Chris
Welsby
"'Park
Film'", Deke Dusinberre, Avant-Garde British
Landscape Films, Tate Gallery, 1975.
"'Wind
Vane'", Deke Dusinberre , Avant-Garde British
Landscape Films, Tate Gallery, 1975.
“Chris Welsby”, Chris Welsby, Arte
Inglese Oggi, British Council / Electra Editrice, Milano, 1976
“St. George in the Forest: the English
Avant-Garde”, Deke Dusinberre, Afterimage n.6 Summer, UK, 1976, pp11-13
"Landscape
1", Chris Welsby, Perspectives on British
Avant-Garde Film, Arts
Council, Hayward Gallery,
1977.
"'Streamline'", Paul Burwell, Readings, UK, 1977.
Malcolm Le Grice, Abstract Film and Beyond, Studio
Vista, Cassel & Collier Macmillan Publishers Ltd / The MIT Press,
1977, 0262120771
"'Park
Film', ‘Windmill ll', 'Seven Days' Programme 7", A.L. Rees, A
Perspective on English Avant-Garde Film, Arts Council, British
Council, 1978, 0 900229 54 3.
“Chris
Welsby” , Film As Film, Hayward Gallery / Arts Council of Great Britain,
1979
Chris Welsby (David Curtis ed.; Peter Wollen
intro.), Films/Photographs/Writings, Arts Council of Great Britain, 1980.
"Films
by Richard Welsby", John Woodman,
Time Out, 19th
September, UK, 1980.
“Chris Welsby”, Film makers on Tour, Arts
Council of Great Britain, 1980
“Screening at the London Filmmakers Co-op”, Chris
Welsby, Filmmakers Europe, issue 18 January, 1980
"'Estuary'", Kevin
Gough-Yates, Moving Pictures,
UK, 1981.
"'Seven
Days'", Michael O'Pray, Monthly Film Bulletin, October, BFI, 1983.
"On
British Avant-Garde Landscape Film", Deke Dusinberre, Undercut, Special Issue on Landscape, n. 7/8, London Filmmakers
Co-op, 1983.
"Interview
with Chris Welsby", Michael O'Pray and William Raban, Undercut, Special Issue on Landscape, issue 7/8,
Spring, 1983.
“Landscape, Meteorology and Chris Welsby”, Peter
Wollen, Millenium Film Journal n.16-17-18
Fall / Winter, USA, 1986-7
Birgit Hein, Film Als Film, 1910 Bis Heute, Academie
der Kunst, Berlin, 1978, pp.184, 253, 258.
“Chris Welsby”, Cantrills’ Filmnotes, n.63-4
December, Melbourne, 1990
"Chris
Welsby", Peter Wollen, A Directory of British Film
& Video Artists, Arts Council/University of
Luton Press, 1996, 1 86020 003 6.
The
British Avant-garde Film 1926-1995, ed. Michael O’Pray, Arts Council / John
Libbey Media, Luton, 1996, 1 86020 004 4
The
Oxford History of World Cinema, Oxford University Press, 1996, p.548
A.L. Rees, A
History of Experimental Film and Video, British Film Institute, 1999, 851706819.
“Chris
Welsby – Lost Lake”, Petra Watson, At The Western Front, Vancouver, June, 1999
"'Tide Line'", A.L. Rees, Tide Line, Tate St Ives, 2000.
“Chris Welsby”, Live In Your Head – Concept and
Experiment in Britain 1965-78 (ed Andrea Tarsia), Whitechapel Art Gallery,
2000, 085488 1220
“An Overview
of Shoot Shoot, Shoot”, George Clark,
Senses
Of Cinema (Brisbane Film Festival), http://www.sensesofcinema.com/contents/02/21/shoot_shoot_shoot.html,
2002.