Jane and Louise Wilson

"True Brit, Wonderful Life at the Lisson", David Lillington, Time Out, 28th July, 1993.

"Hypnotised by a handful of stars", Richard Dorment, Daily Telegraph, 11th August, 1993.

"Wonderful Life, Andrew Wilson, Lisson Gallery, 1993.

"From London", Ruiko Harada, Bijutsu Techo Monthly Art Magazine, Vol.45, no.678, 1993, pp.148-149.

"Ouverture: Jane and Louise Wilson", Gareth Jones, Flash Art, Vol.XXVI, no. 173, 1993, p.103.

"Rebels of the Realm", Angela Choon, Art and Antiques, April, 1994, pp. 56-64.

"Monkey Business", David Lilligton, Time Out, April 20-27, 1994.

"British Art Special", Max Wigram, The Face, No.68, May, 1994.

"The dying of the light", Andrew Graham-Dixon, The Independent, 26th April, 1994, p.23.

"All human life is missing", Richard Cork, The Times, 26th April, 1994, p.37.

"Beyond Belief", Julian Stallabrass, Art Monthly, no.177, June, 1994, pp. 29-30.

"Beyond Belief", Jeffrey Kastner, Flash Art, vol. XXVII, no.177, Summer, 1994, p.61.

"Beside Themselves", Greg Hilty, Frieze, Issue 18, Sept-Oct, 1994, pp.40-43.

"Beyond Belief", Gregor Muir, World Art, vol.1, no 2, 1994.

"Wonderful Life", Nikkei Art, No.61, October, Japan, 1994, p.97.

"Construyendo la Identidad", Miren Jaio, Lapiz, No.106, Spain, 1994, pp.12-19.

"Jane & Louise Wilson", Block Notes, No. 8, Winter, 1995, pp. 62-63.

"Turning the Tide in Venice", Geraldine Norman, The Independent on Sunday, 12th March, 1995.

"Crawl Space. Jane & Louise Wilson", Wayne Baerwaldt, Art and Text, No 52, 1995.

"Beyond the Lost Object: from Sculpture to Film and Video", Michael Newman, Art Press, No.202, May, 1995, pp.45-50.

"Home and Away", Michael Archer, Art Monthly, No.188, August, 1995, pp.8-10.

"Sound and Vision", Sarah Kent, Time Out, 6th September, 1995, pp.24-27.

"General Release", Elena Di Raddo, Tema Celeste, No.53-54, Autumn, 1995, p.88.

"Jane and Louise Wilson. Chisenhale Gallery", Dominic Lutyens, What's On In London, 13th December, 1995, p.17.

"Sisteract", Letty Mooring, Women's Art, No. 56, Jan/Feb, 1995, pp.10-11.

"Jane & Louise Wilson", Gilda Williams, Art Monthly, No.193, February, 1996, pp.25-26.

"Jane & Louise Wilson", Jon Savage, Frieze, Issue 27, March-April, 1996, pp.66-67.

"Lotta action with Jake and Max", Roger Bevan, The Art Newspaper, March, 1996, p.37.

"Co-operators", John Tozer, Art Monthly, No.194, March, 1996, pp.26-28.

"Im Banne des Mediums?", Raimar Stange, Kunst-Bullettin, No.5, May, 1996, pp.16-21.

"Co-operators", David Barrett, Frieze, Issue 28, May, 1996, p.64.

"Jane & Louise Wilson", Neville Wakefield, Artforum, October, 1997, p.112-113.

"The Rise and Rise of British Video", Sotiris Kyriacou, Contemporary Visual Arts, Issue 14, 1997.

"Jane & Louise Wilson, Stasi City", Kunstverein Hannover, No 1, 1997, pp 8-9.

"First LEA Gallery Exhibition", David Barrett, Art Monthly, Issue 212, 1997, pp. 33-34.

"The new colonials", Maria Alvarez, Daily Telegraph, 9th October, 1998.

"Liverpool Biennal Of Contemporary Art", Caoimhin Mac Giolla Leith, Art Forum International/Special Issue 'Best of the '90s', December, 1999, p.158.

"A thought that counts", Sarah Villers, The Herald (Glasgow), 16th December, 1999, p.19.

"Thoroughly modern misses", The Herald (Glasgow), 6th December, 1999, p.15.

