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Dr Mark Ingham

Title
Reader in Critical and Nomadic Pedagogies
College
London College of Communication
Email address
Tags
Researcher Research
Mark  Ingham

Biography

Dr Mark Ingham: Reader in Critical and Nomadic Pedagogies.

UAL Senior Teaching Scholar in the Design School at London College of Communication.

Design School at LCC Teaching and Learning Innovation Lead.

My pedagogical and creative research are entangled encounters with: images of thought and memory, rhizomatic and meta-cognitive learning theories, fuzzy narratives and virtual and physical liminal teaching spaces.

I have been an acting Programme Director for four Programmes at LCC. These were, Contextual and Theoretical Studies, Spatial Design Communication, Branding Design Innovation and Graphic Design Communication.

I completed an AHRB funded practice-led PhD at Goldsmiths College, University of London in 2005. I studied BA Sculpture at Chelsea School of Art and Design and then went to the Slade School of Fine Art for his postgraduate studies. I was then awarded the Henry Moore Foundation Fellowship at Camberwell School of Arts and Crafts.

I am a PhD Director of Studies and Supervisor at UAL. I was the Masters Programme Leader in the Architecture, Design and Construction School at the University of Greenwich. I have been an External Examiner for the BA Design Cluster and BA Animation at London Metropolitan University, and External Examiner for the Visual Cultures Department at Middlesex University.

I have exhibited his work, most recently and installation at Dilston Grove for Cafe Gallery Projects called ‘Ars Magna Lucis et Umbrae’. Funded by an individual grant from the Arts Council of England. I have exhibited in a group show organised by Curating Video, called EPISODE at temporarycontemporary, London, which travelled to Leeds and Miami.

One of my current works, ‘120 Days and Nights of Staggering and Stammering’ continues my interest in the projected image and autobiographical memory.

My current art research includes: relationships between autobiographical memory and photography, Deleuzian and Guattarian ideas of ‘becoming rhizomatic’, and the documenting of public sculpture.

My pedagogical research over the past 17 years into the relationships between theory and practice and their roles in art and design disciplines has made me acutely aware of the importance of a holistic approach to art and design education.

I have been able to use my knowledge of art and design technical skills, including design and multimedia software, in combination with my practical and theoretical knowledge to give students a full and rounded educational experience. I have extensive knowledge of art and design practices within historical and contemporary visual and multi-sensory communication cultures and

Keywords:

Critical Pedagogy, Nomadic Pedagogy, Rhizomatic Learning, Assemblages, Installation art, conceptual art, photography, autobiographical memory, fuzzy narratives, sculpture, projected images, Gilles Deleuze, Felix Guattari.

Grants and awards

(Figures indicate amount awarded to UAL)

Research Outputs

Art/Design item

Conference, Symposium or Workshop item

Show/Exhibition

Teaching

Current research students

  • Melanie Davies, The Uses of a Cultural Studies / Critical Theory approach to Pedagogic Difference in the Art School: Specifics, Intersections and Applications. (Lead supervisor)
  • Claudette Davis-Bonnick, Exploration of Teaching and Learning Theories, and Hybrid Practical Solutions for Higher Education Students with Visual Impairment at Creative Arts Institutions’ (Lead supervisor)
  • Sarah Dryden, "A Practice-based Critical Investigation into the United States Frontier Domestic Space and its Mediated Form within Western Film." (Joint supervisor)
  • Elin Karlsson, 'The fabric of the domestic – consuming the condition' (Joint supervisor)
  • Demetra Kolakis, '[un] Folding Fashion Spaces: Mediatization of Fashion Practices, Materiality and Place.' (Lead supervisor)
  • Mireia Ludevid Llop, Memory as “First Breath”. A speculative practice-focused enquiry on the language of memory (Lead supervisor)
  • Jon Martin, 'What is ‘creative block’ (: dimensions; properties; forces)' (Joint supervisor)
  • Marcia Michael, (Re)-enacting the maternal body as a site for ancestral memories. How can photography and oral history allow an imaginative re-embodiment of memory to recreate history through, and by, the body of a mother? (Joint supervisor)
  • Sara Ortolani, Exploring concepts of writing, images and text as ways to inhabit liminal, communication and interpretation spaces, through artistic research practices. (Lead supervisor)
  • Claudius Schulze, How can computerized research be utilized to aid the investigation process underpinning a documentary photography project? Documenting the societal changes caused by the economic crisis in Europe.' (Joint supervisor)
  • Miriam Sorrentino, Is it possible to adapt social semiotic practice to communicate audience responses to an ambient work through visual and tactile modes? (Lead supervisor)
  • Abdul Tahnan, 'Undocumented Civilian Casualties: Comparing The Reporting of Civilians Casualties Caused by Russia Warplanes in Aleppo and by The US-Led Coalition Warplanes and Artillery in Raqqa.' (Joint supervisor)

Past research students

  • Sara Andersdotter, Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice. (Lead supervisor)
  • Angela Hayward, Taxomomies of the affordances of the iPad with a particular focus on those exploited by women artists to devise and create artworks in order to record, document and disseminate artworks. (Joint supervisor)
  • Vasileios Kantas, Ungrouped layers: Unfolding the act of photography (Joint supervisor)

Subjects

3D design and product design
Animation, interactive, film and sound
Architecture, spatial and interior design
Communication and graphic design
Curation and culture
Fine art
Photography