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How we look

Last updated:
16 October 2026

All our logos are part of the same logo system, consisting of our name (UAL), our brandmark and the descriptor of the identity (e.g. Camberwell College of Arts). We have logo lock-ups available in the UAL Brand Asset Library for all official identities within UAL.

  • Use our primary logo with UK audiences or our international logo, with our full name spelled out, with audiences outside of the UK.
  • Don't create your own logos and never recreate or change our logos. Always use one of our official and trademarked logos and lock-ups.
  • Always ensure our logos are legible with high contrast.
  • Set the minimum size at no less than 5mm in height.
  • Don’t use logos within a sentence or as part of a word. If you want to use our name in copy, write UAL (without our brandmark).
  • If speaking on behalf of more than one identity within our portfolio (e.g. Colleges), use our primary or international logo.
UAL Logos
UAL primary logo and UAL international logo in white on black background

Animated logos

We also have animated versions for all of our logos and lock-ups. Use them as they are. You can find an example of our animated logos in the video at the bottom of this page.

Exclusion zone

The exclusion zone is the space that should be left around the logo at all times. The size of the exclusion zone is the height of the 'I' in our logo.

UAL Logos with exclusion zone
Logo exclusion zone shown by a dark grey box around the logo, sized from the height of the L in the UAL primary logo.

Positioning

  • The primary location for our logos is the top left corner. Where this is not possible, place the logos in the bottom left corner.
  • Don't put any other logos in the top right corner.
  • Don't place department names or document titles next to our logos.

Our brandmark is a visual identifier for UAL, connecting us to the idea or message you are communicating, even when separated from our name:

  • Use it as a playful element in your designs, retaining its size and shape.
  • Don't use it as a logo.
  • In typography, make sure it's aligned with the text and doesn't look like bullet points.
  • When using it with imagery, make sure there is a high contrast between the brandmark and background.
White brandmark against black background
Our brandmark

Don’t use any fonts that aren’t listed below. Limit use of italics in print and never use italics digitally.

Primary font

Our primary font family is Helvetica Neue LT Pro and available to download from our Brand Asset Library. Only use the 4 weights covered under our licence:

  • Helvetica Neue LT Pro 55 Roman and 56 Roman Italic for headings and body copy.
  • Helvetica Neue LT Pro 75 Bold and 76 Bold Italic for headings.
University of the Arts London spelled out in 4 different versions of Helvetica Neue Lt against a black background.
Helvetica Neue LT Pro in 55 Roman, 56 Roman Italic, 75 Bold and 76 Bold Italic.

Secondary font

Our secondary font is Arial. Only use it when Helvetica Neue is not available.

We use 2 weights:

  • Arial Regular for body copy.
  • Arial Bold for headings.
University of the Arts London spelled out in Arial Regular and Arial Bold against a black background.
Arial Regular and Arial Bold

When applying our colour palette digitally, use the WCAG contrast checker to test the contrast for on-screen applications.

Our primary palette

Black

CMYK: 0, 0, 0, 100

RGB: 0, 0, 0

#000000

White

CMYK: 0, 0, 0, 0

RGB: 255, 255, 255

#FFFFFF

Our secondary palette

Only use up to 2 supporting secondary colours per application. You can find all colour codes in the accordions below.

Colour chart with rows labeled by shades of grey, yellow, pink, orange, purple, aqua, blue, green and emerald. Each colour block includes CMYK, Pantone and RGB values.
Our secondary colour palette.