"Wilson twins just miss out", Anthony Barnes, The Journal (Newcastle), 1st December, 1999, p.3.

"Contemporary market", Colin Gleadell, Daily Telegraph, 6th December, 1999.

"Pittsburg: The Carnegie International", G. Turner, Flash Art, issue 209, November, 1999, p.57.

"What' So Good About Being Bad", Michelle Falkenstein, ART News, November, 1999, p.58.

"White Van Gogh Man", David Garfinkel, The Sun, November, 1999, p.8.

"When two artists three videos and a dozen screens equals one hell of a bore", Rosie Millard, Art Review, November, 1999, p.39.

"Carnegie dilly", Bill Arning, Time Out New York, 25th November, 1999.

"Edward Lucie Smith is sickened by the rumours over 'Sensation' [...]", Edward Lucie Smith, Art Review, November, 1999, p.26.

"The Carnegie International explores boundaries in a complicated world", Chris Potter, Pittsburgh City Paper, November, 1999.

"Eleven videos two films are among highlights", Mary Thomas, Post Gazette, 28th November, 1999.

"Trace", Valerie Reardon, Art Monthly, November, 1999, p.34.

"Reviewing the Carnegie International", Graham Shearing, Tribune Review, 28th November, 1999.

Wired Magazine, October, USA, 1999.

"Keep it underground", Mark Glazebrook, The Spectator, 9th October, 1999, p.54.

"The Lowdon", Mail on Sunday, 10th October, 1999, p.39.

"Eyes on the prize", Tim Adams, The Observer, Life Magazine, 1999, p.30.

"Fame's mixed blessing when you house is destroyed", Sunday Herald, 10th October, 1999, p. 6.

"Magnetic North attracts the crowds", The Journal (Newcastle), 12th October, 1999, p.17.

"A portrait of the artists", Simon Grant, Tate, October, 1999.

"Double take", The Daily Telegraph, 13th October, 1999, p.11.

"Off the Walls", Helen Sumpter, The Big Issue, 18th October, 1999, p. 25.

"Artist's abortion tape and unmade bed lead Turner Prize shortlist", Kate Watson-Smythson, The Independent, 20th October, 1999.

"Pick me I'm Tracey", Richard Dormant, Daily Telegraph, 20th October, 1999, p.23.

"Celluoid heroes video villains", Richard Cork, The Times, 20th October, 1999, p.42.

"It's not a dirty bed it's a Turner Prize entry", Dalaya Alberge, Daily Telegraph, 20th October, 1999, p.7.

"Soiled bed shortlisted for Turner art prize", Nigel Reynolds, Daily Telegraph, 20th October, 1999, p.5.

"Tracey's pants but McQueen's the real pyjamas", Adrian Searle, The Guardian, 20th October, 1999, p.12.

"Scandal sheets envelop Turner prize", Fiachra Gibbons, The Guardian, 20th October, 1999, p.5.

"The dirty bed that could bring Emin a Turner prize", Clare Kitchen, Daily Mail, 20th October, 1999, p.24.

"Is this art? We think we'll just sleep on it", David Smith, The Express, 20th October, 1999.

"All Aboardthe Turner bandwagon", Tim Lusher, Evening Standard, 23rd October, 1999, p.34.

"For 1000 years art has bee one of our great civilising forces. Today pickled sheep and soiled beds threaten to make barbarians of us all", Paul Johnson, Daily Mail, 23rd October, 1999, p.12.

"Controversy over bed will not rest", Fiachra Gibbons, The Guardian, 23rd October, 1999, p.10

"Real Turner stands up to prize namesakes", Cathrine Miler, Sunday Telegraph, 24th October, 1999, p.11.

"Eminence without merit", John McEwen, Sunday Telegraph, 25th October, 1999, p.11.

"It's time for Emin to make her bed and to move on", Natasha Walter, The Independent, 25th October, 1999, p.5.

"Artist aiming to clean up", J. Clay, Leicester Mercury, 29th October, 1999, p.19.

"La Biennale di Liverpool: Trace", Flash Art, issue no.218, 1999, p.61.

"Turner down the bed it's Emin's art", Robin Stringer, Evening Standard, 19th October, 1999.

"Turntable of Taste", The Times, 20th October, 1999.

