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SWITCH: Rethinking menstrual care through design and empathy

3D-rendered promotional image for a menstrual care product called
  • Written byS Popo-Williams
  • Published date 05 November 2025
3D-rendered promotional image for a menstrual care product called
SWITCH Protoype by Sharon Rodrigues, MA Fashion Entrepreneurship and Innovation.

When MA Fashion Entrepreneurship and Innovation student Sharon Rodrigues began exploring how design could change the way people experience menstruation, she wasn’t just creating a product - she was redefining care. Her project, SWITCH, is part of LCF’s Postgraduate Class of 2025: Fashion Business School Exhibition, and brings empathy, science, and sustainability together in one thoughtful design.

It has been about finding balance between safety, comfort and sustainability. Menstrual cups are intimate products, so comfort and performance have to come first, but sustainability is equally important. Working with biodegradable materials meant constantly testing flexibility, softness and durability.

In this feature, Sharon shares how SWITCH evolved from lived experience to award-winning innovation, and how her research helped her craft a future where design meets dignity, comfort and gives women a choice.


Advocacy graphic featuring a young South Asian girl named Meera in traditional attire, shown in black and white with a confident pose. Set against a colorful gradient background of pink, purple, and orange, the text highlights key menstrual health statistics:  “500 million women and girls worldwide face their periods without basic hygiene facilities.” — UNICEF  “2 million girls aged 14–21 have missed part or a full day of school because of their period.” — UN Women  “500 billion disposable menstrual products end up in landfills annually, taking up to 500 years to decompose.” — PMC Bold text on the left says “Meet MEERA,” introducing her as a symbol of the global menstrual equity challenge.
LCF's Enterprise Challenge 2025 'SWITCH' pitch | Sharon Rodrigues.

From experience to design

It all started with Mira, my housemaid back home in India. One day, she told me she had missed work because she didn’t have proper period products, and using cloth had given her infections. That conversation broke something in me. It wasn’t just about her missing work; it was about how something so natural was still filled with shame, pain and silence.

Years later, when I discovered menstrual cups, I realised how life-changing they could be. They’re safer, sustainable and long-lasting, but also incredibly misunderstood. I knew that most women like Mira would never even hear about them. That was the moment SWITCH was born; it came from wanting to bridge that gap, to design something approachable and empowering for every woman.

During my early research in Karnataka, I spoke with more than 100 menstruators about their experiences. One girl said something that has never left me: “I just wish someone showed me how to use it instead of telling me it’s not for girls like us.”

That line changed everything. It made me realise that the real problem isn’t the product - it’s the lack of trust, guidance and representation. From that moment, I knew SWITCH couldn’t just be about selling cups. It had to be about education, mentorship and community support.

Adoption doesn’t come from information alone; it comes from human connection.

Four white 3D-printed nesting jugs of varying sizes arranged in a row on a gray desk surface, featuring smooth curved forms with visible print lines and integrated lids with small handles. The background includes a black laptop with an Alienware logo, a spiral-bound notebook with handwritten notes, and a keychain multitool. Modern workspace setting with additive manufacturing prototypes.
3D printed Prototype of the 'SWITCH' menstrual cup | Sharon Rodrigues.

Designing inclusivity and ease

I’ve used menstrual cups for over 11 years, and even now I struggle to find one that feels completely right. Through my own experience and through countless conversations with others, I learned that everybody is different. That curiosity pushed me to dig deeper.

Coming from a fashion background, I had never studied anatomy before, so I started learning directly from medical professionals. That’s when I discovered something incredible: when pressure is released in specific areas of the vaginal canal, it can actually help relieve cramps. That moment changed how I saw menstrual design forever.

Every curve and ridge of SWITCH was built around that understanding. The goal was to create a product that not only works but feels like it understands your body.

3D printing became a vital part of this process because it turned imagination into something real. It’s one thing to sketch an idea and another to hold it in your hands. The prototypes we created are printed at an exaggerated scale so people can see the details clearly. When they touch it, when they ask questions - that breaks the silence around menstrual cups.

None of us came from a medical background, so it was all about trial, learning and iteration. The process helped us refine the shape, proportions and surface. More than that, it made people curious.

Informational graphic promoting the benefits of switching to a modern menstrual product, set against a vibrant gradient background of pink, purple, and orange. Large white text at the top left reads “Switch,” with the tagline “The Future of Period Care” in the top right. Three white icons with accompanying text highlight key benefits:  Social Impact – icon of a hand holding a heart with people, with the text “Buy One, Give One. Every purchase provides one to a girl or woman who cannot afford one.”  Mass Awareness & Education – megaphone icon, with the text “Global campaigns to break menstrual stigma.”  Comfort – icon of a meditative person, with the text “A soft, natural fit that feels gentle and easy, all day.”
LCF Enterprise Challenge 2025, 'SWITCH' pitch | Sharon Rodriuges.

Entrepreneurship with purpose

Studying on the MA Fashion Entrepreneurship and Innovation course at LCF completely changed the way I think. It taught me how to approach design not just as a creative, but as a problem solver. I learned to blend empathy, research and business thinking, and to see fashion as something far beyond clothing.

Entrepreneurship can have heart. It can be driven by empathy and still be commercially viable.

Fashion is about people, innovation and purpose. That mindset has guided every decision with SWITCH, from the product design to the social model behind it.

Winning the silver prize at the LCF Enterprise Challenge 2025 was a turning point. It reminded me that entrepreneurship can have heart. It can be driven by empathy and still be commercially viable. That recognition gave me the confidence to believe in the power of design-led social change.

Beyond the prototype

The next step for SWITCH is to begin distribution in Karnataka through local NGOs and schools. Each cup will be paired with education and guidance because access only works when people feel confident using it.

At the same time, I’m continuing research with material scientists to finalise the biodegradable version using plant-based biopolymers. The aim is to make menstrual care that’s safer for both people and the planet.

You don’t need to be an expert in science or business to create something meaningful – you just need curiosity and compassion.

Black and white photograph of a group of smiling young South Asian girls standing close together, conveying joy and community. Superimposed in the foreground is a vibrant pink and purple menstrual cup, digitally rendered with a glowing effect. Bold white text on the right reads,
LCF Enterprise Challenge 2025, 'SWITCH' pitch | Sharon Rodriuges.

SWITCH is still at the beginning of its journey, but the mission is clear: to build trust, create access and bring menstrual health into open conversation everywhere.

When people see my work at the exhibition, I hope they feel curious, comfortable and inspired. I want them to see SWITCH not just as a menstrual product, but as a symbol of openness and empowerment.

If I’ve learned one thing from this journey, it’s that change starts small, but it must start real. You don’t need to be an expert in science or business to create something meaningful; you just need curiosity and compassion. Collaboration has been everything for me. Working with doctors, designers, and peers taught me that innovation happens when disciplines meet.

Most importantly, make sure what you build serves someone other than yourself. Even if it changes one life, it’s worth it.


Visit Sharon’s display at LCF's Postgraduate Class of 2025: Fashion Business School Exhibition and explore how empathy and innovation can reshape the future of menstrual care.

LCF Postgraduate Class of 2025: Fashion Business School Exhibition is open until 8 November 2025 at LCF’s East Bank campus.

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