Professor of Cultural History
Central Saint Martins
Central Saint Martins
Caroline Dakers has been Professor of Cultural History at UAL since 1998 and established the BA Culture, Criticism and Curation degree at CSM in 2004. She now teaches on the CCC BA and MA courses and supervises PhD students. Caroline holds a BA Hons degree and a PhD from University College London, both in English Literature, and an MA in Cultural History from the Royal College of Art, and is a Fellow of the Royal Historical Society and the Society of Antiquaries. She is currently writing a book for Princeton University Press entitled Bohemians and Gentlemen, the image of the artist in British society 1850-1950.
19th and early 20th-century British cultural history, particularly art, architecture, design, literature and social history.
The main focus of my research and publications is British cultural history, particularly of the 19th and early 20th century.
My published books include a new edition of Forever England: The Countryside at War 1914-1918 (I.B.Tauris, 2016), which explores the impact of the First World War on the English and French countryside. A Genius for Money: Business, Art, and the Morrisons (Yale University Press, 2011) examines the collecting and patronage of a family of 19th century millionaire merchants and their business practices, land management and investment links to North America; The Holland Park Circle, Artists and Victorian Society (Yale University Press, 1999) is a narrative of the lives, works and influence of the artists, architects, and their patrons, and an analysis of the relationships between high Victorian taste and mercantile values. My forthcoming book, Fonthill Recovered, will be published by UCL Press in 2018 and is a multi-authored study of which I am the principal author and editor.
I have curated exhibitions at Leighton House Museum, London on George Aitchison, Leighton’s Architect Revealed (2012) and Artists at home, the Holland Park Circle (1999-2000). I have also written a history of London’s blue plaques, and had a number of papers published, including on the interiors of the Foreign Office, Michael Winner’s house in Holland Park, land agents in nineteenth-century fiction, the furniture collections of James and Alfred Morrison.
Julia Dudkiewicz, From a Home to a Historic House Museum: The Creation, Presentation, and Representation of an Artist's House (1871-1938). An Examination of the Multiple Histories of Kelmscott Manor as a Home and a Place of Inspiration for Dante Gabriel Rossetti, William Morris.
Miranda Garrett, Professional Women Interior Decorators in Britain, 1874 to 1900.
Lindsey Moore, Edith Head - 'Dress Doctor': Her Role as Disseminator of Fashion Advice and her Involvement with and Influence on American Fashion from 1945 to 1981.
Elena Veguillas Valenciano, Architectural lettering and corporate identity: early branding on commercial buildings.
Vija Vilcins, Framing the garden: national, class and gendered identities in images of gardens in British film and television.
Rukmini Chaturvedi, Contemporary Indian Design: Perception Misconception.
Pedro Almeida, Brand Archives: The rescuing of locally specific brand imagery as a graphic design response to the globalization of visual identity.
Dakers, Caroline (2017) Uncle Harry, the Venetian Life of Henry Woods RA. In: NAVSA/AVSA Conference 2017, 17-20 May, La Pietra, New York University Florence.
Dakers, Caroline (2016) Land Agents: Fact and Fiction in the Long Nineteenth Century. In: The Land Agent in Britain: Past, Present and Future. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 59-86. ISBN 144389933X
Dakers, Caroline (2016) A fondness for dressing up: artists' clubs, the St John's Wood Clique and the artists' Rifles. In: Social Victorians NAVSA 2016 conference, 2-5 November 2016, Phoenix Arizona.
Dakers, Caroline (2016) The 1872 Summer Exhibition and Alfred Morrison. In: A Year's Art The Royal Academy Summer Exhibition, 1769-2016, 29-30 September 2016, Paul Mellon Centre Bedford Square London
Dakers, Caroline (2016) Forever England. I.B.Tauris & Co.Ltd, London. ISBN 9781784534844
Dakers, Caroline (2015) Bohemians and Gentlemen. The representation of artists in British society 1850-1950. In: UAL Professorial Platform Series 2015-16, 26 October 2015, Central Saint Martins, Granary Building, 1 Granary Square, King's Cross, London N1C 4AA.
Dakers, Caroline (2015) Madeline Wyndham of Clouds and Mabel Morrison of Fonthill, two Victorian ladies of Wiltshire. Powerful or powerless? In: 13th Annual Historic Houses of Ireland Conference: Women and the Country House, 11 - 12 May 2015, Maynooth University, Ireland.
Dakers, Caroline (2015) Recovering Fonthill. In: The Past in its Place, 17 - 18 April 2015, Buckfast Abbey, Devon.
Dakers, Caroline (2014) Fit for purpose: the Victorian artist's studio-house as public and private space. In: Victorians Like Us 2nd International Conference - The Victorian Household: Power, Policies, Practices, 26 - 29 November 2014, University of Lisbon Centre for English Studies (ULICES), Faculty of Letters, University of Lisbon.
Dakers, Caroline (2014) Excessive behaviour and extraordinary collections: William Beckford and Alfred Morrison, two nineteenth-century millionaire collectors. In: Gold in/and Art, 18 - 19 September 2014, Musée Paul-Dupuy, Toulouse, France.