Mark
Wallinger
"New
Art", Waldemar Januszczak, The Guardian, 27th
August, 1985.
"New
Art 1 and 11 at Anthony Reynolds Gallery",
Marjorie
Allthorpe - Guyton, Artscribe, no
55, December- January, 1986.
"London", R. Costa, Juliet, no 23, December -January, 1986.
Sarah
Kent, Time Out, 23-29 January, 1986.
Mark
Currah, City Limits,
31 January-
6 February, 1986.
"Mark
Wallinger: Hearts of Oak", John Russell Taylor, The
Times, 4th February, 1986.
Waldemar
Januszezak, The Guardian,
7th February, 1986.
"A
Mixed Message", London Week, 7th
February, 1986.
Clare
Henry, Arts Review,
vol.
38, no 3, 14th February, 1986.
Marjorie
Allthorpe - Guyton, Artscribe, no
57, April - May, 1986.
Monica
Bohm-Duchen, Flash Art, no 127, April, 1986.
"Unheard
Music", Tessa Sidey, Arts Review, May, 1986.
"Canvas
II", Margaret Garlake, Art Monthly, July-August, 1986.
"Mark
Wallinger's History Paintings", John Roberts, Artscribe, January/February, 1986.
"Stuart
Brisley at the Serpentine", Waldemar Januszezak, The
Guardian, 21st January, 1986.
"Stuart
Brisley, Glenys Johnson, Mark Wallinger, Ken Currie", Monica
Petzal, Time Out, 28th January, 1986.
"Ken
Currie, Glenys Johnson, Mark Wallinger", The Observer, 1st
February, 1986.
"Art
or Just brick-a-brack?", Nigel Reynolds,
London
Evening Standard, 14th September, 1986
"Building
an art of stone", David Wickham,
News on
Sunday, 20th September, 1986.
"A
Museum of Mirrors", Andrew Graham-Dixon, The
Independent, 5th September, 1986.
ES
Magazine - Evening Standard, 6th November, 1986.
"Palaces
of Culture", John Glaves-Smith, Art
Monthly, no 112, December- January, 1986.
"Artists
for Architecture", Peter Fleissig,
Building
Design, 18th March, 1987.
Jutta
Koether, Artscribe, no 69, May, 1987.
"Something
Solid", David Lovely, Arts Review, May, 1987.
"Something
Solid", Mark Edmund, Pulp Magazine, 10th
May, 1987.
"Sculpture,
Koury Wingate", Jude Schwendenwien, Artnews, no.
87, Summer, 1987.
Mark
Currah, City Limits,
29th
September, 1988.
Robert
MacDonald, Time Out, 12th October, 1988.
"Mark
Wallinger", Brian Hatton,
Flash
Art, no.143,
November-December, 1988.
"Mark
Wallinger", P H Meyer, Juliet Art Magazine, no.39,
December-January, 1988.
"Mark
Wallinger", Michael Archer,
Artforum, January, 1989.
"Mark
Wallinger", Sarah Kent,
Time Out, 2nd
January, 1990.
Choices, Levin, Village
Voice, 26th February, 1991.
"Mark
Wallinger", Dorothy Spears,
Arts Magazine, May, 1991.
Andrew
Graham-Dixon, The Independent, 14th
May, 1991.
Politics
in Paint, Sarah Kent, Time Out, 15th
May, 1991.
"Truth
or Dare?", Sacha Craddock,
The Guardian, 28th May, 1991.
"A
Picture of Wealth", Richard Cork,
New Statesman
Society, 31st May, 1992.
"Mark
Wallinger", Jutta Koether,
Artscribe, no.
87, Summer, 1992.
Janet
Koplos, Art in America,
July, 1992.
"Let
Me Look", Alessandrs Gulotta, Next, no.
27, October, 1992.
"Luoghi
Storici del Paese", Alberto Mugnaini, Terra
Celeste, October, 1992.
"Let
Me Look", Saretto Cincinelli, Flash Art, October-
November, 1992.
"Quel
Magico Accordo", Alessndro Tosi,
La Nazione, 5th
November, 1992.
