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Undergraduate

BA (Hons) Production Arts for Screen

Digital drawing of interior in almost a cartoonish illustration style by Hannah Seddon - BA Production Arts for Screen.
Hannah Seddon
BA (Hons) Production Arts for Screen, Wimbledon College of Arts, UAL
College
Wimbledon College of Arts
UCAS code
W690
Start date
September 2023
Course length
3 years

BA Production Arts for Screen at Wimbledon College of Arts offers a unique combination of design and digital production skills for film, television and other screen-based media.

Applications closed 2023/24 

We are no longer accepting applications for 2023/24 entry to this course.

Visit the Courses with places available page for a full list of UAL courses that are open for application.

Course overview

BA Production Arts for Screen will teach you the skills required to be an Art Director or VFX artist for screen-based entertainment. You will learn how to use design and technology to shape innovative ideas that drive the visual identity of film, television, animation and computer games.  

What to expect

  • Industry skills: You’ll learn the skills needed for storyboarding, pre-visualisation, editing and sound.
  • Art direction: Master the art of creating concepts and designs that define the look of a film, TV, interactive or animated project.
  • Design skills: Develop Concept Art skills including digital painting with Photoshop and creating 3D models for environment and character creation. 
  • Analysis: You’ll be shown how to carry out character and script analysis.
  • Research: Develop your research skills and personal reference material taking into account, climate, racial and social justice issues.
  • An introduction to new and existing technologies: Delve into virtual reality (VR), augmented reality (AR), computer generated imagery (CGI), green screen and digital Visual Effects.
  • Access to Wimbledon's shared workshops: View the Wimbledon facilities.

Course Skills

The first year of the course will give you an introduction to production arts for screen. At the end of the first year, you will choose your specialism in either art direction or visual effects (VFX).

Art Direction

Art directors are responsible for developing the look and visual fingerprint of a production on everything from Film and TV through to VFX, games and animation. As an art director, you are expected to create artwork that drives the style and look of the production and in many cases play a key role in defining a franchise or brand.  

Visual effects (VFX) 

Visual effects (VFX) artists are concerned with the creation of digital models. This can be either as a production resource for environments and performance, or for integration as post-production elements within live action environments. Many of these skillsets also translate extensively to the computer games and animation industry.

Work experience and opportunities

Work placements are a key feature during the second year of this course. They enable you to make essential industry links which will help you with your future career. We also arrange visits to London-based television and film studios, VFX houses, computer games companies and animation production companies. 

You’ll also have the option to study abroad for a term in your second year as part of the College’s international exchange scheme.

Mode of study

BA Production Arts for Screen is offered in full-time mode. It is divided into 3 stages over 3 academic years. Each stage consists of 30 teaching weeks. You will be expected to commit an average of 40 hours per week to your course, including teaching hours and independent study.

Contact us

Register your interest to receive information and updates about studying at UAL.

Contact us to make an enquiry.

Course units

Year 1 

Unit 1: Introduction to Production Arts for Screen 

This unit is an introduction to your course, the College and the University. 

Unit 2: Designing and making 

This unit will introduce you to a broad range of skills and techniques in production arts. These may include scale and perspective drawing, anatomical studies and introductory software workshops. 
 
Unit 3: Designing and staging 

You will learn skills and techniques for communicating ideas through storyboarding and animatics, including digital layout techniques for cinematic pre-visualisation. 

Unit 4: Exploring ideas 

The emphasis of this unit will be on realising a narrative through the designing and making of an animated piece using either CGI methods or 2D drawn animation methods. 

Unit 5: Where are we? Building the future 

This unit will introduce you to concept art for screen-based media. You will design a futuristic space and visualise it either within a CG environment, through the creation of a physical model or a combination of both. 

Year 2 

Unit 6: Conceptualising ideas 

You will develop your skills further in Adobe Photoshop, object design, environment design and perspective studies. You will utilise hard surface 3D models and incorporate these into advanced concept design and matte painting. 

Unit 7: Collaborative and collective practices 

You will be introduced to different ways in which collaborative working can help you to focus and enhance your own creative strengths. You’ll have the chance to work with fellow students and creative communities. 

Unit 8: Who in the world?
 
Unit 8 is about learning to understand the creative and technical aspects of CGI software. You will look at advanced character, environment concept and design, digital sculpting, organic and hard surface modelling and character set up within CGI software. You’ll learn about the integration of digital and physical character elements into cinematic, interactive or VR and augmented reality (AR) environments. You’ll also cover design and 3D asset creation for computer games and animation.

Unit 9 - Where in the world? 
 
