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The costume design course aims to develop confident and experimental practitioners who will push the boundaries of the subject of costume beyond its established traditional role.
Please note, the previously advertised flexible mode of study for this course is no longer available.
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|Study Mode||Full time|
|Course Length||12 months|
|Autumn Term Dates||11 Sep – 1 Dec 2017|
|Spring Term Dates||8 Jan - 16 Mar 2018|
|Summer Term Dates||16 Apr – 21 Sep 2018|
Direct to College
|Application Deadline||Applications are accepted, and offers made, throughout the year. Early application is advised.|
The course aims to develop confident and experimental practitioners who will push the boundaries of the subject of costume beyond its established role. Taught largely on a one to one basis, by international practitioners, experienced lecturers and senior researchers, this MA will nurture and challenge your creative ideas about costume and performance.
You will design, realise and experiment with costume based performance ideas for both live performance and film that enable you to define your individual position in relation to contemporary culture and practice, while responding visually to the relevant performance context.
Beyond the understanding of performance and the role of character creation through costume, the study of Costume Design at MA level allows you to locate your practice within the wider realms of contemporary culture and art, as well as within the relevant dramatic, social and political contexts. The course offers many opportunities for collaborations within the college or the wider context of the University of the Arts as well as with practitioners from the large performance and art sector in London and the UK.
The relationship between drawing, practical realisation and performance is central to the way design is approached: ideas are developed on paper, 3D modelling, through movement, as well as through pattern cutting, textile and material manipulation and practical testing. Practical experimentation is achieved through access to the extensive technical facilities available within the college and the expanding knowledge of the uses of analogue and digital methods.
The costume studios are well equipped to enable students to develop their ideas into practical realisation, and expert technical support is provided for students on a weekly basis.
15 months level 7 180 credits
Costume for Live Performance (40 credits)
Research Methods (20 credits)
Costume for Film (40 units)
Collaborative Unit (20 credits) - find out more
Terms Three and Four
Masters Project (60 credits)
The renowned London College of Fashion library is at our John Prince’s Street site, and you will need to travel to this site, and possibly others, during your course to use the library, which is open seven days a week in term time, and for tuition and special events.
In addition to tuition fees you are very likely to incur additional costs such as travel expenses and the cost of materials. We strongly suggest you read the information on our Additional Costs page.
Please note that due to staff research agreements or availability, not all of the optional modules listed may be available every year.
In addition, the provision of course options which depend upon the availability of specialist teaching, or on a placement at another institution, cannot be guaranteed. Please check this element of the course with the course team before making a decision to apply.
We will update this webpage from time to time with new information as it becomes available. In the meantime, if you have any questions, please contact a member of the course team.
MA Costume Design for Performance graduates practice as designers in both the text-based mainstream but also the devised/arthouse live performance and film sector. They often take the collaborative performance work initiated during the course further and as a result, their work has been seen in major national and international festivals, including Prague Quadrennial and Edinburgh Festival, Critical Costume Helsinki (Finland), Pamplona Festival (Spain) and has been exhibited at the National Gallery London, the V&A Museum, National Centre of Performance Art in Beijing, Museum of Modern Art Shanghai and in many other venues in the UK and abroad.
Graduates find employment as assistant designers and costume supervisors in the theatre and film industry in leading institutions such as the Royal Opera House, English National Opera and on films such as Star Wars, Harry Potter and Suffragette. Others have built careers as experts in specific technical areas of costume, such as, pattern cutting, surface textiles, print and dye or fabricated, sculptural costumes. Some graduates are currently working for major fashion labels such as Chanel, Dior, McQueen and Lawrence Xu producing often unusual one-off costumes and objects for the designer’s catwalk shows.
Graduates have found work with artists, whose work borders on performance, such as Lucy Orta and Tracy Emin.
LCF Careers provides a comprehensive career management service supporting our students to become informed and self-reliant individuals able to plan and manage their own careers.
Entry to this course is highly competitive: applicants are expected to achieve, or already have, the course entry requirements detailed below.
Selection for interview will be made on the basis of your application, including the personal statement, the reference, the supporting written statement, and examples of relevant work.
If you are selected for interview you will be asked to bring a portfolio of previous work,
The course seeks to recruit students from diverse socio-economic and cultural backgrounds, and welcomes applications from mature students.
The course seeks to recruit students who can demonstrate:
All classes are conducted in English. The level required by the University for this course is IELTS 6.5 with a minimum of 5.5 in any one skill.
For more information, read the University's English Language requirements page.
The International Recruitment Office at the London College of Fashion will help to guide you through the application process and answer any specific questions that you may have regarding our courses. This may include portfolio advice, the application process and fee advice. We offer a ‘drop-in’ facility for applicants who may be in London and wish to obtain further course and admissions information. Please contact us for further information on this facility. We can also arrange a tour of our facilities if we are given prior notice.