"Mark
Wallinger", Conor Joyce,
Art Monthy, November, 1992.
"Mark
Wallinger", Andrew Wilson,
Forum
International, November- December, 1992.
"Mark
Wallinger", Andrew Renton,
Flash
Art, November-
December, 1992.
"Artisti
Inglesi Contemporanei A Son Miniato", Mario Manganiello, Images;
Art Life, no.23, November- December, 1992.
Juliet
Art Magazine, Anno XII, no. 60, December, 1992.
"Mark
Wallinger", Stella Santacaterina, Terra
Celeste, Winter, 1992.
"Fools
and Horses", Adrian Searle,
Frieze, no.
8, January-February, 1993.
"The
Second Coming", Williarn Feaver, Vogue, February, 1993.
"Diary", James
Hall, The World of Interiors', February, 1993.
"Less
is Gore", Sarah Kent, Time Out, 9th
February, 1993.
"What
You Read into It", David McKie,
The Guardian, 6th February, 1993.
"Familiar
Signs of a misspent youth", Tim Hilton,
The Sunday
Review, The Independent on Sunday, 7th February, 1993.
"Blood
and Thunder", Waldemar Januszczak, The
Guardian, 8th February, 1993.
"Young
British Artists", Sacha Cradock,
Untitled, Spring, 1993.
"Blood
Group", Sarah Kent, Time Out, 10th
February, 1993.
"Phew!
What a freezer!", Williarn Feaver, The
Observer, 14th February, 1993.
"Radical
chic and the schlock of the New", Andrew Graham-Dixon, The
Independent, 16th February, 1993.
"Young
British Artists 11 at the Saatchi Gallery",
William Packer, Financial
Times, 16th February, 1993.
"Don"t
put the Nail in the Coffin Yet", Stephen Pile, The
Daily. Telegraph, 18th February, 1993.
"Young
British Artists", Julian Stallabrass, Art
Monthly, March, 1993.
"Leche-Vitrine", Peter
Fleissig, Parkett, no 35, 1993.
I
like it, I'll take the lot", Simon Garfield, The
Independent, 20th March, 1993.
"Time
for an Artful Dodge", Craig Brown,
The Evening
Standard, 22nd March, 1993.
"Young
British Artists 11", Andrew Renton,
Flash
Art, Summer, 1993.
Junge
Britische Kunstler, Werner Kruger,
Weltkunst, 15th
October, 1993.
"Mit
drunem Licht zaubern", Bruno F Schnelder, Kolnische
Rundschau, 15th November, 1994.
"Openings", Angela
Choon, Art & Antiques, December, 1994.
"Throw
that work of art another bale of hay", Richard Dorment, The
Daily Telegraph, 17th March, 1994.
"Turf
Accounting", Paul Bonaventura, Art
Monthly., no. 175, April, 1994.
"Young
British Art Now", Adrian Dannatt,
The Sunday
Times Magazine, 17th April, 1994.
"Horsing
Around", James Hall, The Guardian, 2th
April, 1994.
"Mark
Wallinger", Mark Currah,
Time Out, 4th
May, 1994.
"Update", David
Lee, Art Review,
May, 1994.
"The
Horse as an Art Form", Roger Bevan,
The Art
Newspaper, no.38, May, 1994.
"Artist's
latest work is a racing certainty for controversy", Dalya
Alberge, The Independent, 14th
May, 1994.
"The
Guide", James Hall, The Guardian, 11th
June, 1994.
"A
Equal Match?", Paul Bonaventura, Modern
Painters, Summer, 1994.
"Mark
Wallinger", Jeffrey Kastner, Flash
Art, June, 1994.
"Curators"
Egg", Williarn Harvey, Untitled, Summer, 1994.
"Rear
Window", William Harvey, Untitled, Summer, 1994.
"Now
and Then", Mark Currah,
Frieze, June, 1994.
"New
London", Matthew Collings, The Daily Express, 5th
September, 1994.
Geraldine
Norman, The Independent on Sunday, 1st
January, 1995.
"Self
Portrait as a pantomime horse", Adrian Searle, The
Guardian, 7th March, 1995.