In this unit you will explore concept design and asset creation within virtual and VR production environments. Using platforms such as Unreal Engine, you’ll also learn about VFX pipelines for cinematic, VR and AR applications. 

Year 3

Unit 10: Finding your voice: portfolio design, crafting research skills, career planning 
 
The work generated for your final year project will be self-directed and involve extended pieces of work. The unit has 3 parts: a visual and reflective project known as the research portfolio; a dissertation which can be written, filmed or presented; and the development of a personal profile for potential employment.
 
Unit 11: Show your work: Independent practice 
 
This final unit enables you bring together all the ideas and learning from the course. You will undertake a major production design, art direction or spatial design project. This might be for a film, television drama, entertainment production, event creation, museum exhibition, digital game, VR or other environment creation for screen. You’ll present your work in the College degree show.

Optional Diploma between Years 2 and 3

Between Years 2 and 3 of the course, you’ll also have the opportunity to undertake one of the following additional UAL qualifications:

Diploma in Professional Studies (DPS)

This optional diploma can be taken between years 2 and 3. With support from your tutors, you’ll undertake an industry placement for a minimum of 100 days/20 weeks. As well as developing industry skills, you’ll gain an additional qualification upon successful completion.

Diploma in Creative Computing

Between years 2 and 3, you can undertake the year-long Diploma in Creative Computing. This will develop your skills in creative computing alongside your degree. After successfully completing the diploma and your undergraduate course, you’ll graduate with an enhanced degree: BA (Hons) Production Arts for Screen (with Creative Computing).
 

Learning and teaching methods

  • Artist and professional practice talks and workshops  
  • Briefings, discussions, lectures and seminars  
  • Cross course group crits  
  • Field trips and off-site visits  
  • Group and individual presentations and tutorials  
  • Independent learning  
  • Lectures and artist talks  
  • Online learning including remote tutorials and workshops with industry practitioners and studios to gain understanding of industry working practices 
  • Peer learning and review  
  • Portfolio review  
  • Project planning  
  • Research training  
  • Student presentations  
  • Studio and workshop based self-directed study and research  
  • Study skills  
  • Technical workshops and inductions  
  • Workshops on writing styles, research methodology and critical debate  

Student work

  • Sarah-Grahic-BA-Production-Arts-for-Screen.jpg
    Sarah Grahic
    BA (Hons) Production Arts for Screen, Wimbledon College of Arts, UAL
  • ba-production-arts-for-screen-Ruben-Crazzolara-table-spread.jpg
    Ruben Crazzolara
    BA (Hons) Production Arts for Screen, Wimbledon College of Arts, UAL
  • Angel-Li-BA-Production-Arts-for-Screen.jpg
    Angel Li
    BA (Hons) Production Arts for Screen, Wimbledon College of Arts, UAL
  • Hannah-Sneddon-landscape-BA-Production-Arts-for-Screen.jpg
    Hannah Seddon
    BA (Hons) Production Arts for Screen, Wimbledon College of Arts, UAL
  • Alfie-Lloyd-BA-Production-for-Screen.jpg
    Alfie Lloyd
    BA (Hons) Production Arts for Screen, Wimbledon College of Arts, UAL
  • Adam-Fakhri-BA-Production-Arts-for-Screen.jpg
    Adam Fakhri
    BA (Hons) Production Arts for Screen, Wimbledon College of Arts, UAL
  • BA-Production-Arts-for-Screen.jpg
  • ba-production-arts-for-screen-Charlie-Bartlett-CAD-drawing.jpg
    Charlie Bartlett
    BA (Hons) Production Arts for Screen, Wimbledon College of Arts, UAL
  • Brad-Beard-BA-Production-Arts-for-Screen.jpg
    Brad Beard
    BA (Hons) Production Arts for Screen, Wimbledon College of Arts, UAL
  • Hannah-Seddon-BA-Production-Arts-for-Screen.jpg
    Hannah Seddon
    BA (Hons) Production Arts for Screen, Wimbledon College of Arts, UAL