Our contact details are: London College of Fashion, International Office, 20 John Prince's Street, London W1G 0BJ.
If you have a question, you can contact our International Recruitment Office by calling +44 (0)20 7514 7656 / 7678 / 7629 or completing our Online Enquiry Form.
International applicants should contact the Admission Office by emailing firstname.lastname@example.org about portfolio requirements (if applicable), interview times and dates.
You can apply for this course using our online application form – the link to this is below. Before you apply, we recommend you take some time to read the following details about the application process, including guidance on the extra information we will ask you to provide.
You will need to enter the following information in the online application form:
Before you can submit the form, you’ll also need to agree to the terms and conditions for how we process your data – these are explained in the form.
Please note, if you’re an international applicant we will need to contact you separately to ask for copies of certain documents (for example, English language qualification/certificate and copies of any previous UK study visas).
Once you have submitted the form, you will receive a confirmation email that includes links to where you should submit the extra information we require for the selection process:
The personal statement is your opportunity to tell us about yourself and your suitability for the course that you intend to study.
Some key points to consider:
You should submit a 1,000 to 1,500 word written essay. Please include bibliography and referencing. The essay title that you should respond to is:
'Analyse the contribution that costume makes to the development of character and narrative in a particular production (theatre, film or TV)'.
Your study proposal should be no more than 400 words (excluding research sources and bibliography). It should:
You will be required to submit a digital portfolio. Please include digital versions of drawings, photographs of realised designs, speculative design, sketch work, process, photographs, etc. Please ensure that you are labelling and presenting any visual work with care, including dates and captions.
Please note, you can submit text and as many website links as you need to, but the portfolio form does not allow you to upload files.
This unit explores costume as central to a dramatic narrative developed live by the performer within time and space. Considering theatrical contexts in its broadest sense as performer and audience relationship, it explores contemporary concepts for the creation of narratives and performances that focus on the body and costume as conveyor of meaning.
Practice and theory in the development of concepts and technical realisation are interdependent for the design process and performance creation. Work will develop individually in response to your particular focus, whilst workshop sessions will introduce you to the full range of supporting facilities available.
While generating conceptual costume-based approaches to performance, you will situate your practice within broader performance contexts and in relation to key practitioners, thus connecting your design work to current cultural debates in contemporary performance practice.
You will experiment and explore your design ideas and will be expected to develop solutions through experimentation, demonstrating initiative in researching the professional context while building a network of contacts. You will also develop your technical skills in the realisation of your designs for the performer’s body, considering movement, materials, scale, sound and lighting in your design concept.
You will develop creative, presentation, communication and management skills through shared peer presentations, practical workshops, master classes, and individual tutorials, as well as through the practical performance workshop where your realised design will be explored in its potential for communicating a meaningful narrative.
The purpose of this unit is to introduce you to the range of research methods, approaches and tools that are available to you in order to conduct your post graduate project.
The unit will cover philosophy and ethics in research, primary and secondary research methods, including quantitative, qualitative and visual research methods, and how to analyse, evaluate and disseminate research findings.
The unit will consider research in a range of contexts relevant to the cultural and creative industries and enable you to understand the relationship between theory and practice.
This unit focuses on costume for performance viewed through the camera lens, contextualising the practice of costume design for film and all other visual recording media from a broad cultural and artistic perspective. You are expected to situate your practice within theory and in relation to key practitioners.
The presentation of character on the screen is explored in depth through conceptual development, practical design realisation and the ability to utilise the techniques unique to film such as framing and editing, thus developing a practical understanding of professional constraints and opportunities. You will gain such understanding through research and investigation into film makers, production designers and post production technology, as well as through practical workshops for story board, film editing and specialist textile manipulation.
The unit will culminate in a practical film shoot where the realised designs are explored by the performer and recorded as planned from previously developed storyboards.
This unit is designed to enable you to innovate, engage in developmental processes and participate in collaborative working practices. You will be encouraged to develop the professional negotiating and networking skills that you will need in order to be successful in the cultural and creative industries.
The nature of this collaboration may be within your own course, with students on other courses or with industry. The project that you undertake will depend upon your discipline and the specific requirements of your course. Further details will be available in your unit handbook.
The Masters Project is an important piece of work which will provide an opportunity for you to demonstrate your knowledge and skills in relation to your discipline and chosen project.
Throughout the Masters Project, you are guided and supported by tutorials and peer and staff evaluation at interim stages. You will be allocated a supervisor for your project and will complete a learning contract outlining how you intend to develop and deliver your project.
The Masters Project may take a variety of forms by negotiation and is assessed by presentation in an agreed format.
If you haven’t found the information you’re looking for or want to ask us a question about this course, please fill out our enquiry form.