Grayscale

40% black

CMYK: 0,0,0,40

RGB: 152,152,152

#989898

30% black

CMYK: 0,0,0,30

RGB: 178,178,178

#B2B2B2

20% black

CMYK: 0,0,0,20

RGB: 203,203,203

#CBCBCB

10% black

CMYK: 0,0,0,10

RGB: 230,230,230

#E6E6E6

Yellow

Deep yellow

CMYK: 0,30,90,0

RGB: 255,180,0

#FFB400

Yellow

CMYK: 0,10,90,0

RGB: 255,208,34

#FFD022

Bright yellow

CMYK: 0,0,100,0

RGB: 255,237,0

#FFED00

Neon yellow

Pantone 803

RGB: 255,255,0

#FFFF00

Pink

Deep pink

CMYK: 15,100,50,0

RGB: 196,14,100

#C40E64

Pink

CMYK: 0,90,50,0

RGB: 231,22,87

#E71657

Bright pink

CMYK: 0,80,12,0

RGB: 255,20,100

#FF1464

Neon pink

Pantone 812

RGB: 252,24,144

#FC1890

Orange

Deep orange

CMYK: 0,80,100,0

RGB: 255,80,0

#FF5000

Orange

CMYK: 0,45,100,0

RGB: 255,133,0

#FF8500

Bright orange

CMYK: 0,30,90,0

RGB: 255,180,0

#FFB400

Neon orange

Pantone 804

RGB: 254,111,6

#FE6F06

Purple

Deep purple

CMYK: 68,80,0,0

RGB: 105,62,196

#693EC4

Purple

CMYK: 45,68,0,0

RGB: 158,101,251

#9E65FB

Bright purple

CMYK: 20,42,0,0

RGB: 210,152,252

#D298FC

Neon purple

Pantone 266

RGB: 157,36,245

#9D24F5

Aqua

Deep aqua

CMYK: 100,20,0,0

RGB: 39,116,182

#2774B6

Aqua

CMYK: 65,8,0,0

RGB: 32,188,255

#20BCFF

Bright aqua

CMYK: 55,0,5,0

RGB: 0,226,255

#00E2FF

Neon aqua

Pantone 310

RGB: 25,249,255

#19F9FF

Blue

Deep blue

CMYK: 100,70,0,8

RGB: 46,0,163

#2E00A3

Blue

CMYK: 100,35,0,0

RGB: 31,78,220

#1F4EDC

Bright blue

CMYK: 100,0,0,0

RGB: 0,108,255

#006CFF

Neon blue

Pantone Blue 072

RGB: 0,0,255

#0000FF

Green

Deep green

CMYK: 100,0,100,0

RGB: 0,162,0

#00A200

Green

CMYK: 82,0,100,0

RGB: 0,199,62

#00C73E

Bright green

CMYK: 74,0,100,0

RGB: 26,235,37

#1AEB25

Neon green

Pantone 802

RGB: 41,253,47

#29FD2F

Emerald

Deep emerald

CMYK: 100,20,40,20

RGB: 15,117,116

#0F7574

Emerald

CMYK: 75,10,40,0

RGB: 25,164,163

#19A4A3

Bright emerald

CMYK: 60,0,35,0

RGB: 47,234,207

#2FEACF

Neon emerald

Pantone 3245

RGB: 0,255,220

#00FFDC

Never use stock imagery. Use imagery that is owned by us and reflects our personality. Check out our Intellectual property and crediting page to make sure all imagery includes the correct copyright information and follows our crediting guidelines.

Inclusive imagery

Imagery shapes how people see us and how we see ourselves. At UAL, we want everyone to feel valued, welcomed and understood. That means choosing visuals that reflect the full richness of our community and our values.

When creating or commissioning imagery:

  • Avoid stereotypes: Show people as individuals, not clichés. Ask yourself: Does the image challenge or repeat stereotypes?
  • Reflect true diversity: Include a wide range of race, ethnicity, gender, sexual orientation, ability, age and more. Think about whether your imagery reflects our community as it really is.
  • Use inclusive language: Captions, labels and metadata should align with how people describe themselves.
  • Avoid tokenism: Representation should be genuine and balanced, not symbolic. If it feels like “box-ticking,” reconsider the choice.

Types of imagery

  • Creative process: Candid, colourful scenes of our community engaged in creative practice, shot in reportage style.
  • Student work: Don't crop or edit images of student work as this could damage the integrity of their work.
  • Texture: Macro shots of textures and materials used decoratively.
  • People in action: Shot in reportage style, celebrating the inclusive and diverse nature of our community in real situations.
  • Spaces and places: Bright shots showcasing UAL as a diverse space for working and living, include people where possible.
  • Functional photography: Communicates a specific subject matter, such as our disciplines or events.
  • Staff headshots: Taken from the subject’s eye level, with their right shoulder closest to the camera against a neutral background. Remove lanyards and avoid clothing with prominent logos.

Image making

  • Pattern: Make sure any decorative elements align with our brand and interacts with other brand elements.
  • Type as image: Imagery that has typographic detail. Use letterforms from our primary typeface, Helvetica Neue.

