Skip to main content
A research hub of the Ceramic Design department
at Central Saint Martins.

Clay Lab

A side shot of a person in a green boilersuit rolling clay on a worktop.
Design Transforms Borders, New York Design Festival 2022 | Photograph: Kisha Bari



Clay Lab transforms ceramic practice into shared knowledge: turning experimentation, discovery and making into a living resource for future learning and innovation.

A shared platform that captures and connects knowledge generated through making, Clay Lab brings together student and faculty projects, material experiments and case studies to reveal the processes behind ceramic practice.

Neither static nor archive, Clay Lab is a living tool that supports learning, collaboration and discovery, transforming individual experimentation into collective knowledge.

We are a community of teachers, technicians, students and alumni who identify ceramic design at Central Saint Martins as a space of innovation and research.

Key projects

  • A floor-level shot of clay stools and bench in an industrial setting, next to a white floor poster panel with the heading 'Design Transforms' and the CSM logo and subtext indicating that the designs are from student workshops in 2019.
    Design Transforms Borders, New York Design Festival 2022 | Photograph: Neal Camilleri.

    Design Transforms Borders

    At @NYCxDesign 2022, Central Saint Martins invited the public to join a live studio of ceramic-making dinners and debates, addressing learning and social justice with the communities of Sunset Park, Brooklyn, New York.

  • Clay-related drawn symbols in white on a blue background
    Decoding Ceramics project design.

    Decoding Ceramics  

    An open-access platform sharing the Erasmus+ CRAFT project outputs: an interactive European map pinpointing ceramic skills, materials and traditions; university teaching cards adaptable to studios; and a multilingual glossary .

  • An illustrated flower-pattern in blue outline on white background.
    Art codes, courtesy of CSM Clay Lab.

    Artcodes

    Beauty meets function in decorative ceramic patterns that secretly contain visual codes. Working with designers and a restaurant, we developed recognition tech and pattern collections and prototyped smart tableware with an app.

  • Ceramic figures in the shape of playful animals and vessels on display, framed by 2 hanging black and white photographic prints.
    Photo courtesy of Tony Quinn, CSM Clay Lab.

    Craftsmanship Alone Is Not Enough

    Clay isn't just traditional—it's radical. We explore how makers exploit clay's archetypes and processes to challenge assumptions, unlocking new perspectives on ceramic practice, from studio to society.

See more

  • A portrait of Tony Quinn shot from the waist up.
    Photo: Marcus Bastel

    Anthony Quinn

    Reader, Course Leader and Stage 3 Leader, BA (Hons) Ceramic Design; Subject Leader Ceramics, MA Design: Ceramics, Furniture, Jewellery, Central Saint Martins

  • A man in the process of pottery
    Image courtesy of Anthony Quinn

    CRAFT: Activating Pedagogy for Ceramic Education Future

    Erasmus+ funded research project.
    1 September 2020 – 31 August 2023

  • Person holding a piece of ceramic art
    'Indefinite Sensibility' by Remi Russo, 2021, BA Ceramic Design, Central Saint Martins, UAL

    Bridging heritage skills and innovation in ceramics training

    Inside the CRAFT European partnership, exploring how innovations in ceramics can co-exist with intangible cultural heritage and knowledge in pottery.

  • Five distorted human/animal ceramic figures
    PsychoPomp, Alex Morante, BA Ceramic Design 2025

    BA (Hons) Ceramic Design

    The transformational material of clay: exploring contexts of making, craft and manufacture.

  • Orange and pale blue glazed ceramic designs that resemble ring doughnuts side by side, one holds a candle, the other an egg.
    Alice Beckett 2025, BA (Hons) Ceramic Design, Central Saint Martins, UAL.

    Instagram  

    Follow us for news and updates