"Thanks to Sensation all of America wants a piece of our young artists", Colin Gleadell, Daily Telegraph, 1999.

"Backing the Turner ticket", Evening Standard, 19th October, 1999.

"Seeing double", Jonathan Jones, The Guardian Friday Review , 3rd September, 1999.

"Double Exposure", Edina van der Wyck, Telegraph Magazine, 4th September, 1999.

"Jane & Louise Wilson", Richard Shone, Artforum International, September, 1999, p.45.

"Turner Points", Richard Shone, Artforum International, September, 1999, p.48.

"Dreams in the corridors of power", , The Independent, 21st September, 1999.

"Fact and Fiction", Michael Brenson, Artforum International, September, 1999, p.67.

"Twin peaks", Phil Pointer, Vogue, September, 1999, p.320.

"Jane and Louise Wilson", Claire Bishop, Flash Art, Summer 99, 1999, p.13.

"Jane and Louise Wilson", Nina Caplan, Metro, 13th September, 1999, p. 18.

"Fearful Symmetry", Rowan Moore, Evening Standard, 15th September, 1999, p.32.

"The Big Show:Jane and Louise Wilson", John Russel, The Times, 18th September, 1999, p.42.

"Are you seeing double yet?", Charles Darwent, The Independent on Sunday, 19th September, 1999.

"Twin Peaks" Art Preview, Time Out, 22nd September, 1999.

"A marathon of horrors - but is it safe?", Richard Cork, The Times, 22nd September, 1999.

"Venice on the Mersey", Adrian Searle, The Guardian, 28th September, 1999.

"Down the corridors of power", Richard Dorment, The Daily Telegraph, 22nd September, 1999.

"Twins' eerie trail", Evening Standard, 13th September, 1999.

"Double Vision -We are a Camera", William Leith, The Independent on Sunday - The Sunday Review, 29th August, 1999, p.4.

"Dossier of a Madwoman", Jo Manby, Make, N°84 'Under Surveillance, August, 1999.

"Young British Art: The Saatchi Decade", Matthew Slotover, Frieze, issue 47, 1999, p.112.

"Dual Perspectives", Jean Wainwright, Hot Shoe International, July, 1999.

"Gamma", Tim Marlow, Sight & Sound, 28th July, 1999.

"The art rebels are turning respectable", Richard Dorment, Daily Telegraph, 4th June, 1999.

"The jury's still out ...", Laura Cumming, The Observer, 6th June, 1999.

"Artists chase £ 20,000 prize", Daily Post (Liverpool), 4th June, 1999, p.17.

"Shortlist adds to the role of notoriety", Andrew Vine, Yorkshire Post, 4th June, 1999, p.10.

"Painters shunned as Turner Prize short list favours moving images", Jackie Burdon, The Scotman, 4th June, 1999, p.8.

"Turner Prize officially round the bend", Dalya Alberge, The Times, 4th June, 1999, p.5.

"Artists in camera for Turner Prize", Fiachra Gibbons, The Guardian, 4th June, 1999, p.7.

"Turner contenders focus on moving image", Anthony Thorncroft, Financial Times, 4th June, 1999, p.12.

"Film usurps paint as medium for artists on Turner Prize", Paul McCann, The Independent, 4th June, 1999, p.11.

"Turner or turn-off", Robin Stringer, Evening Standard, 3rd June, 1999, p.3.

"Jane and Louise Wilson", Barry Schwabsky, Artforum, May, 1999, p.187.

"Beeldende Kunst", Maire-Jeanne De Rooij, De Groene Amsterdammer, 1999, "Clues", Flash Art, May, 1999.

"Le Gemelle Wilson - Nel Labirinto della Paranoia", Marconi and Chiara Coronelli, Photo (Edizione Italiana), no.25, April, 1999.

"Jane & Louise Wilson", Gilda Williams, Art Monthly, no 225, April, 1999, pp. 26-27.

Frankfurter Allgemeine Zeitung, 20th March, 1999, p.52.

"Twin Peek", Tate Magazine, issue 17, Spring, 1999, pp.6-7.

"Jane and Louise Wilson", Maddy Costa, Hot Tickets / Evening Standard, 25th March, 1999.

"Installation Gamma", The Times / Metro, 13th February, 1999, p.4.