"Mark
Wallinger", Blueprint, March, 1995.
"Horse
for courses", William Feaver,
The Observer
Review, 19th March, 1995.
"An
Artist lays his Bets", William Packer,
Financial
Times, 13th May, 1995.
"Painters
and Punters", Martin Vincent,
New Statesman
and Society, 19th May, 1995.
"Our
Nation at Horseplay", Richard Cork,
The Times, 30th
May, 1995.
"Race
Relation", Sarah Kent,
Time Out, 31st
May, 1995.
"Blood
Lines", Sarah Curtis, World Art, no.2, 1995.
"The
British Art Buzz", Andrew Graham-Dixon, Vogue, June, 1995.
"His
Sporting Life", Waldemar Januszczak, The
Sunday Times, 4th June, 1995.
"Favourite
with a Handicap", Martin Gayford,
The Daily
Telegraph, 7th June, 1995.
"Ideas
of Englishness", Robert Lloyd Parry, This
is London, 9th June, 1995.
"Eye
opener", Mark Sanders, The London Magazine, May, 1995.
"Backing
the Right Horse", Philip Vann,
RA Magazine, no.46,
Spring, 1995.
"British
Art: don"t knock it", Louisa Buck,
Independent
Weekend, 4th June, 1995.
"A
Brush with genius: 1", Mark Wallinger,
The Guardian, 3rd July, 1995.
"No
Butts as Hirst is Tipped for Top Art Prize",
Mike Ellison, The
Guardian, 13th July, 1995.
"Colourful
Rebels Vie for Turner Prize", Dalya Alberge, The
Times, 13th July, 1995.
"Turner
Artists inquires within", David Lister,
Independent, 13th
July, 1995.
"Dead
Mutton Dressed up as Sheep", Dan Conaghan, The
Guardian, 13th July, 1995.
"It
may win Prizes, but is it Art or Orifice?",
David Lister, Independent, 14th
July, 1995.
"Mark
Wallinger"s A Real Work of Art", Simon Wilson and Brian Sewell, Independent,
14th
Jully, 1995.
"Sheep
leads the horses in Turner stakes", Antony Thorneroft, Financial
Times, 22nd July, 1995.
"Mark
Wallinger", Mark Sladen,
Frieze, no.2,
September- October, 1995.
"Mark
Wallinger in London", Mark Currah,
Unittled, 1995.
"Dark
Horse of the Art World", Rupert Christlansen, The
Daily Telegraph Magazine, 21st October, 1995.
"The
Thirst for Hirst", AdrIan Searle,
The Independent, 1st November, 1995.
Shows
Turner Prize Cream but not the Cow", Dan Conaghan, The
Daily Telegraph, 1st November, 1995.
"Turner
Exhibition comes alive and dangerous", James Hall, The
Guardian, 1st November, 1995
"Leaky
Works of Art put out to grass", Edward Gorman, The
Times, 1st November, 1995.
"Hirst
commands two fronts", Richard Cork,
The Times, 7th
November, 1995.
"Beauty
amid the Beasts", Richard Dorment, The
Daily Telegraph, 8th November, 1995.
"The
Art of Prize Fighting", Matthew Collings, The
Guardian, 28th November, 1995.
"Mark
Wallinger: Horse Crazy", Tina Jackson,
The Big
Issue, 12th February, 1995.
"A
Real Work of Art", Andrew Sim,
The Sporting
Life, 29th January, 1996.
20th
Century Sporting Art", lan Gale, Country Life, 7th
March, 1996.
"Eyes
on the bail", Annie Griffin,
The Guardian, 10th June, 1996.
"Stud-U-Like"
(interview), Bridget Virden, Homepage!, 1996.
"Ada
Adekola, Yinka Shonibare, Mark Wallinger",
Time Out, 22nd
January, 1997.
"David
Burrows, Ada Adekola, Yinka Shonibare, Mark Wallinger", Art
Monthly, February, 1997.
"Mark
Wallinger", Martin Coomer,
Time Out, 2nd
April, 1997.