Accessibility

  • Set wrapping style of non-text elements to be 'In line with text' when using a word processor like Microsoft Word.
  • Don't insert text as an image or put text over an image.
  • Add alternative text (alt text) description to images and other non-text elements.
  • Any image information that is relevant to all students should be added in a caption.
Two photographs side by side, one showing a student working with lights in the studio and the other showing a portrait painted by a student, propped up against a wall.
Creative process and Student work: (left) Mo Oguntuase setting up the photography studio, 2023 BA (Hons) Public Relations, London College of Communication, UAL | Photograph: Alys Tomlinson (right) Deborah Hobson, 2021 MA Fine Art, Chelsea College of Arts, UAL | Photograph: Ben Turner
Two pictures side by side, one showing a close-up of an abstract drawing and the other showing a graduate walking across the graduation stage with confetti around them.
Texture and People in Action: (left) 2023 MA Curating and Collections, Chelsea College of Arts, UAL | Photograph: Kristy Noble (right) UAL Graduation, 2024, Royal Festival Hall | Photograph: In-Press Photography Ltd
Two photographs side by side, the one on the left showing a woodworking workshop with a technician working on one of the machines, with the one on the right showing a person presenting on camera with a boom mic raised above them.
Spaces and places and Functional photography: (left) 3D Lab, 2022, Wimbledon College of Arts, UAL | Photograph: Levitt Bernstein (right) Creative Computing Institute Inaugural launch event, 2021, UAL Creative Computing Institute | Photograph: Ana Escobar
Full colour and black and white portrait of staff member
Staff headshots: Jerkole Vaz Da Silva Lino, Social Purpose Operations Manager, UAL | Photograph: Christopher Ould
Two images side by side, one showing a pattern created with the semicolon of the Helvetica Neue typeface and the one on the right showing an image with type that reads LGBTQ+ History Month, with some of the letters embroidered.
Pattern and Type as Image: (left) Staff survey campaign, 2024 | Campaign design direction: Creative, UAL (right) LGBTQ+ History Month campaign design | Design: Creative, UAL

Motion graphics templates

Use our motion graphics in all video content, downloadable from our Brand Asset Library.

  • Opening sequence: can either fade from black or play on top of footage. Omit if it could negatively impact performance (e.g. TikTok).
  • Captions: optimised for 4k. Where possible, upload transcripts/SRT files instead.
  • Lower thirds: use to introduce each person speaking. If there's only one person, you can use the description field of your post instead.
  • Title cards: available in 4 versions (left and central alignment, long and short word counts).
  • Credits: omit if you can credit participants within the description field of the post.
  • Sponsorship/collaboration: use when collaborating with another brand or when a brand has contributed to the cost of a project.
  • Closing sequence: we have individual closing sequences for our full logo family.
  • All Colleges closing sequence: only use when creating content for all 6 Colleges. If creating content for more than one or other combination of UAL groups, use our individual UAL primary or international closing sequence.

The video at the bottom of this page demonstrates our motion graphics templates in practice, layered over b-roll footage from around UAL.

Audio description

Videos published on our website need to be audio described to adhere to WCAG accessibility regulations. Access guidance on how to create audio descriptions on Canvas (UAL staff login required).

Captioning and subtitles

Captioning videos benefits everyone. You can caption videos through:

  • uploading an SRT file: for closed captioning, if available. This is the best option for accessibility.
  • burned in captions: by using our branded caption templates and PrText Styles. These are available to download in multiple formats, including 1:1, 4:5, 9:16 or 16:9, in our UAL Brand Asset Library.
  • auto-generated captions: which generate captions automatically from the video file you upload. This needs  manual editing as some words aren’t always transcribed correctly.
  • in-app captioning: available on some social media platforms. Use a sans serif font that’s closest to Helvetica Neue LT Pro and left-align all text. Ensure text is black or white, depending on which is more legible.

Instructional videos

Read the Digital Public Platform team's advice on how to use instructional videos on your web pages (UAL login required).

Grading

  • Never use grayscale, sepia or any grades which over-expose the footage.
  • Make sure people and surroundings look as close to real life as possible.

Music

  • Use royalty-free music that matches the tone of the project.
  • Avoid vocals or loud instrumental sections.
  • If budget allows, work with a music producer or sound designer to make a bespoke track.

Transitions and effects

  • Avoid transitions in most cases and use pure cuts instead.
  • If using transitions, opt for fade transitions, never swipe.
  • When using any specific transitions native to your video's creative direction, such as multiple jump cuts, match cuts or fast moving imagery, consider how this may impact the viewer.
  • For any video with severe use of flashing imagery, use a trigger warning at the beginning.

Lanyards and external logos

  • Remove lanyards in talking heads or vox-pops with internal staff or students.
  • Avoid clothing with prominent logos.
  • Avoid any materials in your shot which include other external logos.

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Motion graphic templates in action: we have not included an audio description because the video includes no sound and consists exclusively of b-roll footage and template demonstrations. If you need access to the video in an alternative format, speak to us at brand@arts.ac.uk

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