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Fashion Photography

Course description

With the expansion of the internet, fashion photographers are increasingly in demand. In this course you'll learn the fundamental skills involved in taking original fashion images for a variety of commissioners, from magazines to designers. You will focus on the practical photography techniques and develop your photographic eye, in order to deliver fashion photos to a professional standard.

The course includes daily feedback critique sessions, practical tips about cameras and studio lighting, a retouching workshop, discussions about presenting work (websites and iPad portfolios), practical mood-board development, and industry level guest speakers for Q&A sessions.

Lastly, working as part of a creative team, you will produce and execute a day-long fashion shoot using a professional industry team of models, fashion stylists, make-up artists and hair stylists, adding valuable content to your fashion photography portfolio.

Who should take this course?

  • Students with an interest in fashion styling and photography
  • Photographers, stylists and art directors

Available dates

If no dates are showing then please sign up to our mailing list to find out about upcoming dates and new course developments.

Details

Topics covered:

  • Selection of location sets
  • Set construction
  • Propping and accessorizing
  • Camera settings and lighting control
  • Use of backdrops and reflectors

Materials

Please bring with you to the first session:

  • A digital SLR camera, with memory card
  • One notebook A4 size or larger
  • On the first day please also bring a UK fashion magazine of your choice.  Some suggestions include: Vogue, i-D, Dazed and Confused, Vice, Harpers, Sheer, Phoenix, SID, Another, GQ, Ponystep

Meet the Tutor:

Learn the fundamental skills involved in taking original fashion images for a variety of commissioners. Students will focus on practical photography techniques that are needed to be mastered in order to deliver fashion photos to a professional standard.

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