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A story of community and life on the margins: Dr Andrea Luka Zimmerman’s ‘Here for Life’

Outdoor film screen London
Outdoor film screen London
Photo courtesy of Here for Life
Written by
Cat Cooper
Published date
19 November 2019

Co-winner: The Film London Jarman Award 2020
Official Selection Locarno Film Festival 2019 - Filmmakers of the Present Competition - World premiere
Discovery Award Long-list, British Independent Film Awards 2019

UAL and Central Saint Martins Reader and Lecturer, artist and film-maker, Andrea Luka Zimmerman’s latest feature film Here for Life [Modern Films and Artangel] is the product of a 3 year long collaboration with co-director Adrian Jackson of Cardboard Citizens - a theatre project with, by and for people who have experienced homelessness. Production design is by Fred Meller, Director of the Performance programme at Central Saint Martins, UAL.

One of Sight and Sound magazine 'films of the month' for December 2019, it is described as “a thoughtful and challenging meditation on marginalisation”.

Andrea is one of 6 shortlisted artists to share the 2020 prize for the world-renowned Film London Jarman Award for UK artists' moving image.

Iwona Blazwick, Director of the Whitechapel Gallery and Jarman Award 2020 jury panel member:

In a recent collaboration with Artangel, Andrea Luka Zimmerman gives centre stage to those who live under the radar of urban society. ‘Here for Life’, made in 2019, is a revelation portrait of ten Londoners and a dog as the journey through the canals, markets, and streets of our city, culminating in a cathartic theatre performance for nomadic people, and as part of her wider ethos of looking for the sources of radical hope.

"An uncommon story told on common ground"

Fusing fiction with documentary, Here For Life follows the experiences of ten Londoners and a dog, as they get to know one another and come together as a community formed through shared experiences of loss and love, trauma and bravery, struggle and resistance.

The characters dance together, steal together, eat together; agree and disagree, celebrate their differences and share their talents, grappling with a system that seems stacked against them. Their stories and performances become woven together, blurring the lines between fact and fiction through a series of intimate confessions, staged performances and journeys through London.

Eventually coming together on a makeshift stage built on reclaimed ground between two train tracks, they prompt a debate about the world we live in, who has stolen what from whom, and how things might be fixed.

The principal cast are Jo Galbraith, Jake Goode, Richard Honeyghan, Kamby Kamara, Errol McGlashan, Patrick Onione, Ben Smithies, Floria Twyman, Jono Whitty and Sasha Winslow.

Andrea Luka Zimmerman:

This film seeks to explore how stories can be told across differences and beyond fixed ways of seeing. Working with people whose lives have often been difficult, the challenge is to allow the full range of their being to exist within the work, not just a sanitised version that confirms prior expectations.

I believe that when working in the edge-lands of experience, of lives in relation to larger dominating structures, it will always be challenging, which is why it feels important when it comes to telling under-explored, unheard and difficult stories.

Men embracing
Here For Life, still by Therese Henningsen

On the fringes

Many of the scenes in Here for Life were shot at Nomadic Community Gardens, a not for profit project on the edge of the City of London.

A dumping ground between 2 train tracks for 20 years; over the past 4 and a half years it was transformed by local volunteers into a vegetable garden and allotment; and vibrant community hub.

It had been let to locals on a meanwhile lease, permitting its occupation temporarily for non-commercial use while the landowner sought a commercial tenant. Since making the film, the gardens closed for good at the end of September 2019, with a new tenant moving in.

Andrea Luka Zimmerman:

I am a perennial observer, wishing to understand how images may be opened up to show us the richer variant meanings contained within them.

From the very beginning of the project we were interested in “temporary autonomous zones” and the ways in which cities are navigated by those who live at the edges of mainstream social and economic society.

Other locations came directly from listening to people’s stories:

Richard wanted to visit the coast, so we filmed a dream sequence in Dungeness – a headland on the coast of Kent where Derek Jarman lived.

Patrick wanted to show us his Bermondsey, the one he grew up in – not the imposed and gentrified version.

Brixton’s Electric Avenue was where Patrick and Errol walked with a working horse – an homage to the old order of the area and reference to the huge shifts in the area they have known since childhood.

Man with horse in Brixton
Still from Here for Life

Andrea's film practice, research and teaching

Concerned with marginalisation, co-existence, waywardness, social justice and structural violence, Andrea's work has previously been shortlisted for the Grierson and Jarman awards. Her films have explored the crisis around social housing in Britain and structural and political violence in America. Recurring themes across Andrea's research and practice include place, community, class, poverty, health and representation.

As Lecturer and Reader (Research) in art film practice at Central Saint Martins, UAL, Andrea identifies the importance of access to artists' films and of exposing students to a range of narrative structures in film:

I am a long-term advocate for non-monoform practice, seeking forms that hold the full complexity of human experience. I am energised by having to think through and deliver positive change, especially around difference – be it class, race, gender, neurodiversity and so on. I am working with my colleagues to support a feminist and decolonised approach to learning, teaching and practice.

Advocacy, mentoring and teaching are central to how I think about my larger practice. I consider the relationship between practice, research and teaching to be a dynamic and interwoven one. My guidance is only as relevant to my students as my work is to the times in which we live.

Andrea co-founded the cultural collectives Fugitive Images and Vision Machine (collaborators on Academy Award® nominated feature documentary The Look of Silence) and has co-edited the books Estate: Art, Politics and Social Housing in Britain and Doorways: Women, Homelessness Trauma and Resistance and published extensive articles in Open Democracy, La Furia Umana and Homecultures, among others.

Here For Life UK Official Trailer - Modern Films

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