William
Raban
"William
Raban - 'River Yar'", Peter Gidal,
NFT, 1972.
"review
of 'River Yar'", John Du Cane,
Time Out, 14-20
July, 1972.
"Introduction", John
Du Cane, A Survey of the Avant-Garde in Britain, Gallery
House, October, 1972.
"Beware
Infants of the Silver Screen", R Cork, Evening
Standard, 12th October, 1972.
"Artist
as Filmmaker", Annabel Nicolson , Art
and Artists, December, 1972.
"Filmmakers’
Co-op at the NFT” (review of 'Soft Edge'), Ian Duff, Film
& Television Technician, July, 1973.
"Report
from London on 1973 Festival of Independent Avant-Garde Film", Jonas
Mekas, 4th October, 1973.
“Reflected
Light” (review of '2’ 45'), Tony Rayns,
Sight
& Sound, Winter, 1973.
British
Landscape Films, Tate, 3rd
March, 1975.
"On
Expanding Cinema", Deke Dusinberre, Studio
International, vol.190, no. 978, 1975.
"review
of 'Diagonal' at Oberhausen Film Festival", Frankfurter Rundschau, 14th May, 1975.
"William
Raban", Peter Gidal (ed), Structural Film Anthology, BFI, 1976.
"Review
of Festival of Expanded Cinema at the ICA",
David Curtis, Studio
International, March April, 1976.
"Review
of Festival of Expanded Cinema at the ICA",
Christian
Wapler, Das Andere Kino, issue
3, 1976.
"Three
Structuralists", Daryl Chin,
Soho Weekly
News, 18th November, 1976.
Malcolm
Le Grice, Abstract Film and Beyond, Studio Vista, Cassel & Collier Macmillan Publishers
Ltd, 1977.
"Expanded
Cinema", William Raban and Marilyn Halford, Perspectives on British Avant-Garde
Film, Arts Council of Great Britain
and Hayward Gallery, London, 1978.
"Review
of X6 Summer Performances", William Raban,
New Dance, issue
8, Autumn, 1978.
"Expanded
Cinema", Birget Hein, Film
as film: formal experiment in film, 1910-1975,
1979, 0 7287
0200 2, pp 257-258.
"The
Structural Film", Birget Hein,
Film as film: formal experiment in film, 1910-1975, 1979, 0 7287
0200 2, pp 99 & 101.
"'Angles
of Incidence',' Autumn Scenes'", Cineprobe, MOMA Dept. of Film, 15th
January, 1979.
"William
and Marilyn Raban’s ‘Black & Silver’",
Michael O’Pray, Undercut, issue
5, 1982.
"William
Raban’s Landscape Films: the Formalist Imagination", Michael
O’Pray , Undercut, issue 7/8, 1983.
"KNHO
Trip", William Raban, Undercut, issue
9, Summer, 1983.
"Chris
Welsby interview", William Raban and Michael O'Pray, Undercut, issue
7/8 Lanscape Spring, 1983, (reprinted in The Undercut
Reader, Critical Writings on Artists’ Film and Video, Wallflower Press,
London, 2002, 1-903364-47-7).
"'London'
by Patrick Keiller", William Raban,
Vertigo, issue
43, winter, 1994, p 40.
"William
Raban", Michael O'Pray, A Directory of British Film
& Video Artists, The Arts Council of England,
University of Luton Press, 1996, 1 86020
003 6.
"Review
of 'Island Race' at Oberhausen Film Festival", Michael
Schmitz , Westdeutsche Allgemeine, 27th April,
1996.
"Review
of 'Island Race' at Oberhausen Film Festival", Sascha
Westphal, Nachrichten, 27th April, 1996.
Michael
O’Pray, The British Avant Garde Film 1926-1995, University
of Luton Press, 1996, 1 86020 004 4.
"Pandaemonium", William
Raban, Frieze, May, 1996.
"Michael
Maziere interview", William Raban,
Vertigo, issue
6, Autumn, 1996, 0968-7904, pp 40-41.
"Expanded
Practice in Television – Defending the Right to Difference", William
Raban, Vertigo, issue 8, Summer, 1998, 0968-7904, pp 42-44.
"Lifting
Traces", William Raban , Filmwaves, issue
4, Spring, 1998.
A.L. Rees , A History of Experimental Film and Video, BFI , 1999, 1 86020 003 6.
"Filmaktion", Gregory
Kurcewicz , Filmwaves, issue 12, March, 2000.
"Time
and the Immaterial", Andrea Tarsia,
Live in
Your Head Catalogue, 2000, 0854 88 122 0, pp 20-23.
"The
Documentary Chronotope", Michael Chanan,
Jumpcut, issue
43, 2000.
"Light
Plays Primal Scenes", David Curtis,
Pix, issue
3, 2001.
essay
for film retrospective, Gertjan Zuilhof, Rotterdam
Catalogue, 2001, 90-75615-06-X, p 299.
Malcolm
Le Grice, Experimental Cinema in the Digital Age, BFI, 2001, 0-85170-873-0.
"Close
up on a Field Without Definition", William Raban, David Curtis
& Gary Thomas, Vertigo, vol.2,
no.1, Spring, 2001, 0968-7904.