BiographyErika studied Social Anthropology and Archaeology at Kings College, Cambridge, as well as Film Directing at The Beijing Film Academy, followed by an Advanced Diploma in Film & Video and an MA in Fine Art at Central Saint Martins.
My practice is primarily research-led and manifests in multiple formats, with a leaning towards the moving image, referencing distributed media in the form of cinema, gallery-based works, internet and digital practices. Evolving from an interest in anthropology and the moving image, her work is often informed by specific cultural, geographical or physical contexts.
Recent research has focused on the postcolonial and transnational, working with archival artefacts, exhibition histories, received narratives, contested heritage, subjugated voices and the transnational movement of ideas, people and objects.
Current projects explore the discursive connections between the technology of cinematic green screen space to that of the museum and its technologies of dislocation (with particular focus on the colonial Museum in ‘Malaya’ and the repatriation of objects - with no shadow). Future projects point towards the digitisation of collective cultural memory and cloud architecture through the prism of ruins, hauntings, and mnemonic collapse.
My work has been exhibited internationally and included in The 2006 Singapore Biennale, Thermocline of Art - New Asian Waves in ZKM, Germany, 'Cities on the Move' at The Hayward Gallery, London. She has worked on commissions from Film & Video Umbrella, Picture This, BBC Radio London, Channel 4, creating both permanent and temporary projects in the UK and abroad. She was a nominee in the 2012 Samsung Digital Art Plus Prize. Recent writing projects include And Now China? A special issue of Ctrl+P Journal of Contemporary Art, in which the impact of China’s ascendance in the international art world is approached through the responses of practitioners, writers, cultural commentators in South East Asia and further afield.
As an extension to my practice, I have also curated and managed art projects such as The ICA in China; Imaginaria Digital Art Prize '99; HUB @The RiCHMiX, an urban regeneration project; Souvenirs, interventionist project in Museum Street, London and most recently The Supplementary Museum, a critical engagement project in Brighton Museum. I have also had a long-standing interest and engagement with the Chinese Arts sector in Britain, working in a range of capacities from community worker, freelance researcher, curator and arts consultant.
- Tan E. Apa Jika, The Mis-placed Comma (I, II, III) (2017)
- Tan E. The Weavers Lament (2016)
- Tan E. Shot Through (2008)
- Tan E. The Syntactical Impossibility of Approaching with a Pure Heart (2008)
- Tan E. PIDGIN: Interrupted Transmission (2001)
- Tan E. Dialogical Skirmishes (2008)
- Tan E. Come Cannibalise Us, Why Don’t You? / Sila Mengkanibalkan kami mahu tak? [Book] (2014)
- Tan E, Shabbir Hussain M. Persistent Visions (2009)
- Willmoth S, Tan E. Erika Tan PIDGIN interrupted transmission (2002)
- Tan E. One Step Forward, Two Steps Back: Dancing in the Margins/on the Border of Oblivion (2018)
- Tan E. Respects des Fonds (essay) (2005)
Conference, Symposium or Workshop item
- Tan E. Misplaced Commas and Cannibalistic Tendencies: Necessary Contingencies in Archival Practice (2017)
- Tan E. Misplaced Commas and Cannibalistic Tendencies (2017)
- Tan E. Oriental Riff/t: After Chinoiserie (2017)
- Tan E. Apa Jika, The Mis-Placed Comma. (2016)
- Tan E. Come Cannibalise Us Why Don’t You? (2016)
- Tan E. A Presentation by Proxy (2014)
- Tan E. Oriental Rift / oriental riff (2013)
- Tan E. The 'Forgotten' Weaver / Amsterdam in UnAuthorised Medium (2018)
- Tan E. The 'Forgotten' Weaver at This is Water (2018)
- Tan E. The ‘Forgotten’ Weaver at 'A Place in the World' (2018)
- Tan E. Sonic Soundings / Venice Trajectories (2017)
- Tan E. The 'Forgotten' Weaver (2017)
- Tan E. Erika Tan, Halimah-the-Empire-Exhibition-weaver-who-died-whilst-performing-her-craft (2015)
- Tan E. Come Cannibalise Us, Why Don’t You? / Sila Mengkanibalkan kami mahu tak? (2013)
- Tan E. Repatriating The Object With No Shadow (2013)
- Tan E. Sensing Obscurity (Parts I, II, III) (2012)
- Tan E. becoming (2006)
- Tan E. Persistent Visions (2006)
- Tan E. The 'Forgotten' Weaver at Diaspora Pavilion, Venice 2018