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Graduates take up residence at MAKE

Hand sewing beads into fabric
Hand sewing beads into fabric
Embellished embroidery, Joy ini Weaving
Written by
MAKE team
Published date
14 May 2021

Graduates emerging from their studies with innovative and engaged practices took up residence at MAKE @ Story Garden. Over five months, they created and led collaborative community projects including clay activism and hoarding hacks.

As a format, artistic residencies embed creative practitioners in specific settings but aren’t always focused on the wider social issues defining that space. At MAKE, our graduates connected local communities creatively and critically to making, opening up dialogue about place, people and agency.

All the graduates have been good with the people that they’ve worked with, whether it’s children, young people or residents... For this project, the process was so important, not the end product. For students, and for Central Saint Martins, it is often about the process, the learning and we really understand that.

— Nicole Van den Eijnde Director of Global Generation and founder of Story Garden

Joygun Nehar, BA Textile Design

Joygun works as a creative practitioner in wider educational and community settings. Her focus is on introducing people of all ages to weaving as a pathway to critical thinking and creativity.

Having lived in Somers Town for the past eight years, Joygun is aware of the issues of segregation within local communities. She strongly believes that weaving can help break down barriers. Her 10-week course exploited weaving’s power as a universal activity to be a tool for cultural exchange and community building.

Together, a group made up of local residents and family groups explored weaving – both on- and off-loom – using recycled and repurposed materials. They developed hands skills and confidence in making with Joygun inviting her participants to share stories and experiences of textiles from their personal perspective.

"One of my aims for this project was to break barriers and segregation. As the weeks have progressed, I have seen how weave is so universal and how it has brought people of all ages and walks of life together to learn... I am really pleased with the outcome of the classes and the energy of the group. From doing the residency, I feel confident to run my own workshops alone."
Joy Nehar

During coronavirus lockdown, Joygun developed her plans, and secured funding from City Mined, to continue her work in Somers Town.

James Bromley, M ARCH: Architecture

Bromley’s work explores the relationship between space and education. For his residency he devised Play in the Pandemic, a series of activities for families with children. With quests and tasks, Bromley invited children to find and create miniature worlds and imagine their inhabitants. He gathered a “re-inventory", a collection of objects found around the Story Garden for participants to use. This re-use and ad-hocism is inspired by the possibilities for a ‘circular city’ in which material and resource and constantly recycled and reimagined.

Play in the Pandemic embraced improvisation for both material and story. Activities were devised to be as open as possible:

  • The mysterious creature likes to make new houses out of the 'junk' lying around the garden. It is a master of recycling, repairing, and rethinking of new ways to use them. Using the materials around, can you make a shelter from the wind and rain?
  • The creature makes its balancing walkways out of the planks and other materials lying around the garden. Can you help to make some more?
  • Using the materials lying around, can you find a way to get the water to a specific area of the garden?

Moetaz Fathalla, M ARCH: Architecture

Moetaz’s residency centred onhis project, Reclaim the Hoarding, transforming the hoarding around construction works from a gentrifying advertisement into commercial space that serve the current – rather than future – community.

What do hoardings mean to the existing community who live on the other side of the wall? Can we shift how large-scale developments relate to their surrounding communities through locally rooted interventions?

During his time at MAKE, Moetaz focused on prototyping. His project began with a series of “hoarding hack” workshops with local young people from Global Generation’s Generators. These sessions were intended to run alongside the real changes being made to the hoardings surrounding the Story Garden site. The group met several times in person and then moved online during lockdown. For many, this was the first time they got to design and prototype their own furniture.

"This experience has allowed me to test and explore ways of engaging with a given context and ultimately forming ways to practice. We’ve been looking closely at how small-scale initiatives could have lasting impacts."
Moetaz Fathalla


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