Anna
Thew
“82
Co-Op Films”, Anne Parisio, Oxford Film-makers Newsletter, 1982.
“Hilda
Was a Goodlooker”, Verina Glaessner, Monthly
Film Bulletin, BFI, November, 1986.
"Hilda
Was a GoodLooker", Lizzie Francke,
City Limits, 6th
November, 1986.
“All
About Hilda”, Nik Houghton, Independent Media, n.60
December, 1986.
“Charting
Time and Eye Music” ('Blurt'), Nik Houghton,
Performance, Sept/Oct, 1986.
“Media
Production in Higher Education the problem of theory and practice” , Paul Wallace, Undercut, n.16, 1986.
“The
Last Sweat of Youth”, Anna Thew, Performance, n 44-45 November, 1986.
“Small
Talk Between the Lines”, Anna Thew, Light Years, London Filmmakers Co-op, 1986.
“Illuminated”
('Behind Closed Doors'), Michael Maziere, Independent
Media, n.75 March, 1988.
“A
Cinema of Pure Pictures”, Anna Thew, Steve Farrer, Museum of Modern Art, Oxford, 1988.
"Observations
on Steve Farrer's Machine", Anna Thew, Diorama (1988) Technologies et Imaginaires (Paris 1990), April, 1988.
“BFI
New Directors” (‘Eros Erosion’), Nik Houghton, City Limits, 16th August, 1990.
"New
Directors at Metro", Farrah Anwah, City Limits, 16th August, 1990.
“Dear
IM magazine”, Anna Thew, Independent Media, n.115
Dec/Jan, 1990.
“the
new pornography” ('Cling Film'), Cathleen Maitland –Carter, I-D, 10th
November, 1992.
“Midnight
Underground” Barry Hale, Variant, 1993.
"Cling
Film", Thomas Serota , 22nd Festival International de Cinema Figuera, Portugal, 1993.
“Preservativo
Vence Nosferatu”.
F
Arturo, Diarode Noticias, 16th
Sept, 1993.
"Sex
is made Nasty", Anna Thew, Vertigo, Spring, 1994.
"Anna
Thew", Rod Stoneman, A Directory of British Film
& Video Artists, Arts Council/University of
Luton Press, 1995, 1 86020 003 6.
“Steve
Farrer; Anne Rees Mogg; George Saxon”, Anna Thew, A
Directory of British Film & Video Artists, Arts
Council/University of Luton Press , 1996, 1 86020
003 6.
“Who’s
Eluding Who?” , Anna Thew, Independent Media, n.74, 1998.
“As
Mainstream Flicks the Underground Flickers”, Anna Thew, Eyeball, n.5, 1998.
“Profile
David Larcher”, Anna Thew, Eyeball, n.5, 1998.
A.L.
Rees, A History of Experimental Film and Video, BFI, 1999, 0 851
0 81 9.
“Cultural
Imperialism or Vibrant Moving Image”, Anna Thew, Vertigo, Vol.2 n.1 Spring, 2001.
“By
Way of an Elegy” (Sandra Lahire), Anna Thew, Filmwaves, , n.16, 2001.
“Film’s
Lascivious Surface”, Anna Thew, Filmwaves,, n.14, 2001.