Guy
Sherwin
('At
the Academy'), Arte Inglese Oggi 1960-76 catalogue, British Council / Electra Editrice, Milano, 1976.
('Paper
Landscape' performance), Festival of Expanded Cinema
catalogue, ICA, 1976.
('Short
Film Series' and 'At the Academy'), Will Milne, Readings, issue
2, 1977.
"Landscape
1", Chris Welsby, Perspectives
on British Avant-Garde Film, Arts Council/Hayward Gallery, 1977.
('Short
Film Series'), David Curtis and Deke Dusinberre (eds), A Perspective on English
Avant-Garde Film,
Arts Council of Great Britain/British Council, 1978, 0 900229 54 3.
Film
as Film. Formal Experiment in Film, Arts Council of Great Britain, 1979.
('Short
Film Series'), Ian Christie, Arnolfini Review, March, 1980.
"See
Real Images!" ('Short Film Series'), Deke Dusinberre, AfterImage, issue
8/9, Winter, 1981.
('Short
Film Series'), Deke Dusinberre, Monthly Film Bulletin, BFI, October, 1983.
('Short
Film Series'), Peter Gidal, Millenium Film Journal, issue
13, 1983.
('Messages'), Gillian
Swanson, Undercut, issue 12, 1984.
('Messages'), A.L.Rees, Monthly
Film Bulletin, BFI, October, 1984.
('Messages'), Marjorie
Keller (ed.), Motion Picture,
Fall, 1986.
('Messages'), Michael
O’Pray, The Elusive Sign catalogue, Tate
Gallery, 1987.
"From
Across the Channel & 15 Years" ('Messages' and 'Short Film Series'), Barbara
Meter, Undercut, issue 19, 1990.
Boris
Vidovic, The School of Watching, Kino
Teka, Zagreb, 1991.
"Guy
Sherwin", A.L. Rees, A Directory of British Film
and Video Artists, Arts Council of Great Britain/University
of Luton Press, 1995, pp 170-171.
Michael
O’Pray (ed), The British Avant-Garde Film. 1926-1995, Arts
Council of Great Britain/University of Luton Press, 1996.
('Prelude'), Nick
Collins, Artists’ Film & Video Series, Arts
Council of England/Tate Gallery, 1997.
('Mile End Purgatorio'), Martin
Doyle, Film Poems,
BFI, 1997.
('Mile End Purgatorio'), Andrew
Lambirth, Sight & Sound,
October, 1999.
('Filter
Beds' at New York Film Festival Oct.1999), Brian Frye, www.indiewire.com/film, 1999.
('Man with Mirror' and 'Short Film Series'), A.L. Rees, A History of Experimental
Film and Video, BFI, 1999, 851706819, pp 81-82.
('Coots'
from 'Animal Studies'), Brian Frye,
New York
Underground Film Festival, 1999.
('Cycles
1', 'Newsprint', 'At the Academy'), Live In Your Head. Concept
and Experiment in Britain 1965-75 catalogue, Whitechapel Gallery, 2000.
('Filter
Beds'), Fred Camper, Chicago Reader, vol.
29, issue 33, May, 2000.
"Film,
Video, TV" ('Night Train', 'Flight', 'Tree Reflection' from 'Short Film
Series'), Nicky Hamlyn, Coil, November, 2000.
(One-person
programme), Edwin Carels, Rotterdam International Film
Festival, 2001.
('Flight'), Guy
Sherwin, Garden Pieces,
BFI, 2001.
"Strange
Attachments" ('Cycle' and 'Night Train'),
Nicky Hamlyn, Pandaemonium, Lux, 2001.
('Movements by Rail'), Guy
Sherwin, Rolling Stock,
Royal
College of Art, 2001.
('At
the Academy'), Mark Webber, Shoot Shoot Shoot - the first
decade of LFMC and British Avant-Garde Film 1966-76 catalogue, 2002.
(One-person
programme), Barbara Meter, Image Forum Festival, Japan, 2002.
('Short
Film Series', 'Under the Freeway', 'Filter Beds'),
sue k, Filmwaves, issue
19, Spring, 2002.
('At
the Academy'), Susan Morris, issue 18, January, 2002.
Nicky
Hamlyn, Film, Art, Phenomena, BFI, 2003.