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Professor Paul Goodwin

Title
Chair of Contemporary Art and Urbanism
College
University of the Arts London
Email address
Tags
Researcher Research
Paul  Goodwin

Biography

Paul Goodwin is a curator, researcher and educator based in London. Goodwin’s research focuses on Black British Art and African diaspora art since 1980 and transnationalism in contemporary art production. In his interdisciplinary research project Revisioning Black Urbanism at Goldsmiths, University of London, from 2006 to 2010 he explored topics relating to urbanism and the generative potential of 'Blackness' in cities such as London, Lisbon and Paris.

From 2008 to 2012 as a curator at Tate Britain he directed the pioneering Cross Cultural Programme that explored questions of migration and globalisation in contemporary British art through a programme of international conferences, workshops, talks and live art events. His curatorial projects include a number of internationally significant exhibitions including: Migrations: Journeys Into British Art, Tate Britain 2012; Thin Black Line(s), Tate Britain, 2011; Coming Ashore, 2011, Berardo Collection Museum in Lisbon, Portugal; Afro Modern: Journeys Through the Black Atlantic (consultant curator), Tate Liverpool, 2010; Underconstruction, Hospital Julius De Matos, Lisbon, Portugal, 2009. In 2013 he curated Charlie Phillips: The Urban Eye at New Art Exchange, Nottingham which was long-listed for the Deutsche Börse Photography Prize 2014.

His multidisciplinary research and curatorial practice revolves around exploring the creative potential of both cities and exhibitions as sites of aesthetic, socio-cultural and political intervention. Within the urban field this has been framed around understanding how the black and migrant presence in cities have shaped and in turn been shaped by formations of urban aesthetic and socio-cultural modernity. Within the field of contemporary art Goodwin has focused on the dynamics of how processes of migration, globalisation and transnationalism are yielding new forms of innovative artistic and curatorial practices in both a European and broader international context.

In 2014 he participated in the major EU funded research project MeLa – European Museums in an Age of Migration - co-curating a summative research exhibition at MACBA Barcelona in July 2014 and co-editing the MeLa book Transfigurations: Curatorial and Artistic Research in an Age of Migrations (Royal College of Art/MeLa Publications, 2014) with Victoria Walsh and Pamela Sepulveda.

He is the Co-Lead Investigator (with Prof Ming Tiampo) of the Trans-Atlantic Platform for the Social Sciences and Humanities funded international research project: Worlding Public Cultures: The Arts and Social Innovation as well as co-founder of the Transnational and Transcultural Arts and Culture Exchange network (TRACE).

Recent research based curatorial projects include: W.E.B. DuBois: Charting Black Lives (House of Illustration, London, UK, 2019, Illustration Embassy, Amsterdam, NL 2021), We Will Walk: Art and Resistance in the American South (Turner Contemporary, Margate, UK, 2020) and Untitled: Art on the Conditions of Our Time, Chapter 2 (touring, Kettle's Yard, Cambridge, UK, Feb. 2021).

He is a trustee of Lux Moving Image and The Africa Centre in London, an Honorary Fellow of Wadham College, University of Oxford, a Fellow of the Royal Society of Arts and Honorary Fellow of the Franco-British Council.

Goodwin is Chair and professor of Contemporary Art & Urbanism and Director of TrAIN Research Centre (Transnational Art, Identity & Nation) at University of the Arts London where he also teaches on the MA Fine Art programme at Chelsea College of Arts.

Grants and awards

(Figures indicate amount awarded to UAL)

Teaching

Current research students

  • Nwakaego Ego Ahaiwe Sowinski, Conjunctural Encounters & Legacy in the Archive: The Life, Works, Mobilities and Philosophy of Ronald Moody (Lead supervisor)
  • Stephanie Cheung, Participatory Art in Contemporary Chinese Contexts (Lead supervisor)
  • Syeda Rahila Haque, Inappropriate/d: re-situating diaspora art in Britain through black and postcolonial feminist epistemologies (Lead supervisor)
  • Roxy Caroline Roxana Minter, Picturing Whiteness: Race Representation in the National Collection of British Art 1700s to Now (Lead supervisor)
  • Chizitalu Uwechia, Fine Art as a medium for dietary information exchange (Lead supervisor)