"Absolutely Bunkers", Adrian Searle, The Guardian, 20th February, 1999, p. 5.

"Bunker Mentality", Hugh Aldersey-Williams, New Stateman, 26th February, 1999.

"Meet the Wilson sisters with Stasi in their eyes", Jonathan Jones, The Observer, 15th February, 1999.

"In the Bunker", Sarah Kent, Time Out, 17th February, 1999.

"Jane and Louise Wilson", Artforum, December, 2000, pp.144-145.

"100 Artists of the year 2000", Very New Art 2000, Japan, 2000, 4-568-20164-0.

"A Shot in the Head", Edgar Schmitz, Kunstforum, October, Germany, 2000, pp.417- 418.

"Tyche und Kairos", Dieter Mersch, Kunstforum, October, Germany, 2000, pp.134-137.

"Jane & Louise Wilson in the Light of the Gothic Tradition", Gilda Williams, Parkett, No.58, 2000, pp.15-24.

"Kunstszene London: Explosion an Kreativitaet!", Brigitte Ulmer, Bolero, September, 2000, pp.26 -32.

"New Sensation", Julie Caniglia, Harper's Bazaar, September, 2000.

"London, Roni Horn, Craigie Horsfield, and contemporary artists' video", Tony Godfrey, Burlington Magazine, July, 2000, pp.456-45.8

"This other world of ours", Contemporary Visual Arts, issue 25, 2000, p. 82.

"Jane and Louise Wilson MIT List Visual Arts Center, Cate McQuaid, Art News, June, 2000, p.152.

"Plural Art", James Hillman, Tema Celeste, May-June, 2000, pp.108-118.

"The back half", Michael Glover, New Statesman, 22nd May, 2000, pp.43.

"The Art of Success", Andrew Graham Dixon, Vogue, May-June, 2000, pp.179-92.

"Screening Time", William Packer, Financial Times, 6th May, 2000.

"Cocker to judge new Brit art Award", D-Pict, April - May, 2000.

"Film of car trip wins £ 24,000 art award", Jojo Moynes, The Independent, 19th April, 2000.

"Carnegie Ramble", Edward Leffingwell, Art in America, March, 2000.

"Feelin' mighty real (I think): The 99/00 Carnegie International", John Kissick, New Art Examiner, March, 2000.

"Has modern art lost its bottle?", Tom Lubbock, The Independent Review, 11th March, 2000, p. 11.

"1999 Carnegie Internaitonal", Masterpiece, Spring, 2000, p. 88.

"Biennale di Liverpool", Tema Celeste, February, 2000.

"Je est un Autre", Charles-Arthur Boyer, Beaux Arts, Nr. 189, 2000, pp.48.

"Warning: this woman is inside your head", Jonathan Jones, The Guardian, 10th February, 2000.

"Like a dream", Duncan McMilan, The Scotsman, 11th February, 2000, p.24.

"Pittsburgh Carnegie International", David Carrier, Burlington Magazine, February, 2000.

"Liverpool Biennial", Jonathan Jones, Frieze, issue 50, Jan / Feb, 2000, pp.96-97.

"Turner Prize", Cedar Lewison, Flash Art, Jan-Feb 00, 2000, p. 61.

"Pittsburgh 1900/2000 Carnegie International", Meghan Dailey, Art Press International, issue 253, January 2000, pp. 12-14.

"Special Report", Chin -Tao Wu, Art China, January, 2000.

"This Other World of Ours", T. Gorucheva, Flash Art, January, 2000, p.62.

"PortFolio: Star City; Proton, Unity, Energy, Blizzard", Claire Bishop, Prototypo, December, 2001.

"Close Up On A Field Without Definition", David Curtis, Gary Thomas, William Raban, Vertigo, Spring, 2001.

"Ascent of the early eighties", Suzanne Muchnic, The Los Angeles Times, 1st April, 2001.

"Hello 21st Century", Irit Krygier, artnet.com, 2001.

"Public Offerings", Nico Israel, Artforum, September, 2001, p. 189.

"Le Mois de la Photo à Montréal 2001: Septième biennale", Marie-Josée Jean, le MOIS de la PHOTO, September, 2001, pp. 168-173.

"Public Offerings", Clayton Campbell, Flash Art, July-Sept, 2001, p. 117.