Film

Watch our online open day recording

BA Production Arts for Screen Showreel

Graduate Showcase: Alfie Lloyd

Staff

  • Paul Franklin - Course Leader
  • Kate Wicks - Lecturer

Visiting Staff

  • Keith Frederick - Puppet maker, costumier and puppet restorer. Recent work includes Midsummers Night Dream at the Globe Theatre. Has worked extensively at the Little Angel puppet theatre
  • Dan Martin - Special effects, effects make-up artist and co-ordinator. Work includes Batman Begins, High Rise, The Human Centipede, The Wolfman
  • David McHenry - Draughtsman. Worked on Game of Thrones, Rush and Dredd
  • Catrin Meredydd - Production Designer. Worked on Best Possible Taste, Broadchurch, IBoy, Jekyll & Hyde, Our Loved Boy, Poldark, The Fades
  • Christina Moore - Production Designer and Art Director. Worked on Game of Thrones, Just Henry, Lena,  Sense & Sensibility, Surviving Picasso
  • Aya Nakamura - Puppet maker and performer. Worked on Newzoids puppet animation for ITV. Recent puppet stage productions include Duvet Day, Hansel & Gretel, Tarrare the Freak
  • David Neat - Model maker and author of the book 'Model-making, Materials and Methods'
  • Tom Roberts - Propmaker. Worked on Girl with the Dragon Tattoo, Inbetweeners, Macbeth, Peaky Blinders, Sherlock Holmes, Tinker, Tailor, Soldier, Spy and Tulip Fever
  • Matt Scott - Director, Scott Fleary scenery builders. Built X-Factor, The Voice and Sky Sports news
  • Roman Stefanski - Actor and Director of puppet productions for theatre, film and television. Has worked extensively at the Polka theatre, Wimbledon. Films include Leap Year and Under the Same Sun
  • Andy Symanowski - Animator and director, Aardman Animation. Worked on Shaun the Sheep and the Wallace and Gromit films
  • Livia Turco - Senior Character Modelling Sculptor at Merlin Entertainment / Madame Tussauds
  • Robert Tygner - Actor, Director and puppeteer. Worked on Hitchhiker’s Guide to the Galaxy, Jim Henson’s Jack and the Beanstalk, Muppets Most Wanted, Victor Frankenstein, Where the Wild Things Are
  • Fleur Whitlock - Art Director and Production Designer. Worked on Episodes, Oliver Twist, Rev, The Libertine, Wuthering Heights
  • Tom Wilkinson - Sculptor, prop and automaton maker. He is a co-founder of the public art group Arts Republic. His work was on display at the Winter Lights Festival in Canary Wharf in 2015-16
  • Darryl Worbey - Puppetry and SFX Designer. 30 years’ experience in film, television and theatre. Credits include Star Wars - Rogue One, Yonderland for Sky TV, Muppets Most Wanted, Disney, Teenage Mutant Ninja Turtles and The Basil Brush Show

Fees and funding

Home fee

£9,250 per year

This fee is correct for 2023/24 entry and is subject to change for 2024/25 entry.

Tuition fees may increase in future years for new and continuing students.

Home fees are currently charged to UK nationals and UK residents who meet the rules. However, the rules are complex. Find out more about our tuition fees and determining your fee status.

International fee

£25,970 per year

This fee is correct for 2023/24 entry and is subject to change for 2024/25 entry.

Tuition fees for international students may increase by up to 5% in each future year of your course.

Students from countries outside of the UK will generally be charged international fees. The rules are complex so read more about tuition fees and determining your fee status.

Scholarship search

Entry requirements

The standard minimum entry requirements for this course are:

  • Pass at Foundation Diploma in Art and Design (Level 3 or 4)
  • 2 A Levels at grade C or above
  • Merit, Pass, Pass (MPP) at BTEC Extended Diploma
  • Pass at UAL Extended Diploma
  • Access to Higher Education Diploma
  • Or equivalent EU/International qualifications, such as International Baccalaureate Diploma at 24 points minimum
  • And 3 GCSE passes at grade 4 or above (grade A*-C)

Entry to this course will also be determined by the quality of your application, looking primarily at your portfolio of work, personal statement and reference.

APEL - Accreditation of Prior (Experiential) Learning

Applicants who do not meet these course entry requirements may still be considered in exceptional cases. The course team will consider each application that demonstrates additional strengths and alternative evidence. This might, for example, be demonstrated by:

  • Related academic or work experience
  • The quality of the personal statement
  • A strong academic or other professional reference
  • A combination of these factors

Each application will be considered on its own merit but we cannot guarantee an offer in each case.

English language requirements

All classes are taught in English. If English isn't your first language you must provide evidence at enrolment of the following:

Selection criteria

We look for:

  • An interest, commitment and motivation for studying the subject
  • An ability to work imaginatively and creatively in 2D and 3D visual media, materials and processes
  • Potential for creative problem solving
  • An ability to create and develop new ideas
  • A desire to learn and an ability to investigate and develop ideas independently
  • Ability to communicate your ideas visually, verbally and in writing
  • Visual awareness and an understanding of the creative process
  • Ability to self-direct and evaluate your own work
  • Cultural and historical awareness of production design, design for screen, technical arts
  • Motivation for working in the related industries
  • A desire to succeed

Apply now

Applications closed 2023/24 

We are no longer accepting applications for 2023/24 entry to this course. Applications for 2024/25 entry will open in Autumn 2023.

