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Short course

Intermediate Poetry Short Course

This inspiring online short course is designed to help students broaden their understanding of poetry through a combination of lectures, close reading, discussion and exercises.

Next start months
October 2026
January 2027
February 2027
Tutor(s)
Oluwaseun Olayiwola
Price
From £480.00

Course description

Course overview

Taught through a combination of lectures, close reading, discussion and exercises, this exciting six-week course is designed to help students broaden their understanding of poetry.

During the course, students gain inspiration on how to stretch a poem’s ability to convey an experience or thought. Students find fresh ways to approach a poem and write regularly in response to creative prompts.

The course covers several key topics including John Keats’ concept of Negative Capability, erotics and love in poetry through time, syntax and experimentation.

This course is available both on campus or online.


Who this course is for

This course is aimed at anyone with a good foundational knowledge of poetry (intermediate level) and the ability to write fluently in English. Students should have taken a beginner poetry course or previously attended poetry workshops.

Key information

Topics covered

  • The objectives of writing a poetry
  • John Keats’ concept of Negative Capability
  • Erotics and Love in poetry
  • Language, expression and syntax
  • Poetic daring


Learning outcomes

  • Identify new ways of analysing poetry
  • Experiment with language and apply syntax in a meaningful way in your poetry
  • Develop your understanding of love poetry
  • Observe and identify way of taking risks in poetry
  • Digital badge and certificate of attendance


Materials

On campus and online

  • Notebook and pen
  • Mobile phone with camera


If you are taking this course online, please see our Guide to taking online short courses

Tutor

Oluwaseun Olayiwola

Oluwaseun (Seun) Olayiwola is a poet, critic, choreographer, and performer based in London. His debut poetry collection, Strange Beach, was published in 2025 by Fitzcarraldo Editions (UK) and Soft Skull Press (US). The book won an Eric Gregory Award and was a Poetry Book Society Winter 2025 Special Commendation. His poetry and criticism appear widely across UK and US literary contexts. He is a regular contributor to The Guardian and the Times Literary Supplement, and his work has also been published in The Poetry Review, Poetry London, PN Review, Oxford Poetry, Granta, The Telegraph, Wasafiri, The Erotic Review, and The Georgia Review, among others. His critical writing frequently addresses contemporary poetry, performance, and the shared compositional concerns of literary and choreographic practice.

Alongside his writing practice, Olayiwola’s choreographic and performance work has been presented at the Victoria and Albert Museum, The Place, Studio Voltaire, and The Central School of Ballet. His practice moves fluidly between poem, performance, and score, treating choreography and poetry as interdependent forms of thinking, notation, and address. He is an inaugural member of the Rose Choreographic School at Sadler’s Wells East, and a Fulbright Scholar (2018–19). He holds an MFA in Choreography from Trinity Laban Conservatoire of Music and Dance, where he received the Highest Achievement Prize for his thesis In Search of Something Else: On Choreography and Poetry. He is currently a Lecturer in Dance at Kingston School of Art, teaching across choreography, writing, and critical practice, and is a Fellow of the Higher Education Academy. Olayiwola holds a UK Global Talent Visa, reflecting sustained international recognition for his contributions to literature and performance.

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