List of Camberwell, Chelsea and Wimbledon research degree supervisors and their subject areas.
Art and Science
- Photography, art and media practice
- Image perception and cognition: stillness and movement, embodied perception, attention and temporality, modes of address
Communication Design
- Design cultures (with a particular focus on the Arab region)
- Decolonising design and politics of design
- Design education and critical pedagogy
- The practice of agency within communication design
- Taxonomies and ideas of classifications in design
- Physical / digital and the Internet of things
- Action research and participatory design
- Practice-oriented design
- Language and linguistics
- Phenomenology of space
- Gender identities and sexualities
Curation, Collections and Archives
- Art history and theory and modernism and contemporary art in Brazil
- Collections and archives
- Printmaking - new and old technologies
- Fine art
- Museum studies
- Curating
- Fine art painting
- Theory and practice of the curatorial, especially in relation to the global and transnational
- African and diaspora contemporary art and visual cultures
- Archives, embodiment, oral histories and conceptual art practices
- Exhibition curation as praxis; devising new research methodologies
- Fine art painting, curation, the histories of abstraction, modernism and the baroque
- Visual art
- Semantic technologies for arts and archives
- Documentation of art practice
- Linked Data for art and art conservation
- Fine art painting (including the expanded field of painting) and curation
- The performative possibilities of painting
- Photographic technologies and the history of the experiment
- Curating contemporary photography
- Photographic objects and photographic dematerialization
- Technical images and mechanical reproducibility
Ecology and Society
- Fine art, context specific sculptural installation and photography
- Producing art, critical practice, generosity
- Political economy of art, the Anthropocene
- Sustainable and circular design practice
- Textiles for fashion, interiors and automotive
- New materials, applications and business models
- Design-driven and social research methods for collaborations
- Sited artwork and mutable sculpture, living environment, mutability and change
- Circular and sustainable textile design practice
- Design-led material innovation
- New textile production and finishing technologies
- Multi-disciplinary methodologies
- Textiles, fashion and materials
- Sustainability
- Fine art and bookmaking
- Contemporary photographic and moving image practices
- Representation of landscape and ecology
- Technologies and apparatus of depiction
- Sustainable studies in architecture
- Daylighting and visual perception
- New sustainable technologies
Identity, Subjectivity and Feminism
- Fine art practice, painting and drawing, art, race, blackness and national identity, fine art museums and collections
- Race, culture and east and southeast Asian diaspora
- Material culture
- Museum and collections
- Social practice, collaboration and community
- Language and Linguistics
- Phenomenology of space
- Gender identities and sexualities
- Sexuality, gender and intersectionality
- Performativity, trauma
- Dress and textiles associated with the African diaspora, material and visual culture, writing and curating
- Artists' moving image practices, especially in relation to subjectivity, 'the body', performativity, and marginality.
- Psychoanalytic discourse as a model for auto-fiction, especially in moving image practices.
Materiality
- Fine art, painting, drawing, meaning and process in contemporary painting
- Sustainable and circular design practice
- Textiles for fashion, interiors and automotive
- New materials, applications and business models
- Design-driven and social research methods for collaborations
- Circular and sustainable textile design practice
- Design-led material innovation
- New textile production and finishing technologies
- Multi-disciplinary methodologies
- Textiles, fashion and materials
- Sustainability
- Fine art and bookmaking
- Physical / digital and the Internet of things
- Action research and participatory design
- Practice-oriented design
- Race, culture and east and southeast Asian diaspora
- Material culture
- Museum and collections
- Social practice, collaboration and community
- Fine art, printmaking, drawing, photography, visual perception, materiality and surface
- Visual art
- Semantic technologies for arts and archives
- Documentation of art practice
- Linked data for art and art conservation
- Photographic technologies and the history of the experiment
- Curating contemporary photography
- Photographic objects and photographic dematerialization
- Technical images and mechanical reproducibility
Philosophy, Society and Politics
- Art, capitalism and Marxism
- Value theory, labour and automation
- Public sphere and participation
- Institutional critique and the history of art’s institutions
- Art as social practice, fine art practice and drawing
- Authorship, subjectivities, genre studies, metanarratives, art research, collaborative cultural production, the 'work of art' in relation to 'the art of work'
- History and criticism of post-war, neo-avantgarde and contemporary art in Europe and North America; phenomenology; deconstruction; social theories of meaning, film and documentary; photography
- Fine art, painting, drawing, meaning and process in contemporary painting
- Amnesia and belonging in visual art
- Imagination as a social practice
- The relationship between poetics and politics in installation art
- Economy and history of materials in installation art
- Taste, aesthetics and design
- Utilitarianism and aesthetics
- Freudian-Lacanian psychoanalysis, art and society
- Modern and contemporary art history and theory
- Contemporary art, design labour, future studies
- Gender studies, biopolitics and transnationalism
Psychology, Perception and Pedagogy
- Sculpture theory and practice, clay, ceramics, art and psychoanalysis, archiving, performance art, concrete poetry
- Photography, art and media practice
- Image perception and cognition: stillness and movement, embodied perception, attention and temporality, modes of address
- Fine art theory and practice, fine art pedagogy, site specific practice and art research
- Fine art, printmaking, drawing, photography, visual perception, materiality and surface
Space and Aesthetics
- Fine art theory and practice, architectural space and wall installation
- Sited artwork and mutable sculpture, living environment, mutability and change
- Amnesia and belonging in visual art
- Imagination as a social practice
- The relationship between poetics and politics in installation art
- Economy and history of materials in installation art
- Sustainable studies in architecture
- Daylighting and visual perception
- New sustainable technologies
- Beholding, aesthetics, and situated art
- Architectural / spatial design practices and aesthetics
Theatre, Acting and Performance
- Objects, environments, and apparatus in post-dramatic performance
- Binaural sound and emergent performance technologies
- Making contemporary theatre
- Scenography and the presentation of national identity through design
- Performance, identity, theatre design, scenography
- Post-dramatic theatre: acting, directing, and dramaturgy
- Performance, politics, and the public sphere
- Decolonising performance histories and contemporary practices
- Fine art painting (including the expanded field of painting) and curation
- The performative possibilities of painting
Writing, Narratives and Moving Image
- Concrete poetry
- Contemporary photography and moving image practices
- Representation and the use of text/ narrative in contemporary fine art practice and relation to historical works of literature, cinema and photography
- Moving image and performance as contemporary art practice
- The performance of text, particularly in relation to issues around artificial intelligence, ecology, and absurdity
- Artists' moving image practices, especially in relation to subjectivity, 'the body', performativity, and marginality.
- Psychoanalytic discourse as a model for auto-fiction, especially in moving image practices.