Sally Potter

“Interviews With Three Women Film Makers”, Verina Glaessner, Time Out, 17th March, 1972.

“Rendezvous D’Edinburgh: A report on the festival’s Feminism & Cinema Week”, H. MacKintosh & M. Merck, Time Out, Sept, 1979.

“Feminism and Cinema-Exchanges”, Lesley Stern, Screen, vol. 20. nos. 3/4 Winter, 1979.

“She who laughs first laughs last” , Jane Weinstock, Camera Obscura, Feminism, Culture and Media Studies, no.5, 1980.

“Sally Potter on Thriller”, Sally Potter, Camera Obscura, Feminism, Culture and Media Studies, no 5, 1980.

“Thriller: An Intrigue of Identification”, Joan Kopjec, Cine-Tracts, vol. 3. no. 3., Fall, 1980.

“Femicide Investigation” (‘Thriller’), B. Ruby Rich, Chicago Reader, March, 1980.

“The Needle’s Eye”, Amy Taubin, Soho Weekly News, April, New York, 1980.

“Three Women”, J Hoberman, Village Voice, 5th May, 1980.

"Loners and Sin", Geoffrey Nowell-Smith, New Statesman, 18th January, 1980.

"Thriller", Martyn Auty, Monthly Film Bulletin, BFI, vol. 47, no 559, 1980.

“Language and Cinema; Preliminary Notes For a Theory of Verbal Images”, Noel Carroll, Millennium Film Journal, Autumn/Winter, 1981, pp.115-22.

“Night at the Opera: Investigating the Heroine in Sally Potter’s Thriller, E. Ann Kaplan, Millennium Film Journal, Autumn/Winter, 1981.

“An Interview with Sally Potter”, Valentina Agostinis, Framework, no.14, Spring, 1981.

“Woman’s Stake: Filming the Female body”, Mary Ann Doane, October, no.17 Summer, 1981.

“An interview with Sally Potter”, Gillian Swanson, Lucy Moy-Thomas, Undercut, London Filmmakers Co-op, no.1, 1981.

“Psychoanalysis and Cultural Practice”, Gillian Swanson, Lucy Moy-Thomas, Undercut, London Filmmakers Co-op, no. 1, 1981.

“The Very Model of a Modern Minor Industry - Independent filmmaking in the UK”, B. Ruby Rich, Camera Obscura, no 35 May, 1983.

E. Ann Kaplan, Women & Film: Both Sides of the Camera, 1983, 0416317502.

“Interview with Julie Christie”, Marcel Berlins, The Times, 7th May, 1984.

“The Gold Diggers”, Derek Malcolm, The Guardian, May, 1984.

“The Gold Diggers”, David Chute, Los Angeles Herald Examiner, 10th July, 1984.

“An interview with Sally Potter”, Lindsey Merrison, Festival Bulletin: Berlin Film Festival, February, 1984.

“The Gold Diggers: A Preview”, Jonathan Rosenbaum, Camera Obscura, no.12 Summer, 1984.

“Celeste And Ruby Go Digging: Saskia Baron talks to Sally Potter about The Gold Diggers”, Saskia Barron, Stills, no.12, 1984.

“Interview with Sally Potter”, Saskia Barron, City Limits, 4th May, 1984, p.26.

“The Gold Diggers”, Saskia Barron, City Limits, 4th May, 1984.

The Gold Diggers", Pam Cook, Monthly Film Bulletin, BFI, vol 51, no 604, 1984, pp.141-2.

“British Independents: The Gold Diggers: In-depth interview with Sally Potter”, Pam Cook, Framework, no. 24, UK, 1984, pp.13-30.

“BFI Backs ‘Gold’s’ All Woman Production Team: Adrian Hodges talks to director Sally Potter”, Adrian Hodges, Screen International, 5th June, 1984, p.11.

“Sexual Difference and the Moving Image”, Jane Weinstock, Difference – On Representation & Sexuality, The New Museum of Contemporary Art, New York, 1985, 0-915557-45-2.

“Counter-Cinema and Sexual Difference”, Peter Wollen, Difference – On Representation & Sexuality, The New Museum of Contemporary Art, 1985, 0-915557-45-2.

