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Meet: Judith Walker

Bright, abstract painting
  • Written byEleanor Harvey
  • Published date 20 January 2025
Bright, abstract painting
Gutted Hung, Drawn and Quartered II, 2022 | Credit: Judith Walker

Artist Judith Walker’s career spans over 40 years and her work has a strong emphasis on the use of colour to explore the qualities of painting, drawing and printing. She graduated from the Central School of Art and Design (now Central Saint Martins) in 1974.

Born in Leeds, Judith was recently nominated as one of 400 inspirational women of her hometown with her name appearing on a public sculpture, ‘Ribbons’ in the city centre. You can currently see her installation Behind the Curtain in the window gallery of the Acme Propellor Factory in Deptford, South East London.

Judith spoke to us about what has inspired her throughout her decades-long career, and what advice she’d give to a recent graduate.

Judith standing to the left of one of her paintings in her studio
Judith Walker | Photography: Esther Sabetpour

You graduated from BA Fine Art at the Central School of Art and Design in 1974. What did you most enjoy about studying Fine Art? 

It was having the time, space and freedom to develop as an artist with the support of tutors in central London.

Canvas hanging on a white wall. The canvases been sprayed with blue, orange, purple and yellow paint.
Behind the curtain, 2015 | Photograph: Judith Walker

What was a highlight of your time at CSM?

I won the Phoebe Llewellyn Smith Scholarship for being the best student in the second year, but I enjoyed every day there.

'Behind the curtain' hanging in the window in 2024
'Behind the curtain, from the outside looking in' at the Acme Propeller Factory, 2024 | Credit: Judith Walker

What inspires you?

I love colour and the tactile use of materials. I like to externalise my inner emotions through colour and sometimes by using text. Over the past few years, I have been inspired by the subject of health, most recently concerning the human gut due to my own health issues.

Large unstretched canvas with an abstract, swirly painting
Gut Feelings, 2024 | Credit: Judith Walker

What’s your favourite thing about being an artist, and what’s something that’s been challenging?

Creating art is a joy for me and it keeps me sane. It’s wonderful when people are really inspired by my work and appreciate it.

The challenge has always been to be able to create art whilst also making enough money to survive. Also, to keep going after rejections.

Work in progress of a polystyrene head, painted block and red plastic tubing.
'Gutted', work in progress, 2023 | Credit: Judith Walker

What advice would you give to someone who has just graduated?

Keep creating art whatever.

But also, do think about how you can survive financially right from the start. You may get lucky straight after graduation. But I think for most artists it can take years to make a decent living from their work. Also, do have a life outside of art. That is essential in feeding creativity.

4 pieces of canvas placed together to create a whole picture. A large circle with round shapes in the middle
Microbiome: the big picture, 2023 | Credit: Judith Walker
Spray painted unstretched canvas
Microbiome: the small picture, 2023 | Credit: Judith Walker

You’ve recently been nominated as one of 400 inspirational women of Leeds, with your name appearing on 'Ribbons', a public sculpture in the city centre. What was that experience like? 

That was a lovely experience. At the launch event I met so many wonderful women from many different walks of life. For me personally it was great to be recognised for my career as an artist in my home city of Leeds where my art education began.

Judith standing next to her name on the 'Ribbons' sculpture

What are you currently working on?

I currently have a show that I am proud of; my installation Behind the Curtain in the window gallery of the Acme Propellor Factory in Deptford. It really lights up the whole street, and it’s particularly satisfying that it’s drawing attention to the building during a fundraising campaign to keep the building as permanent artists' studios.

Currently, I’m working on a large colourful unstretched canvas on my studio walls, representing and celebrating the human gut. My aim is to show them together in a large space to create an immersive installation. Alongside this, I’m planning to create an art book with these images alongside text conveying people’s lived experiences of gut health.

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