Designing Narratives for Event Experiences
Discover how to use narrative and storytelling to create site-specific installations and performances, pop up interventions and mass festival experiences. You will chart the background and context to these formats, and find out how to apply a range of methods to suit different environments. You will gain new perspectives for developing event narratives, and a variety of techniques to tell high impact stories which leave lasting memories with audiences long after they have left.
This structured course is based on illustrated lectures, group discussions and short collaborative exercises carried out in pairs. At the end of the course you will have increased your knowledge and professional skills, and be inspired by the potential to incorporate these into your own studies, practice or work.
- Narrative and storytelling – Understanding the difference between a narrative and a story, how to use these to design meaningful events which bring about change and transformation in the audience, setting aims and selecting the appropriate tools to achieve these. Ensuring you are telling the right story in the most compelling way, and choosing the appropriate narrative structure to reveal this to the audience
- Site-specific installations and performances – Using the properties and qualities of a landscape, city, building or a room, and physically mapping the stories and audience routes through the space to emphasize and elaborate on these. Find out how site-specific performances have developed in response to locations and spaces ranging from abandoned docks, graveyards and hotel rooms. How to fully utilise a space so that the environment and event directly feed each other, and overcoming constraints and obstacles that might be present with the site
- Pop ups – Taking an event out of a fixed environment and into a temporary space to make the most of the moment, and charting the emotional journey of the audience through the experience. Follow the history of pop ups from being a guerrilla grass roots concept which took over abandoned buildings with very limited funds, through to brands such as Nike and Gap spending high budgets to launch pop up shops as major PR and marketing events
- Festivals – Creating a mass experience at a festival, and deciding on the levels of audience participation. You will chart the ever increasing popularity of music and multi-arts festivals across the world, and how they have evolved from being free communal experiences for people to express love and freedom with Woodstock in 1969, through to becoming temporary mini cities at festivals such as Glastonbury with ‘glamping’, champagne bars and corporate sponsorship.
By the end of the course you should be able to:
- Understand how narrative and stories can be used to design impactful experiences
- Design events that are engaging and long lasting
- Incorporate new methods and techniques into your practice or profession
Who Should Attend
This course is ideal for you in you work in events, marketing, PR, brand management and exhibition design.
Beginner. You don’t need any prior events experience.
After completing this course you may be interested in learning more about event logistics in Venue and Event Management, or ways to tell stories across multiple platforms in Transmedia Storytelling.
Pigalle Tavakkoli originally worked in the fashion industry as Studio Assistant for Alexander McQueen, followed by running her own label designing high end womenswear for boutiques worldwide. She went on to work as Creative Assistant to Jasmine Di Milo, Marketing and PR Manager for designers such as Lezley George, and project managing lookbooks for Benetton and Levi’s Vintage Clothing. Pigalle is now established as a Senior Experience Designer with over a decade producing events, installations and campaigns. She develops multisensory story worlds driven by audience participation, to transform the way they feel, think and behave. She has worked for leading cultural organisations and museums across the UK and internationally. These have included the V&A, National Portrait Gallery, Wellcome Collection, Barbican Centre and Garage Centre for Contemporary Culture (Russia), as well as multi-arts festivals such as Latitude, Wilderness, Secret Garden Party and Electric Picnic (Ireland). She is a visiting lecturer at London College of Fashion and London College of Communications.