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20/20 meet the artists: Cora Sehgal Cuthbert

  • Written byKatie Moss
  • Published date 10 August 2023
Cora Seghal Cuthbert, love lives in the chicken shop.

    In June, UAL announced the twelve emerging and mid-career artists in the second of 2 cohorts for 20/20: a national commissioning and network project directly investing in the careers of a new generation of ethnically diverse artists.

    20/20 was launched in November 2021 by UAL Decolonising Arts Institute, working with a network of 20 UK public collections, museum and gallery partners, and with funding from Freelands FoundationArts Council England’s National Lottery Project Grants Programme and UAL.

    We caught up with Cora Sehgal Cuthbert about being selected for the second cohort of artists for 20/20. Her residency is taking place at The Herbert Art Gallery and Museum.

    Tell us about your artistic work, discipline & background

    "I’m a multidisciplinary artist working across various media such as film, sculpture, print, photography and installation - I also facilitate/produce community art projects and workshops. My practice explores the intersections between the personal, the cultural, and a universal spirituality and humanity. Through this, I aim to expand my own and the audience’s worldview, to encourage the sharing of stories, and to encourage the recognition of the beauty and love within our own everyday lives. Specific themes I’ve recently explored include ideas of home, immigration, faith, grief, desire and disability."

    Why did you apply for the 20/20 project?

    "I think decolonising art involves challenging ideas of ownership/power, disrupting structures, and being honest. No matter what themes I’m exploring, I think my practice always aims to take this approach. Hopefully the 20/20 project will allow me to deepen this approach more.

    "I hope it also allows me to explore themes like family/heritage/home in all their complexities and without cliched expectations often enforced upon the work of non-white/mixed-raced artists dealing with such subjects.

    "I wanted to work with The Herbert because I have connections to Coventry. My dad’s from there and my grandad was a parish priest of Stoke Aldermoor. My mum’s family are Punjabi Indian and were displaced during Partition. They moved from India to London but lots of Punjabis came to Coventry and the Indian Workers Association, which raised awareness of India’s struggle for independence from British rule, was set up there."

    What conversations, thoughts or feelings do you hope to encourage amongst your audiences during your residency?

    "I hope to highlight aspects of the collections that have been overlooked previously. I also want my residency to be as inclusive and relevant to people living in Coventry today as it can be. As part of my residency, I hope to facilitate workshops with community groups that the museum/ the art world currently underserves and who might be interested in exploring themes of home/family.  I don’t want to be too prescriptive about the work/workshops/experiences and interactions at this stage - I want to be open and attentive to the museum, the archives and people I meet during the process of the residency."

    Follow Cora Sehgal Cuthbert on social media:

    Instagram: @coracuthbert