Dr Mark Ingham
Title
Reader in Critical and Nomadic Pedagogies
College
London College of Communication
Email address
Tags
Researcher Research
Biography
Reader in Critical and Nomadic Pedagogies.National Teaching Fellow
UAL Senior Teaching Scholar
Co-founder of the Experimental Pedagogies Research Group (EPRG)
Website: https://eprg.arts.ac.uk/
Twitter: @ualeprg
My pedagogical and creative research are entangled encounters with: images of thought and memory, rhizomatic and meta-cognitive learning theories, fuzzy narratives and virtual and physical liminal teaching spaces.
I have been an acting Programme Director for four Programmes at LCC. These were, Contextual and Theoretical Studies, Spatial Design Communication, Branding Design Innovation and Graphic Design Communication.
I completed an AHRB funded practice-led PhD at Goldsmiths College, University of London in 2005. I studied BA Sculpture at Chelsea School of Art and Design and then went to the Slade School of Fine Art for his postgraduate studies. I was then awarded the Henry Moore Foundation Fellowship at Camberwell School of Arts and Crafts.
I am a PhD Director of Studies and Supervisor at UAL. I was the Masters Programme Leader in the Architecture, Design and Construction School at the University of Greenwich. I have been an External Examiner for the BA Design Cluster and BA Animation at London Metropolitan University, and External Examiner for the Visual Cultures Department at Middlesex University.
I have exhibited his work, most recently and installation at Dilston Grove for Cafe Gallery Projects called ‘Ars Magna Lucis et Umbrae’. Funded by an individual grant from the Arts Council of England. I have exhibited in a group show organised by Curating Video, called EPISODE at temporarycontemporary, London, which travelled to Leeds and Miami.
One of my current works, ‘120 Days and Nights of Staggering and Stammering’ continues my interest in the projected image and autobiographical memory.
My current art research includes: relationships between autobiographical memory and photography, Deleuzian and Guattarian ideas of ‘becoming rhizomatic’, and the documenting of public sculpture.
My pedagogical research over the past 17 years into the relationships between theory and practice and their roles in art and design disciplines has made me acutely aware of the importance of a holistic approach to art and design education.
I have been able to use my knowledge of art and design technical skills, including design and multimedia software, in combination with my practical and theoretical knowledge to give students a full and rounded educational experience. I have extensive knowledge of art and design practices within historical and contemporary visual and multi-sensory communication cultures and
Keywords:
Critical Pedagogy, Nomadic Pedagogy, Rhizomatic Learning, Assemblages, Installation art, conceptual art, photography, autobiographical memory, fuzzy narratives, sculpture, projected images, Gilles Deleuze, Felix Guattari.
Grants and awards
(Figures indicate amount awarded to UAL)
- LCC Research Grant, Researching Digital Literacy: Becoming Post-Pandemic & Post-Digitally Liberated, £1,850.00, (2021-2021)
- Arts Council England, Ars Magna Lucis et Umbrae Dilston Grove, Southwark, £10,000.00, (2008-2019)
- UAL Teaching and Learning Exchange, ‘Thinking Design’ - UAL Teaching Scholarship, £5,000.00, (2017-2018)
- LCC Teaching and Learning Innovation Fund, Agents, Agency, & Agencies in Assembling Liminal Learning Spaces, £10,000.00, (2018-2018)
- UAL Teaching and Learning Exchange, Learning and Teaching Theory Online (LATTO), £3,000.00, (2016-2018)
- UAL Teaching, Learning and Employability Exchange, Lost and Found in Translation - An Interactive Workbook, £3,000.00, (2020-2020)
Research Outputs
Art/Design item
- Ingham M. Chez L'enquête: a conversational tasting menu (2016)
- Ingham M. Becoming Rhizomatic (2016)
- Ingham M. ART III Limits of Unprotected AREAS (2014)
- Ingham M. 120 Days + Nights of Staggering and Stammering (Let's Make Love) (2012)
- Ingham M. Holes in Venice (2010)
- Ingham M. Ars magna lucis et umbrae (2008)
- Ingham M. It's Good For You Cold (2003)
Article
- Ingham M. Mutant Algae and Fighting Fascism with Félix Guattari (2021)
- Ingham M, Judge K, Tomaszewski P. Conversations About Everything (2019)
- Ingham M. Editorial: Spark: UAL Creative Teaching and Learning Journal (2018)
- Ingham M. From Wish You Where Here? to GAMSWEN and onto Designed Dissertations: Connecting the design studio with writing in design. (2012)
- Ingham M. 120 päivää ja yötä hoipertelua + änkytystä (120 Days and Nights Of STAGGERING + STAMMERING) (2012)
Book Section
- Sadowska N, Ingham M. ‘Laboratories of Learning’: Learning to Learn in Co-created Communities of Practice (2021)
- Ingham M. Becoming Lost and Found in Translation (2021)
- Ingham M. Becoming Blended: Dissections of Assembling Active Learning Lectures (2021)
- Ingham M. Assembling Agency: Learning in Liminal Spaces (2020)
Conference, Symposium or Workshop item
- Hill V, Ingham M. Do We Belong Here? (2021)
