Thinking through making
It was just last June (of 2020) when I graduated from the wonderful BA Painting course at Wimbledon College of Arts (WCA). Thinking of that time always brings me a great feeling of warmth and welcome. I was surrounded by the most friendly, open-minded tutors, technicians, and artists - their way of working greatly inspired my own creativity and practice throughout.
During my studies, I was going into the wood workshop regularly to make wooden panels to paint on - though I have to admit I I have an irrational fear of going into the seemingly foreign space, from the anxiety of not knowing how to do anything - a feeling shared by some. But one thing I absolutely love about the UAL workshops, and notably the Wimbledon one, is that it is a completely safe and supportive space. It was okay when you forget how to use a clamp, or break a drill bit (I have broken several). The technicians were there for you every step of the way, and I appreciated that immensely.
When I heard that the 3D lab at Wimbledon was hosting a series of online talks led by specialist technician Ashleigh Pearson, I was delighted and found myself joining every single session!
Screen still from 3D Lab Guest Session: Arantza Vilas
Each event emphasises ‘the richness of thinking through making’. I cannot stress how valuable these conversations are for anyone that feels like an outsider peering into this wonderful world of experimenting, fiddling, handling, thinking, creating, arriving at answers through the physicality of making.
The senses merge with material, the learning comes through confronting what you hold in your hands. This is where you find the beautiful nuances that only belong to you because you’ve dyed the fabric this way, or bent the paper at this angle. It is an intimate set of relations to think through making - and it is an honour to spend time with that material, to challenge every crevice that arises… It’s through hearing about such diverse works from the remarkable guests so far that has made me realise this so clearly.
The talks felt like a warm, supportive breeze; reminding me of the three years I spent at Wimbledon. I felt right at home, strangely, like I was able to return to the college for a brief interval post-graduation. Ashleigh is the most phenomenal host and maker, from the introductions at the start of each session to the questions raised afterwards – the open discussions showered me with ideas that have been truly valuable.
The most recent session was held towards the end of April (2021) and shared the incredibly exciting practice of Textile Artist and Designer Arantza Vilas. Host and technician Ashleigh started the talk by reiterating the collaborative element in the exchange that occurs in these sessions:
Again, I felt this sentiment was wonderful and is much needed in these difficult times. Ash went on to explain that the talks aim to explore the principles that underlie our making practices, inviting artists that approach making in really intriguing ways and across several different disciplines.
Arantza Vilas works across film, theatre, design, food design, and more. “…it’s almost endless… because there’s a prolific focus on making, process, material, and materiality,” Ash added. This session was also particularly eye-opening in the sharing of how the pandemic has impacted Vilas’ approach to making.
Vilas’ practice consists of self-initiated projects, commercial commissions, collaborations with people (including working on several seasons of Game of Thrones) and explains that she is much more interested in contributing to projects than filling up the world with more products.
Inspired by the passage of time, her work explores how time affects surfaces, recently playing with textiles and metal oxidisations. Her starting point is always ‘thinking through making’, by playing with material and processes with her hands. The hand is always present in the work.
Screen still from 3D Lab Guest Session: Arantza Vilas
Vilas went on to outline numerous projects – collaborating with costume designers on many tv series’, discussing the similarities between making textiles and cooking by incorporating textile designs into chocolate, and creating gigantic insects for a boutique from fabric, fish bones, and feathers.
I could go on, but I’ll leave you to watch it for yourself (if you haven’t already). The final thing I’d like to highlight is during the Q&A where Vilas emphasised the value of ‘unproductive fiddling'.
I felt greatly encouraged by this sentiment, and was reminded of the fact that there is always value in whatever you do in your practice. One ‘failure’ will always point you to the direction of another possible success - and that is a beautiful thing we have as thinkers, makers, creators and artists. All in all, I found great value in attending the WCA 3D Lab sessions.
Do make sure to check out the recorded sessions, and together we can anticipate future ones too. Wishing all a productive, insightful ‘thinking through making’ tenure. Happy fiddling!
WCA 3D Lab blog page where the recorded sessions are held.
To join their mailing list to be notified of the next session please email the team at wca3Dlab@arts.ac.uk with 3D Lab Guest Sessions in the subject.
Connect on Instagram @wca3dlab
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