Donatella Barbieri

Profile image of Senior Research Fellow in Design for Performance

Senior Research Fellow in Design for Performance

London College of Fashion

Biography

Scholar and scenographer Donatella Barbieri publishes extensively, lectures publically, presents work in international exhibitions, curates events and devises performances around costume. She has pioneered methodologies of designs which have, through MA graduates, extended their influence internationally. These methodologies emerge from three research projects: Designs for the Performer, AHRC-funded exhibition and masterclasses around ten critical costume designers, methodological research on the Laboratoire d’Étude du Mouvement and the LES-Forest costume-led performance collaboration with DAMU, Prague. The latter was made possible through the Teaching and Professional Practice Fellowship, awarded in support of the advancement of costume pedagogy at post-graduate level. In 2010 she was awarded the Joint Research Fellowship V&A and LCF, through which Costume in Performance: Materiality, Culture and the Body was written and is published by Bloomsbury Academic. At the V&A she founded Studies in Costume and Performance biannual research journal published by Intellect. She also produced the Encounters in the Archive research project on performativity and the archived costume. Recent practice includes Wearing Space at Prague Quadrennial 2015 and for Shakespeare in Ten Acts at the British Library the costume installation Ariel as Harpy which is also included in World Stage Design 2017, at Kuandu Museum of Fine Arts Taipei

Research interests

Costume for live and mediated performance; performance-making processes and costume; materiality and culture; costumes as archived objects; curation of events relating to costume. 

Projects, awards and grants

AHRD Funding: Designs for the Performer 2002-2005

 

Teaching and Professional Practice Fellowship 2004-2005

 

Joint Research Fellowship, V&A, and London College of Fashion 2010-2014

Research statement

My research is driven by a fascination with the costumed body as it holds infinite potential to embody and articulate the human condition through performance. The intention is to advance knowledge around what costume is and does through research, writing, studio practice, performance-making and, when appropriate, though curation of events and through exhibition making. The Fellowship at the V&A has enabled me to research connected objects collected by the museum, which have permitted the articulation of the historical dimension of Costume in Performance: Materiality, Costume and the Body and the analysis of the interaction with archived costume in Encounters in the Archive. The museum space, a non-theatrical environment, foregrounded the narrative body in performances such as Revolutions in Costume, produced in the Raphael Cartoons Room in 2012.

Collaborative dialogues with colleagues nationally and internationally have been critical to this research: I’m a board member of the Society of British Theatre Designers, and I have contributed since 1999 to the Prague Quadrennial and to World Stage Design since 2013. For the latter I led the curation of Costume in Action, with thirty costume-centred events. Finally, Studies in Costume and Performance intends to advance knowledge by publishing writing by researchers from across the world.

Students

Current students and thesis titles

Michéle Danjoux - Design in motion: Choreosonic Wearables in Performance.

Matteo Augello - How Italian fashion is collected, preserved and analysed: unfolding the relationship between scholarship and production in the establishment of fashion collections in Italy, 1995-2015.

Berthe Fortin - Material embodiment: Ecological costume design for performance.

Kamaira Anderson - Theorising Hip-Hop Dance in London and Los Angeles through Community, Clothing and Chorus.

Ilaria Martello - Space, Body, Costume: A reframing of costume as a spatial and temporal dynamic in contemporary ballet.

Lisa Colpeart - Screen-to-measure: A practice-based, archival and textual investigation of Edith Head’s film costume designs in 1940s ‘film noir’.

Jenny Hayton - The archived costume object: the transfer and translation of historical and contemporary costume design practices through the costumes in the Central Saint Martin’s Museum and Study Collection Theatre Archives.

Jo Simpson - Exploring collaborations in hidden communities of practice involved in the changing nature of the fashion catwalk show.

Completed students and thesis titles

Johan Stjernholm, A synthesis of aesthetic embodied practices, dress, and cybernetics through western theatrical dance.

 

Selected research outputs