group work, individual research and an archive/collection-based curatorial project proposal, this Unit helps you to develop a sense of your position: in relation to your subject interests and practice area, in terms of social identities and institutional spaces. The collaborative research and learning element of the Unit helps you establish a basis of knowledge around different definitions of culture, the relationship between culture and technology and the ethics of representation, collection and preservation.  

Unit 4: Curatorial Incubation

This Unit spans the summer months and is dedicated to deepening your research on your Dissertation and extending your curatorial practice by beginning a group project in collaboration with a partner organisation. It is based mostly on independent learning with support via online classes, synchronous and asynchronous. It is an essential period of independent work and student-directed study that you undertake both as an individual and in small groups. 

Unit 5: Curatorial Responsibility

Unit 5’s theme of Curatorial Responsibility signals the ethical, practical and conceptual components of a well-developed curatorial practice. Your work during this unit will be dedicated to coming to define your practice through your work and the ways it sits in relation to others — your peers, your communities, your collaborators, your readers and audiences. The Unit will prompt you to reflect on your professional development and position yourself in relation to your chosen career pathway.

Important note concerning academic progression through your course:

If you are required to retake a unit you will need to cease further study on the course until you have passed the unit concerned. Once you have successfully passed this unit, you will be able to proceed onto the next unit. Retaking a unit might require you to take time out of study, which could affect other things such as student loans or the visa status for international students.  

Mode of study

The course is offered in full-time mode which runs for 45 weeks over 12 months. You will be expected to commit 40 hours per week to study, which includes teaching time and independent study. 

Credit and award requirements

The course is credit-rated at 180 credits. 

On successfully completing the course, you will gain a Master of Arts (MA degree). 

Under the Framework for Higher Education Qualifications, an MA is Level 7. All units must be passed in order to achieve the MA but the classification of the award is derived from the mark for the final unit only. 

If you are unable to continue on the course, a Postgraduate Certificate (PG Cert) will normally be offered following the successful completion of 60 credits, or a Postgraduate Diploma (PG Dip) following the successful completion of 120 credits. 

Learning and teaching methods

The following teaching and learning methods are employed to support the integrated achievement of the course outcomes. These will be delivered in a combination of on-site and online:

  • Inductions, Unit and project briefings 
  • Tutorials (individual and group) 
  • Lectures, seminars and workshops 
  • Peer learning 
  • Facilitated projects with external partners
  • Working in groups
  • Peer group support
  • Visiting Practitioner and alumni mentor input 
  • Visits 
  • Use of the library and other College facilities as a critical resource 
  • Student-led presentations  
  • Independent research 
  • Developing and testing appropriate forms of presentation 
  • Oral and written presentations  
  • Reflection and self-evaluation
  • Critical reviews (Crits)

Assessment methods

The following assessment methods are employed to support the integrated achievement of the course outcomes:

Formative assessment

  • Individual and group projects
  • Presentations
  • Written work, communicated in various forms

Summative assessment

  • Dissertation 
  • Group projects
  • Presentations
  • Critical self-evaluations (reflective reports) and project dossiers

MA Culture, Criticism and Curation at Central Saint Martins

Student work

  • MA-CCC-5-Year-Anniversary-04.jpg
    Five year anniversary party for alumni, December 2017. Photo: Glenn Michael Harper
  • MA-CCC-Inside-Out-023.jpg
    Inside/Out exhibition in various Walworth locations, South London. This was part of a student project with Artists Studio Company, November 2017. Photo: Glenn Michael Harper
  • MA-CCC-Inside-Out-04092.jpg
    Inside/Out exhibition in various Walworth locations, South London. This was part of a student project with Artists Studio Company, November 2017). Photo: Glenn Michael Harper
  • MA-CCC-5-Year-Anniversary-26.jpg
    Five year anniversary party for alumni, December 2017. Photo: Glenn Michael Harper
  • MA-CCC-Inside-Out-056.jpg
    Inside/Out exhibition in various Walworth locations, South London. This was part of a student project with Artists Studio Company, November 2017). Photo: Glenn Michael Harper
  • MA-CCC-5-Year-Anniversary-25.jpg
    Five year anniversary party for alumni, December 2017. Photo: Glenn Michael Harper

MA Culture, Criticism and Curation stories

  • Photo: Dayna Tohidi

    Eduardo Paolozzi: a Central School story

    As we mark the centenary of Eduardo Paolozzi with an exhibition of materials held in the CSM Museum & Study Collection, Dr Rosie Ram shares how Paolozzi's innovative form of practice was profoundly shaped by his time at the Central School.

  • Title: Kinoe no Haru Kogane no Wakamochi (甲子春黄金若餅) Maker: Utagawa Kunisada (歌川国貞) Year: 1863 Medium: O-ban Nishiki-e (大判錦絵, large-format coloured print) Object number: O.2013.66.M

    Decolonising the Japanese woodblock print collection at CSM: interview with Koyuri Sato

    MA Culture, Criticism and Curation graduate Koyuri Sato took on a project to decolonise the catalogue descriptions and supporting information for the Japanese woodblock theatre print collection held by CSM Museum and Study Collection.

