Stage 3 Leader BA (Hons) Graphic Design and Senior Lecturer in Typography
Central Saint Martins
Central Saint Martins
Catherine Dixon is a designer, writer and teacher. As a designer she works mostly with text-based projects, including typographic covers for the award-winning ‘Great Ideas’ series for Penguin Books. As a writer she has a particular interest in type design and letterform, and her doctoral thesis, ‘A description framework for typeforms; an applied study’, focused on the problems of describing typefaces and went on to inform the CSM ‘Typeform dialogues’ project.
Catherine writes regularly on letterforms in environmental contexts, contributing to the website www.publiclettering.org.uk, and co-authored the book Signs: lettering in the environment with CSM Professor of Typography Phil Baines. She contributes to online design blogs and magazines including Eye, Random Spectacular, Matrix and Imprint on general typographic and education issues. She is a frequent speaker at international conferences, most recently presenting at TypoBerlin (2016), London Transport Museum (2016), Tipoteca Italiana (2015), and ATypI in São Paulo (2015), as well as organising design-related events, mostly in support of St Bride Library, London. Catherine has taught typography at Central Saint Martins since 1999, and in Spring 2011 took up a one-year post as a Visiting Professor at the University of São Paulo, Brazil. With Phil Baines she co-curates the Central Lettering Record, part of the college’s Museum & Contemporary Collections.
Typeface classification; typeface design: history and practice; letterform; public lettering; letterpress; education; typography; graphic representation of information; practice-based research in design.
The pragmatic concern with typeface description, which informed my doctoral research, now underpins the transformation of the more conceptual outcomes of my PhD into practical tools for helping students, especially to make sense of the formal diversity of typefaces currently available. Using analytical frameworks developed within information design I am looking at the use of graphic representation in the communication of classificatory strategy. Here research and teaching interests fuse through an engagement with the consideration of those not only making, but using and being shaped by typeface classifications.
Following publication of our co-authored book, my work with Phil Baines continues towards a critical documentation of public lettering, addressing the paucity of qualitative tools to critically evaluate the contribution public lettering makes to our sense of place.
More recent research has explored letterpress and articulations around its value as a teaching and learning tool, as well as the value of an emergent letterpress vernacular. This has since broadened into a consideration of the value of typographic workmanship within contemporary graphic communication design contexts.
Julie Chauffier, "Expressivity of letter shapes On the correlation between fonts and subjective perceptions."
Mike Harkins, Contemporary processes of text typeface design.
Isabella Ribeiro Aragão, Fundição de tipos no Brasil: estudos comparativos entre a Funtimod e a fundadoras européias [PhD sandwich student from University of Saõ Paulo, Brazil].
Annegrete Mølhave, The information design of ecological cycle network diagrams in science textbooks.
2014–7: (with Dr Priscila Farias) External member of research team for CNPq-funded project ‘‘Memoria Gráfica Paulistana: desenvolvimento de base de dados sobre os primórdios da impressão com tipis móveis na cidade de São Paulo’ [São Paulo City graphic memory: development of a database on the origins of letterpress printing in São Paulo’].
2011–12: (with Dr Priscila Farias) Visiting Professorship award from FABESP (BR), located within the Faculdade de Arquitetura e Urbanismo (FAU), Universidade de São Paulo (USP), Brazil.
Dixon, Catherine (2014) Classification legacies: past perspectives and their shaping of current practice views. In: Design frontiers: territories, concepts, technologies. Editorial Designio, Mexico City, pp. 53-68. ISBN 9789685852456
Dixon, Catherine and Baines, Phil (2014) ‘Changing perspectives’. In: Collaborative Letterpress Project 6x6. University of Brighton, Brighton, pp. 57-74. ISBN 9781905593989
Dixon, Catherine (2013) Something to say: letterpress and community. In: 5th Annual Wayzgoose Conference, Hamilton Wood Type Museum, 8–10 November 2013, Hamilton Wood Type Museum, Two Rivers, Wisconsin, USA.
Dixon, Catherine (2013) Something to say: voices from XiloCEASA, São Paulo. In: Point Counter Point, Annual Conference of the Association Typographique Internationale (ATypI), 9-13 October 2013, Amsterdam.
Dixon, Catherine (2013) Understanding the bigger picture: the graphic representation of overviews of typeform. In: Selected Readings of the 5th Information Design International Conference: research and practice. Sociedade Brasileira de Design da Informação, Brazil, pp. 74-91.
Dixon, Catherine (2012) Classification legacies: past perspectives and their shaping of current practice views. In: Design frontiers: territories, concepts, technologies. ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies. Blucher, Sao Paulo, pp. 82-88. ISBN 978-85-212-0692-7
Dixon, Catherine (2012) Printing a way to a better future: Stories from Xiloceasa, São Paulo. Matrix: a review for printers and bibliophiles (30). ISSN 02613093
Dixon, Catherine and Nardi, Henrique (2010) Letterpress from the street: Gráfica Fidalga, São Paulo. Matrix: a review for printers and bibliophiles (29). ISSN 02613093
Dixon, Catherine (2009) Letterpress: contemporary cultural resonances.
Heathcote, Edwin and Croarke, Carmody and Baines, Phil and Dixon, Catherine (2009) Letters for London. In: 7 July 2005 Memorial. Department of Culture, Media & Sport, London.