Fashion Image Making Short Course
Course description
Key information
- Business of fashion communication
- Image creation and positioning
- Art / processes history
- Production and logistics
- Be more familiar with various printmaking processes
- Built a critical understanding of the broader world of fashion image
- Learnt the fundamental technical skills in the area of focus
- Present work in an appropriate format
- Contextualise practice within the space of fashion image making
- Digital badge and certificate of attendance
- Sketchbooks and pencil case (mediums of choice)
- Camera or phone for capturing images
Tutor
Gaetan Bernede
Gaëtan is a French, London based image maker. After graduating from a BA in Graphic Design at Central St. Martins he started working as a graphic designer and art director in the beauty sector. Quickly he started assisting photographer and director Yvan Fabing, owning his photographic lighting skills and working on the development of cross media projects. He very naturally spent the following years assisting a wide range of renowned photographers. Working on productions for the likes of Vogue, Elle, Cartier, Boodles, Fendi, Apple, New Balance and many more… His practice, is inspired by historical research, a love for alternative photographic processes, printmaking and informed by his background in graphic arts, all reinforced by his thorough technical knowledge . Over the years, Gaëtan’s work has found its place in some of London’s most interesting magazines ( Port, Objection, Document ), galleries and art fairs. He is also an associate lecturer in Fashion Photography at London College of Fashion and has taught workshops at AMFI in Amsterdam.
Tarang Bharti
As Course Leader for the Graduate Diploma in Fashion Design and Technology, I bring over a decade of teaching experience. My academic practice is rooted in reflective research, critical inquiry, and experimental design processes that explore the intersection of craftsmanship and technology through rigorous technical investigation.
My artistic practice focuses on time and site-specific works that explore my evolving relationship with nature, both in physical and metaphysical terms. Through these investigations, I examine how aesthetic experiences unfold across multiple layers: the material, the perceptual, the experiential, and the intangible spaces that connect them.
By shifting the perspective through which I observe nature, my work seeks to reveal a sense of constancy. Studying nature’s microcosms becomes a way to reflect on our own internal structures and rhythms.
This attentiveness to process informs my teaching and research, nurturing an ever-evolving understanding of creativity across materials, disciplines, and concepts.
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