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I am an artist, artist/curator, writer, and educator, working within the emergent behaviours that come of the complex protocols of platform capitalism, with a focus on the inter-dependencies between code and language in hyper-networked culture.
I am also founder of Banner Repeater; a reading room with a public Archive of Artists’ Publishing and project space, opening up an experimental space for others, on a working train station platform at Hackney Downs station, London. Ideas that come of publishing, distribution, and dissemination, that lead to a critical analysis of post-digital art production, are shared in mypractice as an artist and inform the working remit of Banner Repeater.
Recent and forthcoming writing includes: ‘covfefe: language within a meme economy’, “Text as Market” Artists Re-thinking the Blockchain, “The Currency of Data” Sonic Acts journal, ‘Ami Clarke: Author of the Blank Swan’ with Elie Ayache. My work is included in Information edited by Sarah Cook (2016) - an art-historical reassessment of information-based art and exhibition curation, from 1960s conceptualism to current digital and network-based practices - Whitechapel Documents in Contemporary Art and MIT press series.
I have recently exhibited/performed work at: Artists’ publications as instructions, scores and manuals; AWP Symposium (2018) The Tetley Leeds, ODD catalyst, Bucharest (2018), ORGASMIC STREAMING; LUX / Chelsea Space (2018), HereNow art/tech res SPACE (2018), Xero Kline and Coma (2017), NEW WORLD ORDER, Gallery, Filodrammatica, Rijeka (2017) and Aksioma, Ljubljana (2017), Furtherfield gallery (2017), StudioRCA Riverlight (2016), Centrespace Dundee (2016), ICA (2016), Wysing Arts Centre (2016), Hayward Gallery (2015), Museo Del Chopo, Mexico City (2015), Cuss Group SA, Ithuba Gallery (British Council connect_ZA) (2015), David Roberts Arts Foundation (2015), Camden Arts Centre (2015), The Container, Tokyo (2011).