Gillian Wearing

"Treasures in the Wendy House of the Lost Boys”, William Feaver, The Observer, 4th July, 1993.

“'Dancing in Peckham”, Adrian Searle, Frieze, n.18 Sept/Oct, 1994.

“Confess All…”, Gregor Muir, World Art Magazine, Inaugural U.S Edition Nov, 1994.

“Cinco Artistas Inglesas: Voces En El Espacio”, Miren Jaio, Lapiz, n.106 Oct / Nov, 1994.

“Vital Signs”, Jon Savage, Artforum, March, 1994.

“Vox Pop”, Adrian Searle, Time Out, 5th Jan, 1994.

“Cool Britannia” , Waldemar Januzczak, The Sunday Times, 3rd December, 1995.

“These are the Rising Stars of 96'”, The Independent, 30th December, 1995.

“Forthcoming Attractions”, Richard Cork, The Times, 18th Nov, 1995.

“Get the Picture, British Art's Next Superstars”, Susan Corrigan, i-D magazine, December, 1995.

“Brilliant”, Jeffrey Kastner, Art Monthly, Dec/Jan, 1995.

“The British Art Show”, Robert Garnett, Art Monthly, Dec/Jan, 1995.

“London Calling”, Calvin Tomkins, The New Yorker, 11th Dec, 1995.

“Some British Moderns Seeking to Shock”, Roberta Smith, The New York Times, December, 1995.

“Shock Artists”, Lynn MacRitchie, Financial Times, 17th November, 1995.

“British Art with Attitude”, Adrian Searle, The Independent, 14th November, 1995.

“Where Theres a Will”, William Feaver, The Observer, 19th November, 1995.

“Hayward Gallery”, David Barratt, Art Monthly, November, 1995.

“Youth, formaldehyde and the spirit of the age”, Martin Gayford, The Telegraph Magazine, 11th November, 1995.

“Group Show; Interim Art”, Mark Currah, Time Out, 11th October, 1995.

“Wildlife, Martyrs to their art”, John Morrish, The Telegraph Magazine, 7th October, 1995.

“Faces to Watch In The Art World”, Adrian Searle, The Independent, 26th Sept, 1995.

“Western Security”, James Hall, The Guardian, September, 1995.

“Action Replayed”, Mark Currah, Time Out, 20th September, 1995.

“Bodies of Work”, Will Harvey, The Observer, 9th September, 1995.

“Gallery Gunslingers on a Shoot to Thrill”, Dominic Cavendish, The Independent, 11th September, 1995.

“Homage to the Woman with the Bandaged Face Who I Saw Yesterday Down Walworth Road”, Gillian Wearing, Blocnotes, n.9, 1995.

“A Short Love Story by Gillian Wearing”, Gillian Wearing, Nummer 3, Sept, 1995.

“Profile: Wearing Well”, Paul Bonaventura, Art Monthly, n.184 March, 1995.

“Signs of the Times”, Caryn Faure Walker, Creative Camera, Feb/March, 1995.

“Talking Pictures”, Cosmo Landesman, Simon Rogers, The Big Issue, n 116 6th Feb, 1995.

“Make Believe”, Sarah Kent, Time Out, 22nd Feb, 1995.

“British Art: Don't Knock It”, Independent Weekend, 24th June, 1995.

“Interview with Gillian Wearing”, Ben Judd, Untitled, n.12 Winter, 1996.

“Sign Language”, Gregor Muir, Dazed & Confused, n.25, 1996.

“New Work, Interim Art”, Sarah Kent, Time Out, 11th Dec, 1996.

“Gillian Wearing”, Gregor Muir, i-D, Stedelijk Van Abbemuseum, 1996.

Artisti Britannici a Roma, Umberto Allemandi & C, Turin, 1996.

The Cauldron, The Henry Moore Institute, Leeds, 1996.

Private View - Contemporary Art at the Bowes Museum, Leeds, 1996.

"Silver Scene", Louisa Buck, Artforum, Summer, 1996.

“Traffic”, Lars Bang Larsen, Flash Art, n.189 Summer, 1996.

“State of the Art”, Guy Walters, The Times, 20th July, 1996.

“The Young Devils”, Patricia Bickers, The Art Press, n.214 June, 1996.

Traffic (catalogue), CAPC Musée D'Art Contemporain, Bordeaux, 1996.

Le Shuttle, Künstlerhaus Bethanien, 1996.

