The Art of Questioning is a PhD seminar on methodologies and contemporary thinking organized and run by Dr Daniel Rubinstein.
Seminars run on Wednesdays on alternate weeks to Test Lab.
They will begin on Wednesday 9 October 2019 at 4.30pm at Central saint Martins (Kings Cross) in room F304.
Daniel Rubinstein is a Reader in Philosophy and the Image at Central Saint Martins. You can contact Daniels with any questions at email@example.com
In this series of seminars for PhD students, we will attend to the question of method. What does it mean to have a method? How can the methodology of your project be developed and brought to light? We will approach this question by looking at a number of radical, critical and provocative writers who have different and often contradictory approaches to method. From the highly methodological to knowingly avoiding the entrapments of a system. In each case we will be asking how the limits of one’s own language contort and determine the tasks of thinking. This condition of questioning the basic assumptions of one’s discipline or technique can be called ‘art’. This also forms the research questions of one’s thesis.
The series of seminars is divided in two parts.
The first part (seminars 1–7)
Dialectic of Enlightenment provides a detailed engagement with one of the primary analytic methods inherent in all modern and contemporary critical analysis of ‘how’ one begins to grasp the ‘basis’ of what we know (and what we can/ought/might become). This primary analytic method is named ‘dialectics’ – be it materialist, historical, speculative or real – and it forms one of the most powerful (and addictive, maddeningly gripping) tools of interpretation, representation, creativity, identity, political/aesthetic/ethical directives around truth, certainty, objectivity and subjectivity in the modern world.
Key figures for this part of the seminar will be: Kant (Dialectic of Enlightenment), Hegel (Phenomenology of Spirit), Adorno (Negative Dialectics), Nietzsche (Ecce Homo), Foucault (Enlightenment as exit), Kierkegaard (Fear and Trembling), Freud (Dreams and the unconscious), Derrida (Of Grammatology), Benjamin (The Task of the Translator) and Marx (The Theses on Feuerbach, Preface to the Critique of Political Economy, the 18th Brumaire of L. Bonaparte)
The second part (seminars 8–15)
Posthuman Entanglements will focus on the shift away from dialectical reasoning (representation, semiotics) to networks, computation, nonrepresentational art, rhizomatic method, the PostHuman and digital aesthetics. In so doing it will investigate radical moves, initiated by Nietzsche, and expanded upon by Heidegger (via the logic of the ‘techno’), Einstein (via special relativity and curved time), Deleuze (via logic of the senses), Deleuze and Guattari (via rhizomatic method, the logic of becoming), Lyotard (libidinal economy, event), Agamben (via ‘the apparatus’), Foucault (via Parhesia and care of the self), Golding (via fractal philosophy), Haraway (cyborg) and Colebrook (PostHuman). Reference will be made to mobile media art(s), contemporary painting, identity, memory, voice, senses, augmented reality, synthetic life, bio-arts, electronic / media arts and language/image games.
The labs will be running on alternate weeks to Test Lab, a seminar which is dedicated to discussion of practice and the relationship of practice to methods and theory. This bi-weekly lab will give a basic sense of what is at stake in contemporary art and design practice and the philosophical, sensual, art and wild-scientific levels.