Graduating with: Trevon Paddy
London College of Communication television and live events grad Trevon talks about setting goals and what it took to make his a film for his graduating project.
How do scriptwriters and filmmakers ensure these happy endings make sense to the plot? It starts with the ‘story structure’ – in many cases based on ‘The Hero’s Journey’ developed by Joseph Campbell. This structure, influenced by Greek mythology involves a ‘hero’ travelling from an ‘ordinary world’ to a ‘special world’ in order to overcome a problem or challenge that they can’t ignore; and then returning, victorious to the ‘ordinary world’.
You might not recognise Jesse’s name, but his work has won him 27 Emmy Awards. Jesse says: “I love directing because it gives me the chance to reconsider life from the director’s chair.”
For Jesse movies are an allegory to life – a story that reveals a hidden meaning, often moral, political or spiritual. Film plots are about stitching together a series of choices in a character’s life- these help us decide whether to connect and invest in their journey (or not).
The Hero’s Journey:
Jesse Vaughan at TEDxRVA
Video courtesy of TED.
In the video, Jesse talks about how actors sometimes miss their marks – literal marks on the set designed to help with their lines or to ensure the lighting, sound and continuity is kept in check. In life and in film if you miss your mark your journey’s path can distort- he talks honestly about events that have challenged him.
Jesse touches on Star Wars and Shakespeare for reference points. Next time you’re watching a film see if you can identify a ‘Hero’s Journey’ story structure, in which the hero overcomes adversity and triumphantly returns to everyday life, granting the audience a happy ending.
London College of Communication television and live events grad Trevon talks about setting goals and what it took to make his a film for his graduating project.
Wimbledon College of Arts grad Avni takes time to talk to us about life as a production designer.
Artists film-makers Martine Syms and Kahlil Joseph are collectors of ‘orphaned media’ and found footage. So what happened when these two artists decided to work together? Ruby tells us more.