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Short course

Draping Womenswear Design Short Course

Draping Womenswear Design Short Course | On Campus
Learn draping techniques for womenswear design, on campus or online. Manipulate fabrics for personal or high-end fashion collections.

Next start months
July 2026
August 2026
September 2026
Tutor(s)
Petra Metzger
Stamo Ampatielou
Salima Sule Ali
Philip Mauger
Price
From £420.00

Course description

Course overview

This beginner-friendly online short course introduces the fundamentals of draping and explores how it can be used as a creative, experimental, and playful tool for generating fashion ideas.

We begin by looking at the history of draping and examining what draping is within both historical and contemporary fashion contexts. From there, you will start to experiment with fabric, learning how to manipulate it through techniques such as twisting, folding, gathering, and layering to create dynamic and visually striking forms.

A key part of the course focuses on developing a basic block through draping, including the front, back, and sleeve. You will learn how to work directly on the mannequin (or an alternative at home) to build three-dimensional shapes, and—most importantly—how to translate these forms into two-dimensional patterns. This process will give you the essential skills to turn creative draped ideas into functional garment designs, while understanding the transition from 3D to 2D as a fundamental first step into the technical side of fashion design.

The course also introduces the basics of corsetry, giving you an understanding of structure, shaping, and support in garment construction.

Who this course is for

This online course is ideal for beginners and anyone interested in fabric manipulation, whether for personal projects or as a first step into fashion design.

Key information

Topics covered

  • The origins of draping and historical costumes
  • How to prepare and experiment with fabric on a dummy
  • How to cut your piece of fabric
  • Examples of draping in contemporary fashion
  • How to photograph your designs
  • Draping a skirt
  • How to mark a garment
  • Draping a bodice
  • Developing your designs in 2D


Topics covered on campus only

  • Introduction to draping with fabric manipulations
  • Draping without pins
  • Designing garments based on your draping
  • Draping with bias detail
  • How to prepare a presentation of your work
  • Making collages and sketches


Learning outcomes

  • Undertaking your own visual research before you start to drape and sketch
  • By twisting, folding, gathering and layering fabric you will learn how you can get the most amazing results
  • Working in a sketchbook as well as working with fabric on a dummy will help develop and build up your ideas for shapes and details for a fashion collection
  • Your collection will be made into a presentation for your portfolio at the end of the course
  • Digital badge and certificate of attendance

Materials
On campus

Please bring these with you to the first session:

  • Scissors
  • Cutting knife
  • Pins
  • Glue/Pritt Stick
  • Ruler or set square
  • Tape measure
  • Tracing wheel
  • Felt pens
  • Pencil
  • Eraser
  • Camera/phone


Online

Please ensure that you also have the following materials on hand during the course:

  • Dummy-figure
  • 7 meters of light weight calico (at least 1,60m wide)
  • Pins
  • Thread
  • Needle
  • Iron
  • Digital camera
  • Fabric scissors
  • Tape measure
  • Ruler
  • Felted pens
  • Dressmakers tape or ribbon
  • Paper
  • Pencil

If you are taking this course online, please see our Guide to taking online short courses.

Tutor

Petra Metzger

Petra Metzger is a fashion designer and educator with international experience spanning 20 years in the fashion industry and 11 years in education. She has a broad range of experience that includes commercial and high-end fashion design for international businesses. She created the womenswear fashion brand EINE LTD, and over many years leveraged students and creative professionals to the next step in their career.
Petra is highly qualified through a creative and technical education in fashion. Initially trained as a dressmaker, Petra successfully completed her BA and MA in Fashion Design at Central Saint Martins. She gained international industry experience in London, Paris, Switzerland and Rio de Janeiro and worked amongst others with Haider Ackermann, Hussein Chalayan, Peter Jensen, Swiss Hest Group and Lenny Niemeyer. Drawing on this experience, in her teaching Petra effectively engages a range of learners from high schoolers to experienced creatives and working designers. Amongst many other places, she has taught Fashion at Norwich University, multiple degree and short courses at Central Saint Martins, and co-created and led the post graduate fashion school Orbita at Centro-br in Rio de Janeiro.
Petra is a warm and people friendly person with a future-orientated and holistic mindset, passionate about eliciting personal potentials and sharing inspiration, and with a love of creative endeavours and realisation of ideas with others.
 

Stamo Ampatielou

For the last thirty years, Stamo Ampatielou, has been working in the fashion industry, consulting companies on production and manufacturing processes and training personnel on pattern cutting and garment technology.

Her expertise includes both womenswear and menswear of all market levels. Stamo is also a senior lecturer in Istituto Marangoni, London and Mumbai and a visiting lecturer on CSR and sustainability, in various establishments around the world.

Having studied numerous fashion related crafts in Athens, Greece and London, UK, among others, she is a graduate of London College of Fashion, holds an MBA from the University of Liverpool and is a fellow of the Royal Society of Arts.

Stamo’s interests include millinery, shoe making, weaving, embroidery and various surface techniques for textiles. She is a passionate researcher and collector of garments, embroideries and textiles from different cultures and eras.

Salima Sule Ali

Salima Sule Ali is a London-based Womenswear Fashion Designer and facilitator in the art of creativity. Since graduating from the London College of Fashion in 2020 with a BA in Design & Technology Womenswear, she has built her namesake made-to-order luxury brand, SALIMA.ALI, driven by her passion for quality craftsmanship.

Her work is grounded in the principles of quality, craftsmanship, and sustainability in design. With over 10 years of experience in the apparel and fashion industry, Salima has held roles such as Production Assistant, Garment Technologist, Pattern Cutter, and Digitiser. She has collaborated with leading fashion brands and couture houses, gaining extensive knowledge of both creative production processes and the business operations that sustain a fashion brand.

Salima's passion for creative subjects has enabled her to work with a wide range of organisations. Alongside running her brand, she collaborates with University of the Arts London (UAL) as a creativity facilitator, working on projects with the Widening Participation Outreach department and partner colleges. Through these collaborations, she shares her love of fashion and creativity with students while enhancing their knowledge and access to pursue creative pathways at the degree level.

After completing her PG Cert in Academic Practice at UAL in 2022, Salima continues to evolve her practice as a Visiting Practitioner and Guest Lecturer at the London College of Fashion. Central to her teaching philosophy is the belief that facilitating creativity transcends age, and that true knowledge exchange is driven by a passion to explore.

Philip Mauger

With extensive experience in luxury fashion houses, Philip brings specialist knowledge and skill to the courses he conducts.

In 2005, during an MA in Womenswear at CSM, Philip began cutting for Vivienne Westwood's special clients, moving rapidly onto her specialist tailoring and Gold label show collections. Later moving to Lanvin in Paris to assist Alber Elbaz as a runway designer, Philip became responsible for some of the most identifiable silhouettes during its 2009-2011 collections. Philip followed this with further design and consultancy roles at McQueen, Paul Smith and Akris in Switzerland. Philip headed up Womenswear Design at Nicole Farhi during 2011-12 and became a Runway Womenswear Designer/Design Atelier Director at Burberry 2017-2020.

Throughout his fashion career, Philip has also worked extensively in film, developing/cutting costumes for productions ranging from Star WarsJames Bond and Into the Woods, to more recent Warner Bros/Marvel productions and series such as Captain Marvel and Loki. Philip currently develops costumes for contemporary and period productions.

Always involved in education, as a CSM alumni, Philip continues to tutor on the CSM short courses schedule. Philip has also tutored final years at Instituto Marangoni, conducted pattern cutting/folio design and design development classes at LCF and guest lectured at The Royal Collage for final year MA students.

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