Imagined Communities (catalogue), National Touring Exhibitions, Hayward Gallery, 1996.

“Imagined Communities”, Piers Masterson, Art Monthly, n.194 March, 1996.

Signs that say what you want them to say and not Signs that say what someone else wants you to say, Maureen Paley, Interim Art, 1997.

“No Sexism, Please; They’re British”, Alan Riding, The New York Times, 29th December, 1997.

“Portrait of the artist of silent nuances”, Boris Johnson, The Daily Telegraph, 8th December , 1997.

“Modern art? This is worthy of Constable”, Wendy Fuller, The Express, 3rd December, 1997.

“Artist brushes paint aside to win Turner Prize”, Anthony Thorncroft, The Financial Times, 3rd December, 1997.

“Constable picture wins the Turner (no, not that Constable)”, Kate Ginn, Terri Judd, Daily Mail, 3rd December, 1997.

“Moving pictures take Turner Prize”, Dalya Alberge, The Times, 3rd December, 1997.

“Uproar as video entry snaps up the Turner”, David Lister, The Independent, 3rd December, 1997.

“‘Frozen Policemen’ video wins Turner Prize”, Nigel Reynolds, The Telegraph, 3rd December, 1997.

“Turner Prize winner: Gillian Wearing’s arresting image”, Adrian Searle, Nicholas Serota, The Guardian, 3rd December, 1997.

“Silence is Golden for Turner winner”, Dan Glaister, The Guardian, 3rd December, 1997.

“Kylie at arm’s length as she hits topless C”, Victor Lewis-Smith, The Evening Standard, 14th November, 1997.

“The Artist Becomes a Storyteller Again”, Vicki Goldberg, The New York Times, 9th November, 1997.

“Life, Art and the Turner Women”, Louisa Buck, The Evening Standard, 28th October, 1997.

“Kids”, David Greene, Village Voice, 21st Oct, 1997.

“The Odds on the Turner Prize”, John Slyce, Flash Art, October, 1997.

“A rat race?”, Liz Jobey, The Guardian, 4th Oct, 1997.

“The New Establishment”, Matthew Collings, The Independent Sunday Review, 31st August, 1997.

“A shopping sensation”, Fiona Murphy, The Guardian, 27th Sept, 1997.

“Gillian Wearing at Jay Gorney”, Michael Kimmelman, The New York Times, 26th Sept, 1997.

“Signs of the Times”, Ian MacMillan, Modern Painters, Autumn, 1997.

“Arriving in New York After Taking Off in London/Video Maker with a Taste for Secrets”, William Hoge, The New York Times, 14th Sept, 1997.

“Ordinarily so. Jon Ronson on documentary film-making and Gillian Wearing”, Jon Ronson, Frieze, n.36 Sept/Oct, 1997.

“Gillian Wearing at Interim Art”, Melissa E Feldman, Art in America, July, 1997.

“The art of making a £10,000 video: The ‘failure’ from Brum who made it to the top", Roz Laws, Sunday Mercury, 13th July, Birmingham, 1997.

“Three cheers for art that shatters complacency”, Louisa Buck, The Express, 10th June, 1997.

“All-women shortlist takes Turner by surprise”, Dalya Alberge, The Times, 18th June, 1997.

“The Turner shortlist is for women only”, Nigel Reynolds, The Daily Telegraph, 18th June, 1997.

“A woman’s place - in the gallery”, Dan Glaister, The Guardian, 18th June, 1997.

“The all woman Turner Prize and not a painting in sight”, Robin Stringer, The Evening Standard, 17th June, 1997.

“City nature”, Iwona Blazwick, Art Monthly, n.207, June, 1997.

“Out of the mouths of babes”, Richard Dorment, The Daily Telegraph, 21st may, 1997.

“Gillian Wearing, Chisenhale”, Martin Coomer, Time Out, , 21st may, 1997.

“Wearing their heart on her sleeve”, The Art Newspaper, n.70 May, 1997.

“Bring on the naked dwarf”, Adrian Searle, The Guardian, 6th May, 1997.

“Indecent Exposures”, Celia Lyttelton, Esquire, May, 1997.

“Gillian Wearing”, Jennifer Higgle, Frieze, n.33 March/April, 1997.

“New Work”, Gilda Williams, Art Monthly, n.203 Feb, 1997.

