Nicky
Hamlyn
writing
about the artist
“Inside
Out”, A.L. Rees, New British Avant-Garde
Films, LFMC at Edinburgh Film Festival, 1978.
“Expanded
Cinema Festival Review” (Cloister), David Curtis, Studio
International, UK, 1976.
“Dealing
with Dora”, Gerard Tierney, Undercut, n.5, UK, 1982.
“Guesswork”, Michael
O'Pray, The Elusive Sign, Arts
Council of Great Britain and British Council, 1987.
“British
Avant Garde” (Not to See Again), Peter Gidal,
Millenium
Film Journal, USA, 1983.
“Audience
Numbers and Sex”, Peter Gidal,
Materialist
Film, Routledge, 1989, pp.129-136.
“Ghost
Stories”, Michael O'Pray, Monthly Film Bulletin, BFI, 1984.
A.L.
Rees, A History of Experimental Film and Video, BFI, 1999, 0851706819, pp.85, 94.
writing
by the artist
“Philosophy
of apes”, Nicky Hamlyn, Undercut, n.1, London Filmmakers Co-op, 1981.
“Sigmund
Freud`s Dora - a suitable case for treatment”,
Nicky Hamlyn,
Undercut n.3-4, London Filmmakers Co-op, 1982.
“Seeing
is believing: Snow`s Wavelength reconsidered”,
Nicky Hamlyn,
Afterimage n.11, UK, 1982.
“Recent
English Super8 film at B2 gallery”, Nicky
Hamlyn, Undercut n.10-11, London
Filmmakers Co-op, 1983.
“Frameless
Film”, Nicky Hamlyn, Undercut n.13, London Filmmakers Co-op, 1984.
“Films
of David Finch”, Nicky Hamlyn, Independent Media n.74, UK, 1988.
“Worlds
in Reflection: Bill Viola at Riverside Studios”,
Nicky Hamlyn,
The
Guardian, Aug-18, UK, 1988.
“The
far side of the screen, Nam June Paik retrospective at the Hayward Gallery”, Nicky Hamlyn, The Guardian, UK, Oct-06, 1988.
“New
British Film and Video at the London Film Festival”, Nicky Hamlyn, Art Monthly, February, UK, 1989.
"Video
Positive" festival review, Nicky Hamlyn, The Guardian, Feb-22, UK, 1989.
"Video
Positive" festival review, Nicky Hamlyn, Art Monthly, April, UK, 1989.
“Situationist
retrospective”, Nicky
Hamlyn, The
Guardian, Jul-07, UK,
1990.
“New
artists` film and video from the Video Umbrella”,
Nicky Hamlyn,
Art Monthly, February, UK, 1990.
“BP
Expo: Student film and video at Riverside Studios”, Nicky
Hamlyn, Art Monthly, April, UK, 1990.
“New
films by Cordelia Swan, Sandra Lahire and Amanda Holliday”, Nicky Hamlyn, Performance, n.60, UK, 1990.
“Erotic
Films by European women filmmakers”, Nicky Hamlyn, Performance, n.61, UK, 1990.
"’The
Garden’ by Derek Jarman”, Nicky Hamlyn, Performance n.62, 1990.
"Video
Positive" festival, Nicky Hamlyn, The Guardian, Apr-04, UK, 1991.
“One-minute
works on The Late Show", Nicky Hamlyn,
Art Monthly, Jul-Aug, 1991.
“From
Structuralism to Imagism- Peter Gidal and his influence in the 1980s”, Nicky
Hamlyn, Undercut, London Filmmakers Co-op, n.19, 1991.
“One-minute
TV”, Nicky Hamlyn, Variant, n.12, 1992.
“Cutting
it Out: Interviews with Film editors”, Nicky
Hamlyn, Sight
and Sound, BFI, January, 1993.
“Voiceworks
CD by David Cunningham”, Nicky Hamlyn, Variant, n.15, UK, 1993.
"Nick
Collins; Nicky Hamlyn; Jo Pearson; Nick Gordon Smith; John Tappenden", Nicky
Hamlyn, A Directory of British
Avant-garde Film & Video Artists, The Arts Council of
England, University of Luton Press, 1996, 1 86020 500 3.
"Structural
Traces", Nicky Hamlyn, The British Avant-Garde
Film 1926-95, Arts Council of
England/John Libby, 1996, 1860200044.
"Uses
and Abuses of 8mm Film", Nicky Hamlyn, International 8mm festival, London Filmmakers Co-op, 1996.
“Bill
Viola Collected Writings”, Nicky Hamlyn, Vertigo, UK, 1996.
"Evening
Echoes", Nicky Hamlyn, Art Monthly Website, May, 1986.
“On
Location", Nicky Hamlyn, Zone Festival, Maidstone, UK, 1998.
“Film,
Video, TV: Guy Sherwin, David Larcher, David Hall”, Nicky
Hamlyn, Coil, November, UK, 2000.
“What
Have I Done? an exhibition by Douglas Gordon”,
Nicky
Hamlyn, Filmwaves,
n.20, UK, 2003.
Nicky Hamlyn, Film Art Phenomena, BFI, 2003, 0851709729.