Camberwell specialises in fine art, design and conservation courses.
Our facilities embrace both traditional craftsmanship and digital technology.
Camberwell's new buildings, the local area and where students live.
18 September - 27 October 2018
Exhibition exploring the history and current use of the Camberwell Inner London Education Authority (ILEA) Collection.
25 October 2018
The paintings of Adrian Morris and the 1978 Hayward Annual. Convened by Daniel Sturgis.
Jack Fawdry Tatham moved from Edinburgh to London as a child. He studied Foundation Diploma in Art & Design at Camberwell going on to complete our BA Sculpture course, during which he […]
Shadi Al-Atallah was born and grew up in Saudi Arabia. Since graduating from Camberwell College of Arts BA Illustration in summer 2018 Shadi has been busy! As well as currently studying a […]
As we begin the new academic year, Camberwell College of Arts is excited to announce the arrival of a new design course, BA (Hons) Interior and Spatial Design. Relocating from Chelsea […]
At the culmination of a year-long residency at Vanguard Court Studios, Rosie Grace Ward, 2017 Vanguard Prize Winner and a recent graduate from BA Sculpture, launches her latest solo exhibition […]
Established in 1976 by Sir Brinsley Ford and supported by the Royal Academy the prestigious Richard Ford Award is an incredible opportunity. The award allows selected figurative artists the chance […]
At the start of 2018 BA Drawing students took part in a project to provide and run external workshops with students at Leytonstone School, East London. This was initiated and […]
Fine Art Programme Director Daniel Sturgis is an artist and curator. His work is regularly exhibited in the UK and internationally. His curated projects include The Indiscipline of Painting at Tate St Ives.
BA Graphic Design Course Leader Tracey Waller's practice has included producing title sequences for BAFTA award-winning dramas, film titles, broadcast graphics and typography for commercials.
BA Drawing Course Leader Kelly Chorpening’s practice, which spans drawing, painting, film, installation and publishing, is not media or process specific.
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