Rozsika Parker, Griselda Pollock (eds), Framing Feminism: Art and the Women’s Movement 1970-1985 , 1987, 0-86358-179-X.

Patricia Mellencamp, Indiscretions: Avant-Garde Film, Video, & Feminism, 1990, 0-253-20587-5.

"Orlando", David Stratton, Variety, 14th Sept, 1992.

"Orlando", Patricia Dobson, Screen International, 9th October, 1992.

“Quentin Crisp’s on set diary during the making of ‘Orlando’”, Marie Claire (UK), December, 1992.

“A report from the set in St Petersburg during the filming of Orlando”, Verina Glaessner, Sight and Sound, August, 1992.

Stephanie Jordan, Striding Out: Aspects of Contemporary Dance and New Dance in Britain, 1992, 1-85273-032-3.

"Orlando", Nigel Andrews, The Financial Times, 11th March, 1993.

"Orlando", Derek Malcolm, The Guardian, 11th March, 1993.

"Orlando", Shiela Johnston, The Independent, 10th March, 1993.

"Orlando", Hugo Davenport, The Daily Telegraph, 12th March, 1993.

"Orlando", Geoff Brown, The Times, 11th March, 1993.

"Orlando", Vincent Canby, The New York Times, 19th March, 1993.

"Orlando", Philip French, The Observer, 14th March, 1993.

"Interview with Sally Potter", Rolling Stone, August, 1993.

“Interview with Sally Potter plus review of Orlando”, The Sunday Times Magazine, 28th Feb, 1993.

“Interview with Sally Potter plus review of Orlando”, Time Out, 10th March, 1993.

“Fire and Ice”, Verina Glaessner, Sight and Sound, March, 1993.

"Sally Potter on Framing" and "Light and Liberty", Derek Malcolm, The Guardian, 11th March, 1993.

“Interview with Sally Potter” plus an article by B. Ruby Rich, Amy Taubin, Village Voice, 22nd June, 1993.

"Interview with Sally Potter", Interview, vol. 23 no.6, 1993.

“Immortal Longing - Walter Donohue, Orlando’s script editor, talks with Sally Potter”, Sight and Sound, March, 1993.

“Out Of The Wilderness: An Interview With Sally Potter”, David Ehrenstein, Film Quarterly, vol 47, no 1, 1993.

“Demystifying Traditional Notions of Gender: An interview with Sally Potter”, Pat Dowell, Cineaste, v20, n1, 1993.

“Debate: A Conversation with Sally Potter”, Penny Florence, Screen, v34, n3, 1993.

Pam Cook, Philip Dodd (eds), Women and Film: A Sight and Sound Reader, BFI, 1993, 1857270819.

Annette Kuhn, Women’s Pictures: Feminism and Cinema, 1994, 1-85984-010-8.

Orlando - Sally Potter , Faber and Faber, 1994, 0-571-17295-4.
“Gotta Dance: The Tango Lesson”, Sally Potter, Projections 4 - Ed. John Borman, Tom Luddy, David Thomson, Walter Donohue, 1995, 0-571-17363-2
“Interview with Sally Potter”, Scott MacDonald, Camera Obscura, Feminism, Culture and Media Studies, 1995.

Patricia Mellencamp, A Fine Romance: Five Ages of Feminism , Temple University Press, 1995.

"Sally Potter", Scott MacDonald, A Directory of British Film & Video Artists, The Arts Council of England, University of Luton Press, 1996, 1-86020 003 6.

“Travels with Sally Potter’s Orlando: Gender, Narrative, Movement”, Julianne Pidduck, Screen, vol 38, no2, 1997.

Maggie Humm, Feminism and Film, 1997, 0-7486-0900-8.

The Tango Lesson (Screenplay), Sally Potter, Faber and Faber, 1997, 0-571-19166-5.

Scott MacDonald, A Critical Cinema3: Interviews with Independent Filmmakers, 1998, 0-520-20943-5.

B.Ruby Rich, Chick Flicks: Theories and Memories of the Feminist Film Movement, Duke University Press, 1998, 0-8223-2121-1.

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