Interview with film-maker David Kew, Chelsea Fine Art alumnus
As part of last year’s 14-18 NOW, WW1 Centenary Art Commissions, the leading German artist Tobias Rehberger transformed HMS President (1918) by covering it in contemporary ‘dazzle camouflage’ designs, inspired by the Dazzle Ships of the First World War. As part of this project’s documentation, Chelsea Fine Art alumni David Kew filmed the process as it transformed the ship on the Thames.
Co-commissioned by Chelsea College of Arts with 14-18 NOW, WW1 Centenary Art Commissions and Liverpool Biennial, the project was managed by Pro Vice-Chancellor and Head of Camberwell, Chelsea and Wimbledon Colleges of Arts Chris Wainwright and Business Relationship Manager Elizabeth Cameron who worked to help translate Rehberger’s artistic work and vision for the ship into a reality that can be seen on the river by the public until January 2016.
David commented: “The Dazzle Ship was a massive leap of faith. Much of the success was down to the Enterprise Collective, based at Chelsea for bringing together the right team of people. They allowed this team to do what they do best e.g. without a predetermined outcome. Working outside the traditional approach, creativity is all about taking risks!”
Going on to tell us a bit about his passage to and time at Chelsea, David said: “I grew up in London and moved to the New Forest as a teenager. I was originally inspired by microbiology and virology but I didn’t sit well with the peer group. Dad had been an art teacher so I had some home tutoring from him. Universities didn’t offer practical courses in art at that time. I was attracted to Chelsea because it had a great reputation and was a very exciting place with big studios, white, black and grey, classic art school colours at the original site of Manresa Road. It was a modern building and seemed like a good place to make modern art.”
“My practice was fairly traditional in those days, inspired by post-impressionism, especially Cezanne, expressionism and fauvism. The beautiful thing about studying fine art at Chelsea is that it really lays you bare. If you run away from yourself you’ll never be an artist. My experience in painting set the stage for my film work, it informed aesthetic sensibilities.”
David’s career spans being senior editor on the iconic first series of Channel 4’s The Word, editing documentaries, music videos and concerts for Blur, Oasis, The Travelling Wilburys, Eurythmics and Take That. He directed Judge John Deed (BBC1), Life for Daniel (BBC4), the Channel 4 documentary Living on Water, the feature films Clubbed and Twenty8K, an East End thriller. He now lives with his partner and son on a Dutch barge on the River Thames.
“Studying at Chelsea in the 1980’s was a trans-formative and politically radicalising experience. It was in the height of the miner’s strike and Wapping newspaper strike against Murdoch’s News International. Everything has to come from your head or inside you. Becoming an artist is a journey inside your head. You need to have that questioning and not necessarily being happy with the answers.
The film department at Chelsea at the time was run by Ann Reece-Mogg. It was literally a cupboard with a camera or two. There was a separate video technician. I started making films about my large 8ft by 4ft canvases, as it expressed my work more fully. For my graduation piece I travelled to Indonesia for six months.
After Chelsea, my first job was making little documentaries of art for the National Gallery. I went on to make music videos, TV, and short films. Afterwards I studied directing at the National Film School, going on to work on drama feature films, coordinating, editing and screenwriting. Painting and drawing is still in the background for me. The radicalisation and politicisation has remained within me since Chelsea. It was excellent thinking time, formative, accommodating and permissive.”
The Dazzle Ship will be on the Thames near Embankment/Southbank until January 2016.