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Donatella Barbieri

Title
Principle Lecturer: Performance
College
London College of Fashion
Tags
Researcher Research
Donatella  Barbieri

Biography

Scholar and scenographer Donatella Barbieri publishes extensively, lectures publically, presents work in international exhibitions, curates events and devises performances around costume. She has pioneered methodologies of designs which have, through MA graduates, extended their influence internationally. These methodologies emerge from three research projects: Designs for the Performer, AHRC-funded exhibition and masterclasses around ten critical costume designers, methodological research on the Laboratoire d’Étude du Mouvement and the LES-Forest costume-led performance collaboration with DAMU, Prague. The latter was made possible through the Teaching and Professional Practice Fellowship, awarded in support of the advancement of costume pedagogy at post-graduate level. In 2010 she was awarded the Joint Research Fellowship V&A and LCF, through which Costume in Performance: Materiality, Culture and the Body was written and is published by Bloomsbury Academic. At the V&A she founded Studies in Costume and Performance biannual research journal published by Intellect. She also produced the Encounters in the Archive research project on performativity and the archived costume. Recent practice includes Wearing Space at Prague Quadrennial 2015 and for Shakespeare in Ten Acts at the British Library the costume installation Ariel as Harpy which is also included in World Stage Design 2017, at Kuandu Museum of Fine Arts Taipei.

My research is driven by a fascination with the costumed body as it holds infinite potential to embody and articulate the human condition through performance. The intention is to advance knowledge around what costume is and does through research, writing, studio practice, performance-making and, when appropriate, though curation of events and through exhibition making. The Fellowship at the V&A has enabled me to research connected objects collected by the museum, which have permitted the articulation of the historical dimension of Costume in Performance: Materiality, Costume and the Body and the analysis of the interaction with archived costume in Encounters in the Archive. The museum space, a non-theatrical environment, foregrounded the narrative body in performances such as Revolutions in Costume, produced in the Raphael Cartoons Room in 2012.

Collaborative dialogues with colleagues nationally and internationally have been critical to this research: I’m a board member of the Society of British Theatre Designers, and I have contributed since 1999 to the Prague Quadrennial and to World Stage Design since 2013. For the latter I led the curation of Costume in Action, with thirty costume-centred events. Finally, Studies in Costume and Performance intends to advance knowledge by publishing writing by researchers from across the world.

Grants and awards

(Figures indicate amount awarded to UAL)

  • LCF Research Project Funding, Material Interactions

Teaching

Current research students

  • Kamaira Anderson, Theorising Hip-Hop and Street Dance from London to Los Angeles through Clothing, Community, and Chorus (Lead supervisor)
  • Matteo Augello, How Italian fashion is collected, preserved and analysed: unfolding the relationship between scholarship and production in the establishment of fashion collections in Italy, 1995-2015. (Lead supervisor)
  • Lisa Colpaert, ‘Screen-to-measure: A practice-based, archival and textual investigation of Edith Head’s film costume designs in 1940s ‘film noir’’ (Lead supervisor)
  • Michéle Danjoux, Design in motion: Choreosonic Wearables in Performance. (Lead supervisor)
  • Berthe Fortin, Ritual Created Around the Crafting of Costume (Lead supervisor)
  • Berthe Fortin, Material embodiment: Ecological costume design for performance. (Lead supervisor)
  • Jennifer Hayton, The archived costume object: the transfer and translation of historical and contemporary costume design practices through the costumes in the Central Saint Martin’s Museum and Study Collection Theatre Archives. (Lead supervisor)
  • Ilaria Martello, Space, Body, Costume: A reframing of costume as a spatial and temporal dynamic in contemporary ballet. (Lead supervisor)
  • Cassandra Schreiber, Expressions of gender in remakes (Lead supervisor)
  • Jo Simpson, Exploring collaborations in hidden communities of practice involved in the changing nature of the fashion catwalk show (Lead supervisor)
  • Johan Stjernholm, A synthesis of aesthetic embodied practices, dress, and cybernetics through western theatrical dance. (Lead supervisor)