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Jess Curtis trained at the Motley Theatre Design Course after training as an illustrator at the University of Brighton. She has designed for film, opera, dance and theatre both here and in Scandinavia over the last 20 years. She is currently designing the Premier of Genesis inc. at Hampstead Theatre.
Recent work includes Uncle Vanya (The Almeida) Villette (West Yorkshire Playhouse), The Holy Rosenbergs (National Theatre), Hotel Cerise (Theatre Royal, Stratford East) Another Door Closed (Theatre Royal Bath), Endgame (Liverpool Everyman), Dangerous Corner (West Yorkshire Playhouse and West End), Frankenstein (Frantic Assembly, Northampton), Burial at Thebes (Nottingham Playhouse/Barbican/US Tour) and Rhapsody (Royal Ballet at the Royal Opera House) One for the Road, Glass Cage, Follies (Royal and Derngate, Northampton) The Ryme of the Ancient Mariner (Southbank Center/ Young Vic). She has also designed the Grosvenor Park Open Air Season 2013- 2016 and the opening season at the new cultural centre Storyhouse, as well as bar interiors for Underbelly at the South Bank and Hyde Park and Leicester Square. She has taught and designed at Central School of Speech and Drama, RADA, Guildhall, Trinity College of Music, Birkbeck and RSMAD.
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