Professor Graham Ellard
BiographyAs an artist Graham Ellard has collaborated with Stephen Johnstone since 1993. Their large-scale video installations and 16mm films have been exhibited internationally in museums and galleries including; Centre Georges Pompidou; Tate Liverpool; MOCA, Sydney; the V&A, London; MAXXI, Rome; Triennale Design Museum, Milan; the Aichi Triennale, Japan 2013; Anthology Film Archives, New York; Guggenheim, New York.
Focusing on the relationship between film and architecture their films explore the fundamental role of light in articulating modernist architectural space. Their abiding formal preoccupations - the camera's ability to produce ambiguities of scale, depth or shallowness, transparency and reflection, and the intersections of architectural planes, vistas, apertures and screens - centre on the altered forms of attention that come from using the camera to magnify and study architectural details and fleeting atmospheric effects.
Their book, Anthony McCall: Notebooks and Conversations was published by Lund Humphries, London, in March 2015.
Graham Ellard co-convenes, with Anne Tallentire, the research project Double agents at CSM. He has spoken at conferences internationally on the subject of the Artists’ Studio, and as part of the ongoing partnership with Acme Studios co-created and directs the CSM Associate Studio Programmes for recent graduates. The book co-edited with Jonathan Harvey; Studios for Artists: Concepts and Concrete. A collaboration between Acme Studios and Central Saint Martins was published in November 2015.
Exhibited works exist at the intersections of architecture and cinema and are preoccupied with the conventions and effects by which space is represented and 'produced' in the projected image. The approach is informed by an understanding of the effects of parallax, transparency and simultaneity, and the construction of voids, vistas, screens and apertures as common to both architecture and it's filmic representation.
Now working exclusively in 16mm film these resolutely analogue works propose a non-documentary, poetic, archaeological and archival probing of specific buildings – typically modernist, often ‘visionary’ – which emphasise the camera’s ability to produce ambiguities of scale, depth or shallowness and counter-intuitive forms of transparency and reflection and explore how a certain kind of European post-war architectural space can be rendered visible by film form without recourse to the conventions of storytelling.
Grants and awards
(Figures indicate amount awarded to UAL)
- Daiwa Anglo-Japanese Foundation, Exhibition collaboration with APUAM, Japan, £7,000.00, (2013-2013)
- Ellard G, Johnstone S. La Mer (Four hands. Two dancers. Two films) (2018)
- Ellard G, Johnstone S. Cut Cast Reveal (2016)
- Ellard G, Johnstone S. Cut (2015)
- Ellard G, Johnstone S. For An Open Campus (2015)
- Ellard G, Johnstone S. Everything Made Bronze (2013)
- Ellard G, Johnstone S. Neue Museen (2011)
- Ellard G, Johnstone S. Machine on Black Ground (2011)
- Ellard G, Johnstone S. Things to Come (2011)
- Ellard G, Johnstone S. Proposal, for an unmade film (set in the future) (2007)
- Ellard G, Johnstone S. Motion Path (2006)
- Ellard G, Johnstone S. Head Corridor (2001)
- Ellard G. Anthony McCall (interview) (2006)
- Ellard G, Harvey J. Studios for Artists: Concepts and Concrete, a collaboration between Acme Studios and Central Saint Martins. (2015)
- Ellard G, Johnstone S. Anthony McCall: Notebooks and Conversations (2015)
- Ellard G, Harvey J, Echarte A. The form, function and future of the artists' studio (2010)
- Ellard G, Johnstone S. The Pavilion (2017)
Current research students
- Neus Miró Gonzalez, The Evolution of Exhibition Grammar since the 1960s due to the Assimilation of Moving Image Practices into the Art Gallery and Art Museum (Lead supervisor)
- Jane Norris, Viatopias. (Lead supervisor)
Past research students
- Eva Bensasson, Collective Urban Memory – Art & Fictional Histories. (Lead supervisor)
- Eleanor Suess, Constructing the architectural moving drawing: transdisciplinary practices between architecture and artists’ film. (Lead supervisor)