Pam
Skelton
Groundplans
Exhibiton Catalogue, Ikon Gallery, Birmingham, 1989, 0 907594
27 1.
"Dangerous
Places - Ponar", Pam Skelton,
Préoccupations, Gallery
L’Ollave, Lyon, issue 3, France, 1994, 125
2775.
"Ponar", Pam
Skelton, Dangerous Places: Ponar Exhibition catalogue, Skelton-Forster, 1995, O 9525098
0 6.
"We
hear and we refuse to believe", Bernard Hœpffner, Dangerous
Places: Ponar Exhibition catalogue, Skelton-Forster, 1995, O 9525098
0 6.
"In
the place of danger", Andrew Benjamin, Dangerous
Places: Ponar Exhibition catalogue, Skelton-Forster, 1995, O 9525098
0 6.
"Pam
Skelton" ('Ponar' - Imperial War Museum),
Catherine
Elwes, Arts Monthly, April, 1995, pp 26-27.
"The
Unthinkable is the Unknowable Ten Years After Chernobyl", Angela
Dimitrakaki, Third Text,
, 35, Summer, 1996, 0952-8822, pp.
101 – 103.
"'Dangerous
Places - Ponar' An Installation by Pam Skelton',
Griselda
Pollock, Third Text, 36,
Autumn, 1996.
Rosemary
Betterton, An Intimate Distance, Women, Artists and The Body, Routledge, 1996, 0-415-11084, pp.
162, 173-181, 191, 192.
"Shifting
Subject - Beyond the East/West Divide", Pam Skelton, Private Views, Spaces and Gender in Contemporary Art from Britain and Estonia, Women's Art Library, 1998.
Catherine
Elwes, Video loupe,
KT Press, 2000, 0-9536541-0-9, pp.
31, 112.