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17 September to 7 December 2025

Re:generating Creativity

A greyscale photograph of a small child crouched on the ground playing with a small truck. The child is seated on a car tyre and visible in the background are the sides and cars and the registration plate of a truck. The car has the word TOMMY in caps graffitied on the side.
A greyscale photograph of a small child crouched on the ground playing with a small truck. The child is seated on a car tyre and visible in the background are the sides and cars and the registration plate of a truck. The car has the word TOMMY in caps graffitied on the side.
Joe V Luciano, BA Fashion Communication, 2025.

Re:generating Creativity pulses with the restless energy that has always defined Central Saint Martins. A showcase for graduate and staff projects that show how creativity doesn’t just respond to our world — it regenerates it.

What happens when artists, designers and performers refuse to accept the world as it is and instead ask: what could it become?

From designing with nature and playful approaches to materials, to political works of hope and richly developed storytelling, Re:generating Creativity is a showcase for work from CSM’s recent graduates and staff and a forum for dialogue and exchange.

The exhibition unfolds thematically across 3 parts:

  • Re:making draws on heritage, craft and tradition, proving that looking back can propel us forward.
  • Re:grounding engages identity, community and place, revealing how personal experience can transform global understanding.
  • Re:visioning embraces emerging technologies to build futures that put kinship, care and connection at their centre.

Weaving these together are investigations of themes including love, hope, culture, collaboration, materials, systems, identity and place. These themes, chosen by the featured artists and designers, reveal how the CSM community is exploring what it means to be human in a more-than-human world.

We are re:generating creativity by rethinking what an art and design college should focus on. As a part of this, we have launched Schools of Thought: C School,  C School [Culture], S School [Systems] and M School [Material]. There is a deliberate de-emphasising of disciplinary categories such as art, design and performance. The current naming strategy highlights the whole (C + S + M = CSM).

Re:generating Creativity x Black History Month

Read our interview with exhibiting artists Iman Sidonie-Samuels and Tegan Chinogurei, BA Fine Art graduates whose practices explore memory, heritage and Black British identity through material, sound and storytelling:

Re:generating Creativity x Black History Month: Standing Firm in Power and Pride.

Events

We invite you to take part in our public events featuring some of our Schools at CSM.as part of their Takeover Weeks.

Free: booking not required.

3-9 November S School Takeover Week: Situating AI: Comfortably sprawled out in cyberspace, with infinite coffee and zero commute

5 November, 10-11am
Urgent / Emergent: Skills / Work

A discussion with external experts reflecting on AI, design practice and the shared urgencies shaping creative and technological fields.

6 November, 7-9pm
Urgent / Emergent: Practice + Research

An evening panel bringing together industry voices and academics to explore collaboration between design, research and emerging technologies.

10-16 November M School Takeover Week:  
Making, Mess, Meaning

11 November, 1-3pm
Regenerative Processes

A hybrid session where students share regenerative projects from across CSM. This event highlights how emerging designers are embedding time, care and restoration into their creative practice.

12 November, 9:30-11am
Trash Crap: Film Screening & Talk

A screening from Fashion Film Festival and Trash Club unpacking disconnection and care in fashion and beyond.

Opening times

Wednesday-Friday: 11am–6pm
Saturday-Sunday: 12–5pm

How to get to the Lethaby Gallery.

The gallery is closed

Mondays and Tuesdays.

  • An art installation made with cardboard resembling cars and dogs
    Image courtesy of Tegan Chinogurei
  • A brown cardigan has been repaired using recycled heirloom jewellery. There is visible decorative mending and a repeating symbol pattern as a trim and fastening. These appear to be bronze or rusted metal.
    Interlooping Generations, Olivia Augusta Decima, BA Jewellery Design, 2025. Photo by Ruben Sportes
  • A porcelain teacup and saucer in pale blue and white with decorative gold trim. A design inside the cup is a floating penis with wings
    Soft Armour, Beau Roberts, BA Fine Art, 2025