“ID - An International Survey on the notion of Identity in Contemporary Art”, Michael Gibbs, Art Monthly, n.203 Feb, 1997.

“Declaration of Independents: Seven People who choose to be Different”, Daniel Sanger, Shift, Dec/Jan, 1998.

“Hide and seek”, Vaughan Allen, The Big Issue in the North, 28th Dec, 1998.

“Cutting Edge, but comfy”, Carol Kino, The Atlantic Monthly, November, 1998.

“Alles bekennen Gespräch mit Gillian Wearing”, Otto Neumaier, noëma art journal, n.49 Oct/Nov, 1998.

“Picture”, Frieze, n.42, 1998.

“Wah-Wah: The Sound of Crying or the Sound of an Electric Guitar", Gilda Williams, Parkett, n.52, 1998.

“VW bugs Wearing”, Louisa Buck, The Art Newspaper, July - August, 1998.

“Pictura Brittanica, Te Papa Museum, Tongewara”, Anna Miles, Artforum, XXXVI n.10 Summer, 1998.

“VW ad firm stole my ideas, claims artist”, Paul McGann, The Independent, 12th June, 1998.

“VW ad rips of my work, says artist”, Carol Midgley, The Times, 12th June, 1998.

“Turner Prize Winner issues legal threat to BMP over VW ads”, Campaign, 12th June, 1998.

.”Interview with Gillian Wearing”, Sarah Coleman, photo metro, vol.16 n.149, 1998.

“Wearing a Mask”, John Slyce, Flash Art, Vol. XXXI n.199, Mar/April, 1998.

“Art of the Moment, Here to Stay”, Roberta Smith, The New York Times, 15th Feb, 1998.

“Wearing her heart on the sleeve”, Richard Cork, The Times, 13th Jan, 1998.

“Gillian Wearing”, Nico Israel, Artforum, January, 1998.

“Gillian Wearing”, Nancy Princenthal, Art in America, January, 1998.

Gillian Wearing, Phaidon Press, London, 1999.

“The British Unveil Another World”, The Russia Journal, 6th December, 1999.

“Gillian Wearing”, Steve Rushton, John Tozer, Camera Austria International, n.68, 1999.

“Nukes, Lovers Get Their 15 Minutes”, Florence Gallez, 1999.

“Previews: Rewind to the Future”, Contemporary Visual Arts, n.26, 1999.

“Gillian Wearing, Interim Art”, Julia Thrift, Time Out, 10th Nov, 1999.

“Gillian Wearing, Interim Art”, Laura Cumming, The Observer, 7th Nov, 1999.

“All about love”, Simon Grant, The Guardian, 16th Oct, 1999.

“What a scream”, Jonathan Jones, The Guardian, 23rd Oct, 1999.

“Rabble rousing”, Matthew Collings, Vogue, October, 1999.

“Gillian Wearing”, Suzanne Titz, Art at the End of the Millennium, Taschen, Koln, 1999.

“Book Marks: Gillian Wearing”, Neil Gladstone, Nylon, Premier Issue, 1999.

“Gillian Wearing”, Lillian Tone, The Museum as Muse: Artists Reflect , Museum of Modern Art, New York, 1999, p.168.

“Polaroid Diary”, Gillian Wearing, The Observer, 2nd May, 1999.

“Exhibitionist”, Oliver Bennett, The Independent, 1st May, 1999.

“wears well”, i-D, n.186, May, 1999.

“Gillian Wearing v. Saatchi, The artist claims the ad man stole her idea”, Sarah Greenberg, The Art Newspaper, n.91 April, 1999.

Gillian Wearing, Serpentine Gallery, London, 2000.

“A Cinema of Loneliness”, Steve Ramos, City Beat (Cincinnati, citibeat.com), 16th November, 2000.

“London, Gillian Wearing”, Richard Shone, Burlington Magazine, November, 2000.

“True confessions”, David Gleeson, britart.com, , November, 2000.

“Uncomfortable Observations”, Claire Bishop, Untitled, n.23, 2000.

“Inside Art: Beemer Shots”, Carol Vogel, The New York Times, 13th Oct, 2000.

“Drunken exploits”, Sarah Kent, Time Out, 4th Oct, 2000.

“My name is Gillian. I can turn your sad life into art”, Neal Brown, The Independent on Sunday, 1st Oct, 2000.

“Framed: Gillian Wearing”, Dominic Molon, Tate, August, 2000.