"Jane and Louise Wilson at 303", Stephanie Cash, Art in America, May, 2001, pp. 175-176.

"Processing Fluid", Clive Gillman, Filmwaves, Issue 14, 2001, pp. 50-52.

"Kulturbro/Cultural Bridge 2000", Maite Lorés, Contemporary Visual Arts, Issue 33, 2001, pp. 72-73.

"Sites of Trespass", Keith Patrick, Contemporary Visual Arts, Issue 33, 2001, pp. 42-47.

"View from the bridge", Kim Levin, Contemporary Visual Arts, Issue 32, 2001, pp. 49-53.

"Tenth Reunion: Jan Tumlir talks with Paul Schimmel and Howard Singerman", Artforum, February, 2001, pp.120-123.

"Take Two", Ashley Parsons, The North Guide, February, 2001, pp.12-16.

"View from the bridge", Kim Levin, Contemporary Visual Arts, Issue 32, 2001, pp.48-53.

"Jane and Louise Wilson", Ilaria Bonacossa, Tema Celeste, January-February, 2001, p.92.

"No place like the present", JJ Charlesworth, British Council exh.cat., 2001.

"Jane and Louise Wilson: The Occluded Aperture", Stella SantaCatterina, Portfolio, No 34, December, 2001, p.41-45.

"Outer and Inner Space", Tema Celeste, September-October, 2001.

"Jane and Louise Wilson", Tema Celeste, November-December, 2001.

"Who should be our eyes in this war?, Richard Cork and Joanna Hunter, The Times, 6th November, 2001, p.14.

"Egofugal: Fugue from Ego for the Next Emergence", Catherine Hug, Tema Celeste, November-December, 2001.

"The Waste Land", Rainer Metzger, Kunstforum International, No 158, January – March, 2002.

"Baby joy & pain", Jane & Louise Wilson, Interior Art, no.6, Spring 2002.

"Circular logic, P.S. 1 throws viewers for a "Loop", Tim Griffin, Time Out, January 17-24, 2002, p. 55.

"'Stasi City'", Tema Celeste, 92, July-August 2002, p.114.

"Dream Time", , Léonce, 1/02, February-March 2002.

"Prize girls at artistic fund-raiser", Julia Weiner, Jewish Chronicle, 5th July, 2002.

"Blank canvas", Rhiannon Batten, The Scotsman, 6th July, 2002, p. 22.

"Egofugal Woman artists at the 7th Istanbul Biennal", Katy Deepwell, n paradoxa, international feminist art journal, vol. 9, 2002, p. 74-83.

"B. Opened", Paul Usherwood, Art Monthly, No. 259, September 2002, p. 1-4.

"B-OPEN", Maite Lorés, Contemporary, Sept. 2002, , 2002, p. 80.

"Double Perspective", Barry Schwabsky, EXIT, 7, 2002, p. 80-87.

"Art Factory for England", Janet Koplos, Art in America", Oct. 2002, p. 45.

"B. OPEN", Modern Painters, autumn 2002, 2002, p. 142.

"Playing to the Galleries", Helen Sumpter, The Big Issue, 9 Sep. 2002.

Ryuko Tsushin, October, vol. 472, 2002, 2002, p. 61.

"Writ Large", Marcus Verhagen, Contemporary, December, 2002, p. 54-57.

Paul Ardenne, Art Press, 273, November, 2002, p.68-69.

"Jane & Louise Wilson", The Independent, May, 2003.

"Jane & Louise Wilson", Art Monthly, May, 2003, p.31.

"Jane & Louise Wilson", The Guardian, 26th April, 2003.

"Jane & Louise Wilson", The Independent, 26th April, 2003.

"Jane & Louise Wilson", Time Out, 23rd April, 2003.

"Jane & Louise Wilson", The Independent, 19th April, 2003.

"Jane & Louise Wilson", The Guardian, 14th April, 2003.

"Breaking old ground", Fisun Guner, Metro London, 2nd April 03, 2003.

"Concrete sense of twins' dream world", Nick Hackworth, London Evening Standard, 1st April, 2003.

"Jane & Louise Wilson", Louisa Buck, The Art Newspaper, No 135, April, 2003.

"Jane & Louise Wilson", The Guardian, 22nd March, 2003.

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