Bilge is a second-year MA Narrative Environments student at Central Saint Martins, with a background in Business and Visual Arts. Her practice focuses on spatial storytelling, exploring how narrative can translate complex systems into immersive physical and digital experiences.
Please can you tell me a little bit about yourself?
I’m Bilge, a second-year MA Narrative Environments student. I grew up in a small town in Turkey, then moved to Istanbul to pursue a double major in Business and Media & Visual Arts at Koç University. After graduating in 2022, I worked as a Graphic Designer and Art Director for creative and event agencies in Istanbul. This professional background in brand storytelling and spatial experiences eventually led me to CSM, where I now focus on how narrative can transform physical and digital environments.
Why did you choose to study MA Narrative Environments and why CSM?
My background in Business and Visual Arts gave me a solid foundation in communication, yet I felt that traditional design and art direction alone couldn’t fully capture the complexity of human interaction. I was drawn to this course to explore how narrative can transcend the screen and exist within the layers of cultural, political, historical, and digital landscapes. MA Narrative Environments provides the multidisciplinary framework to treat physical spaces as a storytelling medium, allowing me to design not only experiences but also systems that challenge the way individuals and communities interact with complex urban or cultural environments.
Central Saint Martins is a global creative melting pot that prioritizes active industry integration. I specifically valued CSM’s culture of treating students as active collaborators on Live Projects with global brands. Furthermore, being guided by tutors who are practitioners currently leading the field ensures that my work remains practically relevant.
What’s the most interesting project you’ve worked on so far? What made it so interesting to work on?
"Imaging the Universe & Climate Fictions" was one of the most interesting projects I’ve worked on in the course. This project focused on how we use computational technology and sensing to "image" the cosmos and our own planet. As part of our fieldwork, we went on a trip to Edinburgh to visit the UK Astronomy Technology Centre (UK ATC) at the Royal Observatory, where we engaged directly with scientists and instrumentation experts.
This project pushed me to move beyond my previous practice and explore planetary media, and it ultimately informed the direction of my Major Project. It shifted my focus toward how we can use narrative tools to make complex, invisible planetary infrastructures comprehensible, revealing the hidden computational processes that shape our understanding of the universe.
Have you completed any work placements / internships whilst being on the course? If so, can you tell me a little bit about your role?
'During my placement at Immersive-me, I primarily supported the team as a Graphic Designer, ensuring visual consistency of the brand across various platforms and producing project-specific graphics whenever needed. As the agency specializes in high-tech immersive experiences, I have had the opportunity to work within a highly technical creative environment, gaining valuable exposure to the workflows of the immersive industry.
I recently reconnected with the team and am currently continuing my collaboration with them. This ongoing role allows me to gain further professional experience in the field as I explore the creative development of interactive and immersive projects.
What important piece of advice would you give to students thinking of studying this course?
I believe that anyone working in the creative industries would benefit from this course because it fundamentally evolves your way of thinking. It pushes you beyond "just seeing" and teaches you to be truly aware of the historical, political, and social layers of the world around us. My advice is to embrace the challenge. You will be pushed to think critically about every decision you make and everything you create, but if you stay open to new perspectives, you will find that your mindset as a designer evolves in ways you never expected.
What has been the highlight of your CSM experience so far?
The absolute highlight of my time at CSM has been the community I’ve found here. Between the intense project deadlines and professional work experiences, MANE has truly become like a second family to me, and our classroom feels like a home away from home.
Collaborating with such a diverse, international group of peers has not only expanded my creative perspective but has also provided a vital support system. Similarly, the tutors act as mentors who guide us through our creative evolution. Being surrounded by people who are so passionate and supportive has been the most meaningful part of my journey.
What are your career aspirations? Where would you like to be in five years time?
My goal is to work at the intersection of spatial storytelling, technology, and climate communication. I am developing my practice as a Narrative Designer that focuses on data-driven environments, translating complex planetary information into tangible, sensory experiences. This involves moving beyond static visuals to incorporate dynamic soundscapes and reactive scenography.
In five years, I see myself leading multidisciplinary projects. My vision is to establish a collaborative and fair working environment where practitioners from different fields can come together to work on complex design projects. I aim to create a self-evolving environment that not only produces innovative work but also nurtures the people within it.
What is the most important thing you've learnt on the course so far?
The most important thing I’ve learnt is that while everyone’s creative process and schedule are different, we are all navigating the same fundamental challenges. In an intense environment, it’s easy to feel like you are the only one struggling with a concept or a technical hurdle. However, we are all going through similar cycles of uncertainty, just at different times. This reminds me of the value of transparency and communication. 'Trusting the process' is much easier when you realize you aren't walking that path alone. It turns a personal struggle into a collective learning experience.
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View Bilge's work on Behance