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Join LCF's shortlisted students as they prepare for the final stage of Burberry x CSF Reimagining Materials competition

Materials on a table, with person picking piece of red fabric up.
  • Written byLondon College of Fashion
  • Published date 12 December 2024
Materials on a table, with person picking piece of red fabric up.
Photo by Emma Williams

Created in partnership between Burberry and Centre for Sustainable Fashion (CSF), a UAL research centre based at London College of Fashion (LCF), the Reimagining Materials Competition presented a unique opportunity for students to develop creative ways to make use of Burberry's surplus materials.

Earlier this year, LCF students submitted manifestos, which centred on circular design; reinventing material excess into a single product. Twenty students were shortlisted for the competition, with the winner to be announced in January 2025, who will receive a cash prize and three-month design internship at Burberry.

We followed their journey through the shortlisting process to see how they’re getting on.

Someone picking up cuts of fabric from a table.
Photo by Emma Williams

On 12 November the shortlisted students attended the first briefing session at our East Bank campus to celebrate their achievement, hear about the next steps, and receive their materials packs from Burberry. Containing iconic Burberry trench gabardine, check lining, leather, and a selection of trims, the students were encouraged to use and align the materials in the pack with their original shortlisted concept, while allowing room for creative discernment based on the materials available.

The briefing also allowed students to make use of expert guidance from the CSF and Burberry teams and ask questions about materials, use of technical equipment, and the upcoming prototype sessions. CSF provided sustainability and circular design know-how and a recap on the judging criteria for the competition, including originality, creativity, feasibility, sustainability, use of Burberry house codes, aesthetics and heritage.

Burberry has been in my life since I was little, it was one of those companies that I always looked up to. It’s really exciting to have the opportunity to work with a company that has such a heritage and a huge cultural and creative impact in the world. Having limited fabric and working with a real, wider issue, in using surplus materials, is pushing me to think about new ways of designing and thinking, and how other companies are using leftovers in the design process.

Inmaculada Osorio, Graduate Diploma Fashion Design Technology
Sustainability is something I’ve always been fascinated with, especially its need in the arts. This opportunity aligns with my values, and with the brand values I’m trying to build myself for my own business. This gave me an opportunity to explore Burberry, and how to work creatively with general offcuts.

Mrudula Nikte – MA Fashion Entrepreneurship and Innovation
Person holding piece of fabric.
Photo by Owen Reynolds

Fully briefed, and to inspire their concepts, the students were invited to a talk on 20 November with Carly Eck, Brand Curator of the Burberry Archive. The talk detailed the history and evolution of Burberry, and Thomas Burberry's creation of the innovative material, gabardine, the world's first weatherproof fabric, which took 23 years to develop from 1856 to 1879.

Carly spoke about the properties of gabardine, which make up the classic Burberry trench coat, with original features like the throat latch and gun flap, which has evolved from military necessity to a fashion staple. Merging functionality and aesthetics, the Burberry trench coat has evolved, with the iconic check lining becoming popular in the 1960s and now being a principal element of the piece.

Whether it's being deconstructed, elements exaggerated or printed upon, the trench coat has become a canvas for us at Burberry and an element of our heritage from which we continue to reinvent.

— Carly Eck, Brand Curator at Burberry

Carly gave insight into Burberry’s iconic house codes, including the Equestrian Knight Design logo, with the knight representing honour, the shield protection and the lance reform. These heritage emblems inspired many of the shortlisted prototypes.

Object analysis is key when working with archive collections. The process of looking and re-looking allows you to build a clearer understanding of an object and see how it has perhaps been made, worn, even mended or altered. It is a vital skill for students to build if they want to work with fashion archives.

— Carly Eck, Brand Curator at Burberry
Three people talking, with table in between showing sketches.
Photo by Owen Reynolds

In the final part of the shortlisting experience, to aid prototype design, students were invited back to Burberry’s London headquarters. Students were given 20-minute slots to explain their concept and show their physical prototype to the Burberry team, who offered insights on structure, pricing, commerciality, construction, and functionality.

Eva Clarkson, MA Fashion Design Technology (Womenswear), designed a reversible trench coat inspired by her upbringing in the equine countryside, emphasising heritage.

I wanted to use the surplus materials as best as I could in the patchwork points and check. But it’s also about product categories and different ways of using these, for example, depending on how much excess material you have, the design can be amplified or simplified.

Eva Clarkson, MA Fashion Design Technology (Womenswear)

Taewan Kim, BA (Hons) Fashion Design Technology: Menswear took inspiration from Thomas Burberry’s original trench coat aimed to protect from the weather. Reimagining this in a contemporary context, Taewan is creating a flexible, weatherproof vest that aims to respond to unpredictable and warmer weather. Keeping circular design central to the idea, the piece is designed to be an outerwear waistcoat that can also change into a bag.

Lucia Gudean, BA (Hons) Fashion Design Technology: Womenswear, presented an impressive backpack, coupled with a life-size paper model for the benefit of the session. Lucia drew inspiration from exploring vintage and modern bags and asking friends and family what versatile piece they would want to see, and would continuously re-wear, incorporating functional elements such as shoulder padding.

I wanted to design something for extreme functionality, but also style. What if I add a complement to the trench coat that can be worn daily? Something timeless, sustainable, practical and stylish.

Lucia Gudean, BA (Hons) Fashion Design Technology: Womenswear
Someone holding up piece of material.
Photo by Emma Williams

The Burberry x CSF Reimagining Materials competition winner will be announced in January 2025 and will receive a cash prize, a 3-month internship at Burberry, and have their work featured in an exhibition at LCF’s East Bank campus later in 2025.