Skip to main content
18 February to 26 April 2026

A Common Thread

This Spring, we celebrate a hands-on relationship with materials in an exhibition of process-driven work by the students, staff and graduates of Central Saint Martins. We aim to return to ancestral knowledge, the participatory and the physical by examining ‘A Common Thread’.

A pale beige alpaca wool and silk blend square sample with tasselated ends, in close up.  Handwritten notes in pencil on a notebook underneath the square and on the sample itself indicate the materials.
'Casa Cobre: Silla De Seda' Sample, Ilan Pozeilov, BA Fashion Design: Womenswear, 2026. 

Situated within global conversations on materials and making, this student-produced exhibition unveils a showcase of craft processes and material experimentation rooted in the political and the environmental.

A Common Thread presents student, staff and graduate practitioners whose work is grounded in a sustained and physical engagement with materials; with ideas flourishing from a place of ethical, collaborative and community-informed practice.

While creativity expands into digital and augmented worlds, craft and tactility remains central within the contemporary creative space. The exhibition navigates this through the diverse disciplines of Central Saint Martins: from those engaged with the preservation of ancestral practices, to those experimenting with emerging technologies.

Across more than 30 displays, public programming, interactive sculpture and written matter, we are invited to reflect on the origins, techniques and responsibilities connected to these materials and methods.

A Common Thread was born from a College-wide open call and developed with the support of Central Saint Martins staff.

Opening times

Wednesday-Friday: 11am–6pm
Saturday-Sunday: 12–5pm
Evening Reception: Thursday 26 February, 6-9pm [open to the public]

How to get to the Lethaby Gallery.

The gallery is closed:

Mondays and Tuesdays
Easter weekend, 3-6 April 2026.

Two 'pages' of embossed square and irregular patterns on white felt
'Felting at the Urban-Wetland Fringe'. Alys Hargreaves, MA Architecture (MArch), 2025

Student team

Curation: Jin Liang
Spatial Design: Jerry Lin, Brandon Chang, Farida Doss, Charles Ryan Honza
Communication: Fiona Yu, Lillie Elston
Graphic Design: Charlie Butterfield, Edward Pryke
Event Programme: Marina Meo, Sanna Claesson, Hannah Eagles, Cecily Allwright

  • A textile sculpture formed from waste yarns and discarded materials. Using knotting, binding, layering, and compression, the fragments accumulate into a soft mass that resembles a suspended body or spectral presence.
    'Ghosts of Waste' Ayumi Kajiwara. BA Fashion Design: Knitwear, 2023
  • A plant-based spiral pattern made of straw or hay-like fibre, shot from above.
    'Living Lines', Charlie Butterfield, BA Graphic Communication Design, 2026
  • A slab of wood hand engraved with a custom typeface inspired by historical tombstone lettering.
    Ad Vitam typeface, Octave Cusinberche, BA Graphic Communication Design, 2024
  • The back of a model with long blonde hair swept to one side wearing a black top with a curved neck, and below the neckline a rectangular silver panel with fine woven or criss-cross detailing.
    CANG - 藏, JiangLing Wang, MA Design: Ceramics, Furniture, Jewellery, 2025