Written by Rosemary CroninPublished date 19 June 2018 Share story
Artists and designers have always used creativity to critique the political landscape and to fuel new possible ways of thinking.
From interrupting the pages of mainstream magazines, to staging large scale processions for causes such as the brilliant suffragettes’ parade that happened on 10 June* this year. If you’ve ever been annoyed about something in life, then you may have channelled that and used it to your advantage by getting creative.
*This article was written by Rosemary in 2018.
“We still have some time to take advantage of the fact that radio and television stations are not yet guarded by the army.”
— Guy Debord
For me, the word ‘recklessness’ perfectly describes how it feels to be in that impulsive yet creative moment. To let go. This reckless feeling might then create something that leads you to reclamation; the idea of emphasising something that should belong to you. Or just like the women in the vote processions, celebrating something that you have a right to. Below are some examples of how different artists may be reckless in order to reclaim something important.
During the Auto-Destructive Art movement there has been a curious lack of female-identifying artists. My own practice is designed to create spaces for women to destroy; for example engaging in food fights and trashing electric guitars. I also pour house gloss paint onto bus stop sized advertising posters to subvert the original intention of these glossy and smooth images into something more bizarre and often sinister.
Installation shot of ‘Material, Social, Tidal___Drift,’ exhibited at Liddicoat and Goldhill Project Space, Margate. Photograph: Lana Locke
Chelsea College of Arts graduate Lana Locke’s work is predominantly sculptural and aims to explore the “struggle between art objects and the space in which they are installed. She uses her practice “as an avenue for exploring the tensions that exist between the artist, artistic activism and the art institute”. By featuring dis-guarded materials and references to the movement of the sea, ‘Material, Social, Tidal___Drift’ makes some serious points about how Margate is being affected by gentrification. This is the process of renovating of towns and neighbourhoods to conform to more middle-class tastes that leads to the gradual disappearance of working class communities.