“Unmasking mystery in the mundane”, Richard Cork, The Times, 27th Sept, 2000.

“The pleasure in pain”, Claire Bishop, The Evening Standard, 27th Sept, 2000.

“Another Opening, Another Sensation”, Alan Riding, The New York Times, 25th Sept, 2000.

“A staggering work…”, Laura Cumming, The Observer, 17th Sept, 2000.

“Down and out”, Jonathan Jones, The Guardian, 16th Sept, 2000.

“Daring Wearing”, Miranda Sawyer, The Observer, 3rd Sept, 2000.

“Gillian Wearing, Gorney Bravin + Lee”, Barry Schwabsky, Artforum, XXXIX, n.1, September, 2000.

“Wearing Masks”, Andrew Graham-Dixon, Vogue, September, 2000.

“Brains of Britain”, Sarah Kent, Time Out, 12th July, 2000.

“Video Art A Top Twenty”, John Slyce, Matthew Collings, Modern Painters, Summer, 2000.

“What They’re Wearing in Chelsea”, Andrea K. Scott, edificerex.com, 3rd May, 2000.

“Fall Down, Get Up, No Problem”, Christian Viveros-Faune, New York Press, Vol 13, n.19, 2000.

“Gillian Wearing, Drunk and A Woman Called Theresa”, Stefano Basilico, Time Out, 11th May, 2000.

“Village Choice: Gillian Wearing”, Kim Levin, Village Voice, 16th May, 2000.

“Gillian Wearing”, Chris Townsend, Hotshoe International, March/April, 2000.

“being boring”, Claire Bishop, Untitled, n.21, 2000.

“Frau Hase und der schreckliche Voyeur”, Michael Pilz, Die Welt, 19th Jan, 2000.

“Zugriff von allen Seiten”, Gunnar Lützow, Morgenpost, 15th Jan, 2000.

“Ethnicity and Internationality”, Kobena Mercer, Third Text, n.49, 2000.

“This Other World of Ours”, Tania Gorucheva, Flash Art, Jan/Feb, 2000.

Broad Street, Gillian Wearing, Museu do Chiado, Lisbon, 2001.

Gillian Wearing ‘Sous influence’, Musée d’Art Moderne de la Ville de Paris, 2001.

Gillian Wearing, Fundacio “la Caixa”, Madrid, 2001.

“The Public is Private”, Raimer Strange, Women Artists in the 20^th & 21^st Century, Taschen, 2001.

“Can we talk about contemporary video and film art in terms of genres”, Jean Wainwright, Plunk, n.2 Sept/Oct, 2001.

“Edge of Anxiety: Artists at the City Limits”, Declan Long, SSI Newsletter, Sept/Oct, 2001.

“Nostalgia and Nationalism/Two London Surveys”, Lee Rodney, C International Contemporary Art, n.70. Summer, 2001.

“Gillian Wearing”, Stefano Gualdi, tema celeste, Fundacio “la Caixa”, n.85 May/June, 2001.

“The Demotic Art of Gillian Wearing”, Michael Newman, Parachute, n.102, 2001.

“Semi-detached”, Zaria Shreef, The Big Issue in the North, 5th March, 2001.

“Pretty fascinating boredom”, Sophie Howarth, Tate, n.24 Spring, 2000.

“Beginnings and Endings”, Holly Myers, The Los Angeles Times, 29th December, 2001.

"Piú forte dello scandalo", Emma Gravagnuolo, Arte, November, 2002.

"How Masks can Amplify as Well as Conceal", Roberta Smith, The New York Times, 3rd December, 2002.

Mass Observation, Museum of Contemporary Art, Chicago, 2002.

"Gillian Wearing", Sacha Craddock, tema celeste, n.93 Sept/Oct, 2002.

Vogue's galleries, Martin Coomer, Time Out, 25th Sept, 2002.

"Gillian Wearing", David Frankel, Artforum, XLI, n.1 September, 2002.

“Les DJ Sont-Ils Modernes?”, Christophe Kihm, briseglace, June., 2002.

“‘Another Thing I Wanted to Tell You’ by Gillian Wearing”, Dave Calhoun, Another Magazine, Spring/Summer, 2002.

“Génération Sensation”, Sophie Berrebi, Connaissance des Arts, n.589 December, 2002.

"Gillian Wearing, Private I", Nancy Princenthal, Art in America, n.3 March, USA, 2003.

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