- Ingham M, Martin J, Ortolani S, Vincente Richards A. Bodies without Organs: Experimenting in the Gaps and Fissures of our Actively Blended Pedagogically World (2021)
- Ingham M, Salines E. Being in Translation (2021)
- Ingham M. (Becoming) Lost and Found in Translation (2021)
- Ingham M. Agents, Agency, & Agencies in Assembling Liminal Learning Spaces (2021)
- Ingham M. Becoming-Blended-Becoming-Hybrid-Becoming-Multiple-Becoming (2021)
- Ingham M, Lange S. Creating Transdisciplinary Stories (2020)
- Ingham M. Digital Cartography in Smooth and Nomadic Spaces: A Fabulation (2019)
- Ingham M. Rhizomatic Collaborative Assemblages (Swirling the Atmosphere) (2019)
- Ingham M. 'When the Wasp Mets the Orchid' The Deterritorialization of the relationships between practice and theory. (2017)
- Ingham M. Fishing for Zebadee (2016)
- Ingham M. "Mark, How did you know any thing before the Internet existed?" (2016)
- Ingham M, Edwards H. “eRTFs” (Enriched Text Formats) Online, continuous and present writing in Art and Design (2014)
- Ingham M. New Paradigms in Pedagogical Thinking for the Academy of the Very Near Future, or how the Wasp Became the Orchid (2011)
- Ingham M. "Never judge a book by its movie." (2010)
Show/Exhibition
- Ingham M. A Bird in the Hand (2014)
- Ingham M. NO BALL GAMES (2014)
- Ingham M, Baseman J, Newth M, Wainwright C. SCOPE New Photographic Practices (2011)
- Ingham M. Ars Magna Lucis et Umbrae (120 Days and Nights of Staggering and Stammering) (2008)
- Ingham M, Beech A, Poole M, Joseph-Lester J, Marshall M, Henry J, Jones A, Kulkarni N, Miranda Bilbao J, Perry G. Episode (2005)
- Ingham M. Make a map, not a tracing... (1991)
- Ingham M. Cross Roads and Forked Tongues (1986)
- Ingham M. Paradise in Peckham (1985)
- Ingham M. Episode: an exhibition of new lens-based work by 9 London-based artists
Teaching
Current research students
- Maya Finkelstein Amrami, Self-I Maker Developing New Modes of Analogue and Digital Self-Portraits for and from Instagram (Lead supervisor)
- Vicente Richards Ana, Performativity, materiality and affect in contemporary artistic-pedagogic practice: how other stories of the self and understandings of contexts and environments can unfold, be revealed and imagined through the body (LCC) (Joint supervisor)
- Melanie Davies, The Uses of a Cultural Studies / Critical Theory approach to Pedagogic Difference in the Art School: Specifics, Intersections and Applications. (Lead supervisor)
- Claudette Davis-Bonnick, Exploration of Teaching and Learning Theories, and Hybrid Practical Solutions for Higher Education Students with Visual Impairment at Creative Arts Institutions’ (Lead supervisor)
- Elin Karlsson, 'The fabric of the domestic – consuming the condition' (Joint supervisor)
- Demetra Kolakis, '[un] Folding Fashion Spaces: Mediatization of Fashion Practices, Materiality and Place.' (Lead supervisor)
- Mireia Ludevid Llop, Memory as “First Breath”. A speculative practice-focused enquiry on the language of memory (Lead supervisor)
- Jon Martin, 'What is ‘creative block’ (: dimensions; properties; forces)' (Lead supervisor)
- Marcia Michael, (Re)-enacting the maternal body as a site for ancestral memories. How can photography and oral history allow an imaginative re-embodiment of memory to recreate history through, and by, the body of a mother? (Joint supervisor)
- Sara Ortolani, Exploring concepts of writing, images and text as ways to inhabit liminal, communication and interpretation spaces, through artistic research practices. (Lead supervisor)
- Ana Vicente Richards, Performativity, materiality and affect in contemporary artistic-pedagogic practice: how other stories of the self and understandings of contexts and environments can unfold, be revealed and imagined through the body. (Lead supervisor)
- Stacey Leigh Ross, Can the euphoric “instant community” feeling that arises during Caribbean Carnivals be recreated in an art exhibition to trigger compassionate action from its audience? (Lead supervisor)
- Claudius Schulze, How can computerized research be utilized to aid the investigation process underpinning a documentary photography project? Documenting the societal changes caused by the economic crisis in Europe.' (Joint supervisor)
- Miriam Sorrentino, Is it possible to adapt social semiotic practice to communicate audience responses to an ambient work through visual and tactile modes? (Joint supervisor)
Past research students
- Sara Andersdotter, Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice. (Lead supervisor)
- Sarah Dryden, "A Practice-based Critical Investigation into the United States Frontier Domestic Space and its Mediated Form within Western Film." (Joint supervisor)
- Angela Hayward, Taxomomies of the affordances of the iPad with a particular focus on those exploited by women artists to devise and create artworks in order to record, document and disseminate artworks. (Joint supervisor)
- Vasileios Kantas, Ungrouped layers: Unfolding the act of photography (Joint supervisor)
Subjects
Architecture, spatial and interior design
Curation and culture
Fine art
Photography