"Mark
Wallinger, God", John Tozer,
Art Monthly, no.
206, May, 1997.
"Mark
Wallinger", Lottie Hoare,
Untitled, Spring, 1997.
"Who's
buying who?", Isobel Johnstone, The
Guardian, 3rd June, 1997
"Union
Mark", Jean-Marc Colard, Les Inrockuptibles, no
101, 23rd April, 1997
"Dissin'
the Real", Carol Kino,
Time Out
New York, 10th March, 1998.
"Sakgurken
und Stromst flen", Von Endorphinen, Der
Standart, 5th June, 1998.
"The
Pygmalion Paradox", Mark Wallinger,
Art Monthly, July-August, 1998
"The
Four Corners", Duncan McLaren,
The Independent
on Sunday, 8th November, 1998.
"Mark
Wallinger", lan Geraghty,
Unitled, Autumn, 1998.
"Christ
to get place in Trafalgar Square", John Harlow, The
Sunday Times, 20th September, 1998.
"Mark
Wallinger: The Four Corners of the Earth",
Helen Sumpter, Evening
Standard, 1st October, 1998.
Mark
Currah, Time Out, 8 October- 4 November, 1998.
"Mark
Wallinger: The Four Corners of the Earth",
Helen Sumpter, Big
Issue, 12th October, 1998.
"Battle
of Trafalgar Square", Matthew Collings, The
Observer, 6th December, 1998.
"Modern
art to the rescue of Trafalgar Square"s empty plinth", Dan
Glaister, The Guardian,
8th December, 1998.
"From
today painting is dead", John Tozer,
Contemporary
Visual Arts, no. 21, 1998.
"Who's
Afraid of Red White & Blue? Attitudes to popular & mass culture celebrity
identity politics in recent British art", Article
Press, 1998
Neal
Brown, Frieze, January- February. no. 44, 1999.
"Report
from Montreal", Elearior Heartney, Art
in America, February, 1999.
"Mark
Wallinger", Stella Santacatterina, Flash
Art, March-April, 1999.
"Behold
Jesus just another ordinary bloke", Fiachra Gibbons, The
Guardian, 22nd July, 1999.
"The
Day I met the son of God", Adrian Searle,
The Guardian, 22nd July, 1999.
"Jesus
starts a new battle of Trafalgar", Alex Hendry, The
Express, 22nd July, 1999.
"Christ
fills a gap in heart of London", Will Bennett, The
Daily Telegraph, 22nd July, 1999.
"Humble
Christ beats war-like Thatcher", David Lister, The
Independent, 22nd July, 1999.
"Christ
stirs passion in Trafalgar Square", Dalya Alberge, The Times,
22nd
July, 1999.
"Is
this a fitting site for a statue of Jesus Christ?", Sir
Roy Strong, Daily Mail,
22nd
July, 1999.
"My
Week", Mark Wallinger, The Independent, 24th
July, 1999.
"Plinth
Seeks Occupant. Nelson will be Neighbour",
Warren Hoge, New
York Times, 19th July, 1999.
"A
Finishing Touch for Trafalgar Square", Warren Hoge, International
Herald Tribune, 21-22 August, 1999.
"Small
figure makes a big impact", Richard Dorment, The
DailyTelegraph, 25th August, 1999.
"The
Plinth"s Progress", Lucy Lethbridge, ArtNews, October,
1999.
"A
finishing touch", Warren Hoge,
Vocable, 21
October-3 November, 1999.
"Short
of statue", James Hall,
Artforum, November, 1999.
"Mark
Wallinger's Christ", Jonathan Jones,
The Guardian, 27th December, 1999.
"Brush
Hour", Adrian Searle, The Guardian, 28th
December, 1999.
"For
Christ's sake", Lynn Barber,
The Observer, 9th
January, 2000.
"Edge
of meaning and nonsense", Colin Gleadall,
The Daily
Telegraph, 22nd July, 2000.
"Moving
Targets 2", Louisa Buck,
Tate Gallery
Publishing Limited, 2000.
"Soul Searching", Simon Grant, Tate: The Art Magazine, issue no. 22, Summer, 2000.