Apply

You must apply through UCAS, where you’ll need the following information:

  • University code - U65
  • UCAS course code - W690

Application deadline

We recommend you apply by 25 January 2023 at 18:00 (GMT) for equal consideration.

However, this course will consider applications after that date, subject to places being available.

What happens next

Communicating with you

After you’ve submitted your application, you’ll receive a confirmation email providing you with your login details for the UAL Portal. We’ll use this portal to contact you to request any additional information, including inviting you to upload documents or book an interview, so please check it regularly.

Initial application check and selection

We check your application to see if you meet the standard entry requirements for the course. If you do, you will be invited to submit a digital portfolio through UAL’s online portfolio review system.

Following the review of the digital portfolio, a small number of applicants will progress to the interview stage. All interviews are held online and last 15 to 20 minutes. For support with your interview, visit our Interview tips page.

Portfolio advice

  • A maximum of 30 pages showing a range of visual recording, such as drawing, life drawing and photography
  • Experimentation, which demonstrates idea generation and development
  • Visual work that uses form, structure, texture and space
  • Design development showing how problems are solved
  • Any previous experience of theatre work
  • Images from your sketchbooks and notebooks

For more support, please visit our Portfolio advice page and PebblePad advice page.

How we notify you of the outcome of your application

You will receive the final outcome of your application through UCAS.

Applicants for this course may be given an alternative offer. This decision will be based on our assessment of your creative and potential interests.

Feedback requests:

If you would like to request feedback please contact us through the UAL Portal using the Contact us button in your My Application(s) tab.

Deferring your place

This course accepts requests from offer holders to defer their place for one academic year. Deferral requests are granted on a first-come, first served basis until all deferral places are filled, or a deadline has been reached, whichever is sooner.

Read our Admissions Policy for details, and request your deferral by contacting us through the UAL Portal using the Contact Us button in your My Application(s) tab.

Transfers

If you are currently studying somewhere else on a course in an equivalent subject area and would like to transfer to this course, you can transfer to:

  • Year 2, if you’ve completed 120 credits in Year 1
  • Year 3, if you’ve completely 240 credits in Years 1 and 2

Apply via UCAS and choose Year 2 or 3 for your POE (Point of Entry).

Please check our Student Transfer Policy for more important information.

Be ready to provide us with:

  • Your current course handbook
  • Year 1 / Year 2 unit transcripts

Applications closed 2023/24 

We are no longer accepting applications for 2023/24 entry to this course. Applications for 2024/25 entry will open in Autumn 2023.

Apply

There are 2 ways international students can apply to an undergraduate course:

Applying through UCAS you will need the following information:

  • University code - U65
  • UCAS course code - W690

Read our immigration and visa information to find out if you need a visa to study at UAL.

You can only apply to the same course once a year. Any duplicate applications will be withdrawn. Read the UAL international application advice for further information on how to apply.

Application deadline

We recommend you apply by 25 January 2023 at 18:00 (GMT) for equal consideration.

However, this course will consider applications after that date, subject to places being available.

What happens next

Communicating with you

After you’ve submitted your application, you’ll receive a confirmation email providing you with your login details for the UAL Portal. We’ll use this portal to contact you to request any additional information, including inviting you to upload documents or book an interview, so please check it regularly.

Immigration history check

You will be asked to complete an Immigration History Check to establish whether you are eligible to study at UAL. We will not be able to proceed with your application until you have submitted your completed Immigration History Form.

Initial application check and selection

We check your application to see if you meet the standard entry requirements for the course. If you do, you will be invited to submit a digital portfolio through UAL’s online portfolio review system.

Once we have received your digital portfolio it will be reviewed by the academic team. A decision will be made on your application which may include - offer, offer alternative, recommend to alternative course, reject or invite to interview.

We aim for all on time application reviews to take place by the end of March 2023.

Portfolio advice

  • A maximum of 30 pages showing a range of visual recording, such as drawing, life drawing and photography
  • Experimentation, which demonstrates idea generation and development
  • Visual work that uses form, structure, texture and space
  • Design development showing how problems are solved
  • Any previous experience of theatre work
  • Images from your sketchbooks and notebooks

For more support, please visit our Portfolio advice page and PebblePad advice page.

How we notify you of the outcome of your application

You will receive the final outcome of your application through UCAS.

