Animation for 16 to 18 Year Olds
This beginners course is aimed at 16 - 18 year olds with little or no animation experience. It will give you an introduction to the fundamentals of hand-drawn character animation. As the discipline moves further into the digital age, a solid foundation in the core techniques for character animation remain as important as ever.
It is never too early to start. Drawing is a sure-fire way of learning the skills that you'll need in order to succeed in this field. Learning and developing the fundamental principles will help to preserve the quality of good character animation through the technological evolution.
Through a series of short exercises you'll practice and refine your animation skills. Topics will include:
- an overview of animation principles, which are largely unchanged since they were established in the 1930's
- adapting your own character drawings into animation-friendly designs
- applying three-dimensional drawing methods to design model sheets
- creating strong poses and facial expressions
- learning the fundamental techniques of squash-and-stretch, drag and overlapping action, secondary action, arcs, weight and anticipation
- exploring the dynamics of walking and running, and an introduction to the principles of timing
- getting to grips with working on a light box, rolling and flipping animation paper
- shooting your animation on a line tester
- an overview of the animated film-making process
All topics will be backed up with hand-out sheets and the viewing and analysing of animated films.
A good level of English is necessary to attend the course. You must be at least 16 and under 19 years old.
Please note: This course is for students aged 16 to 18 years old only
A graduate of Central Saint Martins, for the past twenty years Lynne has worked in the animation industry, within a variety of roles from director to designer for children’s series (BBC, ITV, Nickelodeon and Channel 4), interactive games for (BBC and Macmillan), music videos and adverts. She began her career in stop motion animation and enjoys the tactile world of puppet making; this creative influence can be seen in her later digital work.
For several years Lynne has lectured at several London based Universities and co designed an animation course at City Lit. She regularly participates on the jury’s for the Student Royal Television Awards and the British Animation Awards andhas contributed towards books such the “Art of Stopmotion” by Ken Priebe and “Stopmotion” by Barry Purves In more recent years she has been concentrating on producing graphic novels and illustrations for children’s books, her creative work has been shown at exhibitions in London and New York.
- Please bring a USB stick for saving your work at the end of the week