  • Mel Calman, 1996

    Art and psychoanalysis: emotion, intimacy and the unconscious

    Exploring work from the Central Saint Martins Museum & Study Collection, alumni and assistant curator Siyan Zhang looks at emotion, intimacy, trauma, relationships, desire and unconscious.

  • The Great Unwashed, , Adriana Cobo Corey (Photo: Catarina Heeckt)

    (In)Visible Processes: Adriana Cobo Corey

    In this conversation, Adriana Cobo Corey shares her PhD research on taste, space and power. See her work in (In)Visible Processes at the Lethaby Gallery curated by MA Culture, Criticism and Curation students. The exhibition shares recent PhD

Staff

Course Tutor: Dr Caterina Albano
Course Tutor: Nathalie Khan
Course Tutor: Nick Kimberley
Course Tutor: Judy Willcocks, Director, CSM Museum and Study Collection
Course Tutor: Joshua Whittaker
Course Tutor: Rahul Patel
Course Tutor: Ama Josephine Budge Johnstone
Course Tutor: Dr Mercedes Vicente
Course Tutor: Dr Ben Bethell
Course Tutor: Dr Alison Green

Fees and funding

Home fee

£14,000

This fee is correct for entry in January 2026 and is subject to change for entry in January 2027.

Tuition fees may increase in future years for new and continuing students on courses lasting more than one year. For this course, you can pay tuition fees in instalments.

Home fees are currently charged to UK nationals and UK residents who meet the rules. However, the rules are complex. Find out more about our tuition fees and determining your fee status.

International fee

£29,990

This fee is correct for entry in January 2026 and is subject to change for entry in January 2027.

Tuition fees may increase in future years for new and continuing students on courses lasting more than one year. For this course, you can pay tuition fees in instalments.

Students from countries outside of the UK will generally be charged international fees. The rules are complex so read more about tuition fees and determining your fee status.

Additional costs

You may need to cover additional costs which are not included in your tuition fees, such as materials and equipment specific to your course. For a list of general digital equipment you may need (and how you can borrow equipment), visit our Study costs page.

Accommodation

Find out about accommodation options and how much they will cost, and other living expenses you'll need to consider.

Scholarships, bursaries and awards

If you’ve completed a qualifying course at UAL, you may be eligible for a tuition fee discount on this course. Find out more about our Progression discount.

You can also find out more about the Postgraduate Masters Loan (Home students only) and scholarships, including £7,000 scholarships for Home and International students. Discover more about student funding.

If you’re based in the UK and plan to visit UAL for an Open Event, check if you’re eligible for our UAL Travel Bursary. This covers the costs of mainland train or airline travel to visit UAL.

How to pay

Find out how you can pay your tuition fees.

Scholarship search

Entry requirements

The standard entry requirements for this course are as follows:

  • An honours degree in a humanities, social science or art and design subject
  • Or an equivalent EU/international qualification.

AP(E)L – Accreditation of Prior (Experiential) Learning

Exceptionally, applicants who do not meet these course entry requirements may still be considered. The course team will consider each application that demonstrates additional strengths and alternative evidence. This might, for example, be demonstrated by:

  • Related academic or work experience
  • The quality of the personal statement
  • A strong academic or other professional reference

Or a combination of these factors.

Each application will be considered on its own merit but cannot guarantee an offer in each case.

English language requirements

IELTS level 7.0 or above, with at least 6.0 in reading, writing, listening and speaking (please check our main English language requirements webpage).

Selection criteria

We select applicants according to potential and current ability in the following areas:

  • Capacity for independence in learning
  • Motivation to develop research skills
  • Interest in developing collaborative or cooperative practices
  • Interest in cultural & curatorial studies, and affinity to the field’s critical discourse
  • Interest in developing creative, critical and/or experimental approaches to writing and to curatorial work
  • Preparedness to support others in the learning community. 

Information for disabled applicants

UAL is committed to achieving inclusion and equality for disabled students. This includes students who have:

     
  • Dyslexia or another Specific Learning Difference
  • A sensory impairment
  • A physical impairment
  • A long-term health or mental health condition
  • Autism
  • Another long-term condition which has an impact on your day-to-day life

Our Disability Service arranges adjustments and support for disabled applicants and students.

Read our Disability and dyslexia: applying for a course and joining UAL information.

Apply now

Application deadline

Deadline

Round 1:

Not applicable

Round 2:

22 October 2025

Video task deadline

Round 1:

Not applicable

Round 2:

7 days after digital portfolio and/or video task request

Decision outcome

Round 1:

Not applicable

Round 2:

19 December 2025

Round 1
Round 2
Deadline
Not applicable
22 October 2025
Video task deadline

Not applicable

7 days after digital portfolio and/or video task request
Decision outcome

Not applicable

19 December 2025

If there are places available after 22 October 2025, the course will remain open to applications until places have been filled.