Applicants for this course may be given an alternative offer. This decision will be based on our assessment of your creative and potential interests.

Feedback requests:

If you would like to request feedback please contact us through the UAL Portal using the Contact us button in your My Application(s) tab.

Deferring your place

This course accepts requests from offer holders to defer their place for one academic year. Deferral requests are granted on a first-come, first served basis until all deferral places are filled, or a deadline has been reached, whichever is sooner.

Read our Admissions Policy for details, and request your deferral by contacting us through the UAL Portal using the Contact Us button in your My Application(s) tab.

Transfers

If you are currently studying somewhere else on a course in an equivalent subject area and would like to transfer to this course, you can transfer to:

  • Year 2, if you’ve completed 120 credits in Year 1
  • Year 3, if you’ve completely 240 credits in Years 1 and 2

Apply via UCAS and choose Year 2 or 3 for your POE (Point of Entry).

Please check our Student Transfer Policy for more important information.

Be ready to provide us with:

  • Your current course handbook
  • Year 1 / Year 2 unit transcripts
  • An official document (translated into English) from your current university, explaining the learning outcomes of the units you have completed

Study Abroad

Through the Study Abroad programme international students can apply to join an undergraduate course.

For information on how to apply visit the Study Abroad section.

Careers

This course prepares you for progression into a range of careers such as:

Art departments for film and television, animation, art direction, draughts person, education and teaching, event design, exhibitions and curating, model making and sculpting, postgraduate study, production design, prop making, production buying, scenic art and construction, set dressing, special effects and technical drawing.

Alumni

  • Joe Beagley - Head of Masks and Puppets for Disney’s The Lion King at the Lyceum Theatre, London
  • Paul Cripps - Production Designer and Art Director on Atlantis, Bones, Borrowers, Hex, Merlin, Skins, Sugar Rush and The Missing
  • Eun Jung Ha - Senior Character Modeller at Merlin Entertainment / Madame Tussauds
  • Patrick Harris - Art Director / Assistant Art Director on Guardians of the Galaxy, Kingsman and Wonderwoman
  • Sean Hogan and Ben Gerlis - Production design studio Stripe Land
  • Steven Granger - Art Department Assistant, draughtsman, standby Art Director on Marcella, Paddington and The Mercy
  • Sarah Greenwood - Production Designer on Anna Karenina, Atonement, Beauty & the Beast, Hanna and Sherlock Holmes
  • Will Houghton-Connell - Concept artist, storyboard artist and draughtsman for Stuart Craig on Harry Potter, Pirates of the Caribbean and Star Wars Episode 7
  • Christian Huband - Art Director on Dark Shadows, Fantastic Beasts, Harry Potter, The Invention of Hugh Cabret and Supervising Art Director on Justice League
  • Solrun Jonsdottir - Production Designer on Enemy of England
  • Steven Lawrence - Art Director on Avengers: Age Of Ultron, Jungle Book, Paddington and The Dark Knight
  • Cher Leigh - Creature creator for Solo and forthcoming Disney film
  • Thomas Lowthian - Assistant Art Director on And Then There Were None (BBC1 Agatha Christie) and Designer on Mars mini series
  • Viviana Motta - Art Department Assistant for Victoria & Abdul
  • Olivia Muggleton - Draughtswoman on Star Wars: Rogue One and Force Awakens
  • Dan Ojari - Award-winning animator selected for Sundance Film Festival. Ojari also worked on BAFTA award-winning short animation The Eagleman Stag with Michael Please. They now run their own company Parabella
  • Max Patte - Sculptor for Weta Workshop. Worked on Harry Potter V, Justice League of America and Prince Caspian
  • Alistair Pauly - Amour maker on Game of Thrones, The Kid Who Would Be King and Outlaw King
  • Will Pearce - Formerly Head of Masks and Puppets for Disney’s The Lion King at the Lyceum Theatre, London
  • Jack Perry, Sara Stanton, Mia James - Director, Production Designer, Art Director on A Girl Goes For Dinner
  • Michael Please - BAFTA award-winner for short film The Eagleman Stag
  • Vicky Ralph - Art Department Coordinator for Paddington 2 and for Stuart Craig at Leavesden studios on Fantastic Beasts 1 and 2
  • Owen Robertson - Art Department Assistant on Justice League
  • Betty Sims-Hilditch - Art Department Assistant at Pinewood studios on Chesil Beach
  • Mark Tildesley - Production Designer on The Constant Gardener, 28 Days Later and Designer for the London 2012 Opening Ceremony

Find out how careers and employability helps our students and graduates start their careers.