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A look back at BA Fine Art: Sculpture class of 2022

A series of sculptures, including a black and white cardboard structure of a set, with a sculpture of young boy. Work is based on comic book drawings.
  • Written byGrizelda Kitching  
  • Published date 10 July 2022
A series of sculptures, including a black and white cardboard structure of a set, with a sculpture of young boy. Work is based on comic book drawings.
sculpture by BA Fine Art: Sculpture Lily Pym, BA Fine Art: Sculpture studios, Graduate Show 2022. Featuring work by BA Fine Art: Sculpture graduate Lily Pym.
BA (Hons) Fine Art: Sculpture, Camberwell College of Arts, UAL | Photograph: Kristy Noble

This June, BA Fine Art: Sculpture opened their doors to showcase 2022 graduates' work as part of the Undergraduate and Graduate Diploma Show, where the spacious studios occupying the top floor were filled with bold and ambitious installation pieces.

Here, we take a closer at work by our BA Fine Art: Sculpture class of 2022.

 A metal frame of an orange face, positioned in front of a backdrop image. The image depicts an outdoor scene, with a sunset, fields, and trees
BA Fine Art: Sculpture Matthew Thurgood, BA Fine Art: Sculpture graduate Matthew Thurgood, close-up of work
BA (Hons) Fine Art: Sculpture, Camberwell College of Arts, UAL

“In The Space Between Two Trees (2022), I ask why there is such seriousness around maintaining pillars of order, such as gender roles. I visualise this maintenance using metaphors of a smooth, well-trodden path and a shiny, polished spaceship. The path represents a sense of ease for those who profit from its destination the most: white, straight, CIS gendered, men. The shiny, chrome properties of the ship represent a preservation of this hierarchical structure.”

- Matthew Thurgood, BA Fine Art: Sculpture, 2022

Lola Baert, BA Fine Art: Sculpture, Het leven is te intiem om met anderen te delen (Life is too intimate to share with others) by BA Fine Art: Sculpture graduate Lola Baert.
BA (Hons) Fine Art: Sculpture, Camberwell College of Arts, UAL | Photograph: Kristy Noble
Detail of organic small-scale sculpture. Terracotta ceramic with a raw edge.
Lola Baert, BA Fine Art: Sculptur, Detail of ceramic structure by BA Fine Art: Sculpture graduate Lola Baert
BA (Hons) Fine Art: Sculpture, Camberwell College of Arts, UAL | Photograph: Lola Baert

“The process of making work - Het leven is te intiem om met anderen te delen (Life is too intimate to share with others) - involved an investigation into materials by creating a bond with the materials. Feeling where the clay wants to go, going on a search for stones by the Thames, building incomplete metal structures. The last step was creating and searching for a balance and tension between all the elements. Balancing stones and ceramic pieces on the corners of the metal structures and feeling what feels right. My final installation includes elements curated together. The elements include a various amount of stoneware fired terracotta ceramics, iron slag stones found at the Thames around Deptford, rusted steel tube and sheet structures.”

- Lola Baert, BA Fine Art: Sculpture, 2022

 A collection of bright, mixed media sculptures, create from coloured fabric, papier mache, polymer clay and felt. The installation portrays a tender moment shared between two humanoid creatures.
Joa Blumenkranz, BA Fine Art: Sculptur, Homo Philanimus sculptural installation by BA Fine Art: Sculpture graduate Joa Blumenkranz.
BA (Hons) Fine Art: Sculpture, Camberwell College of Arts, UAL | Photograph: Kristy Noble
A sculpture featuring two alternate human species. They are kneeling on a colourful moss. Their hair is made of wool and their bodies made in polymer clay.
Joa Blumenkranz, BA Fine Art: Sculptur, ‘Homo Philanimus’ a sculpture by BA Fine Art: Sculpture graduate Joa Blumenkranz.
BA (Hons) Fine Art: Sculpture, Camberwell College of Arts, UAL | Photograph: Joa Blumenkranz

Homo Philanimus – a mixed media sculpture portraying a tender moment shared between two humanoid creatures. The inspiration behind the sculpture came from my personal relationships and what they have taught me about intimacy and love. This sculpture was an attempt at visualising an alternate human species that is more loving, kind, and spiritually evolved than Homo Sapiens, and lives within a different social structure and with a different biology.”

- Joa Blumenkranz, BA Fine Art: Sculpture, 2022

A metal frame with wheels, the structure is bent and shaped, there a selection of objects hanging from the frame, including a glove and red rope.
Shaanthi Rajah, BA Fine Art: Sculpture, 行行企企 (Hangin’ Around) sculptural installation by BA Fine Art: Sculpture graduate Shaanthi Rajah
BA (Hons) Fine Art: Sculpture, Camberwell College of Arts, UAL | Photograph: Shaanthi Rajah
A metal structure hold a selection of blue objects, including rope and a cloth.
Shaanthi Rajah, BA Fine Art: Sculpture, 行行企企 (Hangin’ Around) Work by BA Fine Art: Sculpture graduate Shaanthi Rajah.
BA (Hons) Fine Art: Sculpture, Camberwell College of Arts, UAL | Photograph: Shaanthi Rajah

“My practice explores nostalgia by creating playful structures that reference my childhood and cultural identity. Within 行行企企 (Hangin’ Around), this concept is further investigated through the creation and embedding of replicas of culturally specific and personal nostalgic objects within my work to create a sense of place. Through experimentation at the foundry and metal workshop, I create sculptures that appear ‘ready-for-use’ but have no intrinsic purpose. I manipulate steel rods intuitively to create drawing-like structures, which I build onto by attaching other disparate elements.”

- Shaanthi Rajah, BA Fine Art: Sculpture, 2022