Read more about deadlines

Apply now

Application deadline

Deadline

Round 1:

Not applicable

Round 2:

22 October 2025

Video task deadline

Round 1:

Not applicable

Round 2:

7 days after digital portfolio and/or video task request

Decision outcome

Round 1:

Not applicable

Round 2:

19 December 2025

Round 1
Round 2
Deadline
Not applicable
22 October 2025
Video task deadline

Not applicable

7 days after digital portfolio and/or video task request
Decision outcome

Not applicable

19 December 2025

If there are places available after 22 October 2025, the course will remain open to applications until places have been filled.

Read more about deadlines

Apply to UAL

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Based across the world, our local UAL representatives can support you with your application from your home country. Check to see if there is a representative available in your country currently.

Find your representative

How to apply

Follow this step-by-step guide to apply for this course

Step 1: Initial application

You will need to submit an initial application including your personal statement, CV, study proposal and written task.

Personal statement advice

Your personal statement should be maximum 500 words and include:

  • your reasons for choosing the course
  • your current creative practice and how this course will help you achieve your future plans
  • any relevant education and experience, especially if you do not have any formal academic qualifications.

Visit our personal statement page for more advice.

CV advice

Please provide a CV detailing your education, qualifications and any relevant work or voluntary experience. If you have any web projects or other media that you would like to share, please include links in your CV. If English is not your first language, please also include your most recent English language test score.

Study proposal advice

Please provide a summary of your study proposal (max 1,000 words).

It should include:

  • An outline of a plan for a cultural research project based upon an archive, collection or contemporary practice. This should reflect your personal interests, critical engagement and creative thinking.
  • A discussion of any research or contextual material that supports your idea. For example, critical or theoretical texts, cultural practices, and/ or primary materials, such as images, objects or documents.
  • Include illustrations, references and a bibliography, if relevant.
  • Include any images or other relevant media, or links to these.

Please note, your proposal serves to inform your application and we understand that your ideas will inevitably develop and change throughout your studies.

Written task advice

Please submit a written assignment alongside your initial application (2,000 – 3,000 words).

It should:

  • Be an academic essay or a piece of published or unpublished writing
  • Demonstrate your ability to pursue research, conduct critical analysis, and develop your arguments in writing
  • Include references and a bibliography, if relevant.

Step 2: Video Task

We will review your initial application. If you have met the standard entry requirements, we will ask you to submit a video task.

You’ll need to submit this via PebblePad, our online portfolio tool.

Video task advice

We’d like you to submit a 2-3 minute video to help us learn more about you. When recording your task, please face the camera and speak in English.

What to include in your video task

  • Tell us what interests you about MA Culture, Criticism and Curation and why you want to study this course.
  • Tell us about a recent cultural experience that has informed your understanding of culture, criticism and/ or curating. This might be an exhibition, event, publication, performance, screening, etc. Explain why you have chosen this example and discuss its significance for you.

Read our guidance for how to submit your video task and which file types we accept.

Step 3: Interview

You may be invited to an interview following our review of your application. All interviews are held online and last 15 to 20 minutes.

For top tips, see our Interview advice.

You also need to know

Communicating with you

Once you have submitted your initial application, we will email you with your login details for our Applicant portal.

Requests for supplementary documents like qualifications and English language tests will be made through the applicant portal. You can also use it to ask questions regarding your application. Visit our After you apply page for more information.

Applying to more than 1 course

From October 2024, you can only apply for a maximum of 3 postgraduate courses each year at UAL. This excludes online or low-residency courses and Graduate Diplomas, which you can apply to in addition to 3 other postgraduate courses.

If you apply for more than 3 postgraduate courses between October 2024 and August 2025, we won’t accept the 4th application. It’s not possible to withdraw an application to replace it with another.

You need to tailor your application, supporting documents and portfolio to each course, so applying for many different courses could risk the overall quality of your application. If you receive offers for multiple courses, you'll only be able to accept 1 offer.

Visas and immigration history check

All non-UK nationals must complete an immigration history check. Your application may be considered by our course teams before this check takes place. If your course requires a portfolio and/or video task, we may request these before we identify any issues arising from your immigration history check. Sometimes your history may mean that we are not able to continue considering your application. Visit our Immigration and visas advice page for more information.

External student transfer policy

UAL accepts transfers from other institutions on a case-by-case basis. Read our Student transfer policy for more information.

Alternative offers

If your application is really strong, but we believe your strengths and skillset are better suited to a different course, we may make you an alternative offer. This means you will be offered a place on a different course or at a different UAL College.

Deferring your place

We do not accept any deferral requests for our postgraduate courses. This means that you must apply in the year that you plan to start your course and you will not be able to defer your place to start at a later date.

Application deadlines

Most of our postgraduate courses have 2 rounds of deadlines: one in December and one in March.

As long as you apply ahead of each deadline we will consider your application alongside all the other applications in that round. We always make sure to hold enough places back for round 2 to make sure we can consider your application fairly, no matter which round you apply in.

If there are still places available after the second deadline, the course will remain open to applications until all places have been filled.

Careers

The course will prepare graduates to work in the creative and cultural industries and/ or for doctoral work in Humanities subjects.

Within the cultural and creative industries there is increasing demand for people who have curatorial, research and writing skills and can work within this interdisciplinary sector. Employers now expect that MA graduates will be able handle intellectual, creative and practical projects, and demonstrate an enquiring mind.